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I have noticed that a lot of films that have been featured on "Mystery Science Theater" have received a tons of low ratings on IMDb. However, a few of the films featured on the films weren't that bad and it's not fair to rate a film that's been given the "MST" treatment--with the hosts making funny comments during the film. Now I am NOT saying that "The Girl in Lover's Lane" is a great film, but it's not nearly bad enough to merit its current IMDb score of 2.1.

The film begins with Bix and Danny meeting. Bix is a veteran drifter and Danny a younger guy who seems to have no particular reason to be wandering about the country. Once they blow into a small town, Bix needs to rescue Danny again and again because Danny is quite naive--a nice way of saying he has the intellect of a tomato.

Along the way, something happens to the self-assured Bix--he finds a nice young lady and finds the lure of staying put pulling at him. And, in an odd subplot, Jack Elam plays a super-creepy sicko who wanders the town scaring the crap out of everyone--yet oddly, the police don't seem to take much notice nor does anyone on their own do anything about him. Ultimately, however, when Elam puts the moves on a girl who Bix is falling for, things come to a full boil.

Overall, while not at all a great film, there were many interesting plot elements in this film--enough to merit a score higher than 2.1. The biggest negatives are a simplistic conclusion to the mystery that occurs near the end as well as the total stupidity of Danny one time too often. Considering the minuscule budget, however, it's a watchable little film.

For years, when MST3K fans have been polled about which riffed films were "not completely terrible," this movie has come up (along with the Godzilla and Gamera movies). It's easy to see why - unlike complete train wrecks like Space Mutiny and Manos the Hands Of Fate, you can tell that this could have been a halfway decent film if it had a little more of a budget - better sets, better costumes, a competent script editor to fix the problematic ending. The acting isn't terrible, some of the characters are actually likable, and Jack Elam's villain is genuinely creepy. It made for a very underrated MST3K episode - one of the funniest of the later Joel era. (The show's writers reported being genuinely traumatized by the film's ending - and you just KNOW that it was a rare film that could get that crew to genuinely care about the characters).

Like probably 90% of the people writing reviews for this movie, I saw this on "Mystery Science Theater 3000." Joel and the bots did an excellent job of riffing on this movie, and I thought that it was one of the funnier episodes.

This being said, however, this wasn't a particularly horrible movie. Especially compared to some of films they ran on MST3K.

It had it's weaknesses: the movie had about zero budget and so things like the costumes and set design were horrible. The plot, also, digressed in spots. On the whole, though, the acting was competent and the story held my interest. I actually found myself caring about the characters.

It wasn't a perfect movie, but it was nowhere near as bad as the usual MST3k fare such as "Giant Gila Monster" and "Manos Hand of Fate." As such, it doesn't really deserve to be mocked as much as it has been. It was a B-Movie from the 50s, but it was a watchable one.

This is a film I would have thought I would be seeing as part of one of those Something Weird Video double feature disc's. Pretty much your typical 1950's "troubled youth" films. Though this one is a bit talky and light on the action, I did enjoy it somewhat. I guess I have a soft spot in my heart for these kinds of films. Basically you have this young guy who leaves home in order to come to terms with the fact that his parents have decided to get a divorce. He meets Bix, a road weary and very experienced drifter. They end up in a small town and stay longer then they expected which leads to romance, complications, confrontation, rape and murder. Brett Halsey stars as Bix and gets fine support from Joyce Meadows and a perfectly cast Jack Elam as the town letch. All in all, it's no great shakes but it is entertaining enough.

****SPOILERS**** Late 1950's youth movie about two young drifters Bix & Danny, Brett Halsey & Lowell Brown, drifting in on a fright train into the peaceful little town of Sherman. A town where the police chief says that nothing bad ever happened there in 20 years.

It didn't take long for something bad to happen in peaceful Sherman where on just the first night there the two outsiders are attacked by a gang of local thugs because one of them had a $50.00 bill that he changed at the towns pool hall to play a game. $50.00 seems to be a very small price to corrupt the local boys from their 20 years of peaceful endeavors.

The people of Sherman weren't that bright either by beating to a pulp ,and almost lynching, Bix for raping and murdering his girlfriend Carrie, Joyce Meadows, after her body was found in the woods. The locals didn't have enough sense to know that Carries killer may well have been the local town weirdo Jesse ,Jack Elam, who was alway after Carrie. Jesse even tried to rape her the day before but was stopped by none other then Bix himself who belted Jesse and left him in dreamland.

