Gila, el monstruo gigante

As an offering on AMC's Friday Fright Night, this film hardly qualified, other than being frightfully nostalgic and silly...but after ample quantities of Labatts and Yukon Jack, I thought this flick was big fun.

Okay, so that ukelele should've been broken over the dude's head the minute he started strumming it; so his crippled yet perky little sister was badly in need of an upper-lip wax; and I won't even reference the titular monster, as it's been commented on ad infinitum...

This is classic "ancient" cinema, the stuff your parents were supposed to be watching while they steamed up the windows in the back seat of your daddy's Plymouth; and I still think it beats the CGI "blockbusters" being pooped out of Hollywood every year.

To paraphrase Geena Davis in that remake of another cheesy sci-fi flick: "Be drunk...Be VERY drunk!" Highly recommended at 4 in the morning...

Well... maybe I'm in strong like.

The Giant Gila Monster is undeniably idiotic, but it is also a thoroughly enjoyable fusion of stereotypes - the '50s sci-fi craptacular, the 1950s teen rebel film complete with really sexy hot rods and a modern day Tex-western - all genres well overdue for retro movements.

The film features some of the most inept special effects of all time, vast continuity chasms, and shockingly good characterization. Regardless of how sub-cretinous the script sometimes becomes, the characters are actually well developed human beings with interesting relationships to one another - united by their existence in a town where nothing interesting ever happens, until a giant gila monster starts terrorizing a long, lonely stretch of highway on the outskirts of town.

Don Sullivan is likable but sickeningly sweet as the bad-boy Texas drag racer turned responsible budding good-boy rock-a-billy star. His acting is not too bad, and some of the rest of cast act as well, but generally, the performances are a bit ridiculous. Nevertheless, the film really does develop its characters and its plot in somewhat unique and original ways. And besides, when you're not being entertained by the virtual variety show which passes by between the action scenes, you can laugh at the tonka toys getting walked on, the flaming toy train, and the giant sand grains (almost as large as the grain of salt you should take this film with) that appear near the camera in most of the scenes featuring the gila monster.

If films are supposed to entertain, this will certainly satisfy fans of pulpy sci-fi like me. I can't honestly recommend it for those who do not enjoy camp and kitsch. Enjoy!

"The Giant Gila Monster" is one of those films of old that despite its numerous flaws retains a certain charm that adds a special mystique to the experience of watching them. Often labeled as one of the movies with worst special effects in history of cinema, this small Drive-In classic shines among similar movies due probably to the same naiveté that made Ed Wood's movies legendary. Like Wood's movies, "The Giant Gila Monster" has more good intentions than talent behind the camera, and that probably is what makes it so special.

The plot starts when people starts disappearing in the roads near a small Texan town. The sheriff Jeff (Fed Graham) is puzzled by the case as the victims seem to vanish leaving no trace. With the aid of his good friend Chase (Don Sullivan), he starts an investigation that will lead them to discover that a monster of huge proportions has been hiding and is eating its victims.

The movie is centered around Chase and the Sheriff's friendship, and the parental relationship that exists between them. Despite having no father and with a handicapped sister, Chase never loses his optimism and is willing to help everyone, from his best-friend the Sheriff to his girlfriend Lisa (Lisa Simone), who is an immigrant and wants to get a job. All this is charged with the 50s innocence and that naiveté that gives the film its charm.

Acordign to history, this movie was the brainchild of Gordon McLendon, a Texan millionaire who wanted to make movies with good Christian values and moral lessons to fight against the movies that were "corrupting" the youngsters of his time. This purpose is notorious through the film as the victims of the monster seem to be punished because of their sins, and becomes blatantly obvious when Don Sullivan sings the movie's theme.

While the movie may have failed as a Christian movie, it has gained a popularity among fans of 50s B-movies because it presents the classic elements of the Atomic Age creature-features. The primitive and simple special effects and the poorly written dialogs are really obvious flaws but the film as a whole has a certain charm due probably to the innocence of its makers and probably of the 50s as a whole.

Don Sullivan is a good lead, and also performs his songs with natural ease. Fred Graham and Lisa Simone are also quite good despite the silly dialog the movie has. Director Ray Kellogg handles the movie with the typical 50s style probably to make it appealing to mainstream audiences. The special effects are indeed poor and it is easy to notice that the Giant Gila Monster is nothing more than a normal Gila Monster walking over a cheap scale model.

To judge "The Giant Gila Monster" under the standard of our times would be a mistake, so it's better to say that the film delivers entertainment and a good glimpse to the idealized society of the 50s. People expecting a classic horror movie will definitely be disappointed, but fans of Atomic Age monsters or of B-Movie classics will find a minor gem to enjoy. 5/10

The Giant Gila Monster is another creature feature from Ray Kellogg (The Killer Shrews) that usually gets passed over with bad reviews. The story is about a giant, people-eating gila monster, which usually lurks in the thick brush near an isolated community. The main character, Chase Winston, (Don Sullivan) is a teen leader, car mechanic, and rockabilly/folk singer who sort of reminds me of singer Jimmie Rodgers. The acting is fine to passable for this type of low-budget movie, and the film is well shot. The Giant Gila Monster may be too slow for younger audiences used to today's action-packed fare, but for older audiences it might be a fun reminder of the era in which it was made. The music is creepy and nicely captures the mood of the isolated areas. The special effects (like the gila monster attacking a wrecked train) may bring on some good laughs. Throw in some rock & roll, teen lingo, a French exchange student (Lisa Simone, who was also in Missile To The Moon), a big city disc jockey, and some hot rods, and you've got a late 50's, drive-in flick which can be easily enjoyed for the type of movie it is.

The acting is embarrassing, the special effects are terrible, the photography is okay except for consistently bad lighting, the dialog is awkward, and the locations of the shots are difficult to mentally resolve. I love this movie. It's like a movie I would have tried to make, and wish I had made. I would be proud of it today if I had. I bought it, it's that good/bad. It's not as bad as "Plan 9 From Outer Space", in fact it's Academy Award material compared to Plan 9. It's one of those 50's low budget movies that I can't get enough of. I would love to have a collection of movies like this one. One thing I never quite understood was how a Gila Monster survived in Texas or possibly a Midwestern locale. It obviously wasn't Arizona... Forgot to mention the singing, makes the acting look good.