Bix was saved from being lynched by the mob led by Carrie's emotionally upset father Cal,Emile Meyer, by his friend Danny who came to his rescue, just when he was about to leave town, by telling them that it may very well have been Jesse who killed Carrie. Jesse who just happened to be at the scene to watch the lynching then broke down and confessed to the crime and was taken away into custody by the police. The cops were released from the towns jail in which they were locked up in when the townspeople stormed the police station to get and then try to lynch Bix. The townspeople, including Carrioe's dad Cal, were more kinder to Carrie's actual killer then Carrie's boyfriend by not trying to apprehend or kill him like that tried to kill Bix who they should have known was innocent.

It was also interesting to see that Danny who was in town for just a few days could put two and two together and come to the conclusion that it was Jesse who killed Carrie when the local townspeople, who lived in the town all their lives, who knew about Jesse's dangerous obsession for Carrie didn't have the brains to figure that out by themselves? Danny who ran away from home when his parents divorced gets the good news at the end of the movie, I guess that his parents are back together, and happily invites his friend Bix to come home and live with him and his parent which Bix readily agrees to do, just what was meant by that? Isn't two grown up young men living together a bit odd especially in movies made back then in the 1950's? The movie "The Girl in Lover's Lane" seems to have more under the covers then over them, when it comes to Bix & Danny, and may have been made for other reasons other than what those watching it back then really thought.

This one is one of those classic B movie following the exploits of 2 hobos. It's done really cheesily and Big Stupid running off one-liners like a cardboard cassanova. But Jack Elam steals every scene he's in as the creepazoid Jesse (now Jerome!). My favorite scene is the lynch mob and the dad's voice going up 10 octaves ("You loved her?"). Danny, Big Stupid's protege, is surprisingly stupider, but not as loathsome as our lead star. There's also a quaint scene of a guy pimping at the diner. Joyce Meadows is the sweet, naive nice gal and probably the least annoying. And those yellow ruffles (RAWR!). Oh, and booze is evil according to Mr. Stupid.

This movie's a hoot. Watch the MST cover of this and Crow's terrific Elam homage!

The Girl in Lovers' Lane: 3 out of 10: Homoerotic subtext in the movies is a well known phenomenon. Plenty of dissertations have come out of film schools about the hidden subtexts in such films as Top Gun and Spartacus. The Girl in Lover’s Lane certainly fits the homoerotic trope. In fact, it is so blatant and over the top even MST3K, whom rarely notes such things in their riffing, simply cannot avoid it.

The film is about two drifters. One a rich kid (Lowell Brown) running away from home with a hundred dollars and no street smarts, the other is a professional hobo (Brett Halsey). The hobo saves the kid from a gang of thugs and they end up in a small town consisting of a diner, a pool hall and a whorehouse. Our drifter scholar gets a second look from the diner’s waitress (Joyce Meadows as the titular Girl in Lovers Lane) who clearly is past the age of being choosy and whose only other prospect is creepy Jack Elam doing a Steve Buscemi impression.

On the surface, this seems like a strange film for the MST3K treatment. While the cast are to old for the characters they are playing, the acting is actually pretty good with both Brett Halsey and Jack Elam giving solid performances. The story is slight, but hardly The Robot vs. Aztec Mummy material and the production values are cheap back lot, but relatively competent.

It is the strange Batman and his ward homosexual undercurrents that make this film both awful and hilarious. Halsey’s over the top objections to the kids attempts to get laid in the whorehouse are hilarious, his inability to commit to the waitress (or at the least get past first base) are telling, and the dozens of glances between him and the kid; a hand on shoulder, the sleeping arrangements, blowing off dates with the girl so he and the kid can shave each other. You don’t have to be Freud to figure out this undercurrent.

A young man, named Danny, has run away from home and meets a drifter, named Bix, who agrees to tag along with Danny and watch out for him... and his money. They end up in a small town where they meet Carrie - a shy, naive girl working in her father's diner. Bix starts seeing Carrie but he plans on leaving soon (because he's a drifter, see? He's no good! Understand?). Meanwhile, the town creep, Jesse (played by a perfectly casted Jack Elam), keeps showing up at the diner and bothering Carrie. Danny keeps inadvertently picking up whores left and right (because he's loaded with money – he has almost a hundred dollars!) whom Bix has to constantly chase away (there are a lot of ambiguously gay overtones between Danny and Bix in this flick). Eventually, Bix and Danny decide to leave town but trouble is a-brewing, due to Jesse the creep.

My review of the movie itself: a terrible, dated "Troubled Youth" flick from the '50s.

My review of the MST3K version of the movie: I've got to say that this is one of the best episodes of MST3K ever. The riffing is dead-on, all the time. Except for the somewhat downbeat ending, this movie is easy material for Joel and the Bots, especially Danny's constant screw-ups that Bix has to rescue him from. The host segments are pretty good too, especially the segment with the `Train Song.' Hopefully, Rhino releases this episode to home video one day.

In reading the other reviews and/or remarks, I have to disagree with any references with regard to both male characters or one male character referenced as being gay. That is so ridiculous. The more accurate relationship between the two males, rather should be seen as older big brother and younger naive brother. Bix, like any older brother looks out and protects a younger less worldly brother. In addition, I think that Bix is afraid of making a commitment to Carrie, because he's never allowed himself to be close to a woman in a relationship, and now because he's starting to feel something for Carrie, he's fearful and ready to run. Now, with regard to the story's resolution (Act III), Carrie just suddenly screaming just made no real sense.

This film is a typical example of why a revolution in film occurred in the 1960s and 1970s. One the one hand the producers of this 1960 film wanted to deal with controversial topics such as the hobo lifestyle and homosexuality, but they just couldn't avoid the traditional Hollywood studio compulsion to sanitize things. One particularly stupid example occurs very early in the film. The freight hopping hoboes are dressed like prep school students, and their clothes are amazingly clean and neat. Boxcars are FILTHY. I know this because I worked one summer loading them at a factory. An hour or two working in one and you look like you spent the night in a dumpster. As for the homosexuality, I completely missed that implication the first time I saw the film and only picked up on it after I read reviews here at IMDB. The producer and/or director just couldn't bear to make it too obvious, and that would have been easy to do. Homosexuality was common among hoboes, by the way. Like prisoners in jail, even straight hoboes engaged in it, as they had few other options.

This could have been an excellent film, even with a low budget, if the producer didn't clean everything up so as not to offend audience members with delicate sensibilities. But then why did he show a rape/murder, a beating, and a near lynching? I guess those things were OK to watch in the "heartland" of America in 1960.

What a very odd movie. Two drifters meet on a train and form a relationship. One of them is the dominant one who throws his weight around, turning his buddy into a man. There is a plot line where they fight some local toughs, get involved with a girl who is later raped and murdered. But it always gets back to the two of them and their connection. Jack Elam, with those gigantic eyes, is the local nut case, who is always lurking in the bushes, going after the young daughter of a small town diner. There's more to it than this, but it is cheesy and talky. The conclusion is really intriguing. These two guys are more than friends, and I don't mean that to be terribly critical. It's just that you don't expect it in 1959 movies. Anyway, it is interesting enough in its fairly bleak images. We never quite understand some of the motivations, unless one can think "death wish." All in all, I'm sure it raised a few eyebrows of those who are not totally dense.

I saw this film as an episode of Mystery Science Theater 3000 as chances are I would have never even known it existed without it. Not that it was all bad, it was pretty typical of a lot of films of the era. Of course, most of the ones I have seen have been episodes of Mystery Science Theater. The film was one of the ones they did that featured more of the whole struggle of youth type episode rather than science fiction or a horror which is the stuff the normally riff. These types of films usually are pretty good too though. They normally run from being youths that want to be violent or youths trying to figure things out that get caught up in some craziness. This one is more the latter, though the lead guy is rather older. He is a mentor who helps a young man who is trying to figure things about his own life, but he seems to do a lot of running.

The story has a young man named Danny being chased in a train yard from two guys who are out to get his wallet. Well poor Danny manages to ditch his wallet, but he ends up taking one hit and falls right out. Thankfully, a wise traveler named Bix puts him in the boxcar and soon he and Danny are riding the rails. Bix agrees to help Danny and be a traveling companion, while Danny provides some cash. They soon stop at a town and if you thought this was a traveling film where our new found friends were going to have different adventures in different towns and cities you are going to be disappointed. Yes, they stay in the town throughout the duration of the film, but it sure is a strange town. Depicted as very small, but at the same time it has one very large brothel in it. It also has a shady pool hall where every person in it is willing to beat up a person for their money. At the same time it is such a peaceful town that a young couple can stroll its streets at night. Well Bix falls for a girl who has an incredibly obvious stalker that also has his eyes on her! Things take a turn for the surprising and a bit depressing.

It made for a rather funny episode of Mystery Science Theater 3000. This one did not have a short and from the looks of it, I do not see this one being as edited down as other episodes either. I think you can get a full sense of the picture without seeing the whole thing. The film is entertaining enough to make it a good episode too. I think that some of the truly awful films that are boring make for poor riffing material. My least favorite episode of MST3K is the one featuring that German Hamlet as it was done so minimally and it was just labored. This one has lively characters that can at times make you feel a little sympathy and a less dreary episode of the show.

So in the end, it was not anything I would want to watch without the aid of the gang of the satellite of love, but it was not as bad as other things they have made fun of. The movie moves along about like other films and it is better made than say an Ed Wood film or Coleman Francis movie that were also being made at this time. Nothing really stands out except that crazy eyed dude who was so obviously insane. Oh no, he is just harmless. Yep, the type of thing people say about psychos after they kill! Along with kept to themselves.