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Murphy was a hero in World War 2, being the most decorated soldier of the war, but as an actor he left much to be desired. Black and white should have gone the way of the arc projector lamp by the 1950's! The film does have a good cast of character actors doing they're best to pull this film out of it doldrums. Ms. Moore seems out of place in this film, lacking her usual sensuality. John Dehner is his usual best as the stern character of the film, outdoing Murphy who's supposed to be the lead. James Best is in his heyday period and shows good acting. One wonders if Murphy being a co-producer has any bearing on the quality of this flick? I would recommend it to people who like typical westerns of the B class.

I won't say the worst, because this is not that junk, garbage film, but it is easily forgettable, run of the mill western. It is outrageous to compare it with NO NAME ON THE BULLET, also with Audie Murphy, for instance. Only John Dehner, more than Murphy, brings some thing in this tepid film. It is only a bit touching because of the atmosphere and little music. I hardly watched it till the end of those eighty minutes. Yes, if you want to find something nearly worth the watch, search in the smooth, I would say oater, side of this film directed by a western maker. Don't lose you time with this one if you want to discover Audie Murphy in a good role.

At this Point in His Career Audie Murphy began to Show Personal Problems and Uneasiness with Films and Productions Available.

The Off-Screen Personal Problems, such as Gambling Debts and a Disgruntled Attitude Started to Manifest On-Set and On-Screen.

In this "Red River" (1948) Retread He seems Miscast as a Bully.

The Movie even Cribbed Scenes from the Aforementioned Cattle-Drive and Murph Thought the Script was Sub-Par.

Filmed in B&W, another Irritation that Didn't Sit Well.

Co-Star Terry Moore Encouraged Him to "Bite the Bullet" and Give it His All when Murph didn't even want to Rehearse.

That Helped a Little, but His Performance came Across as Below His Usual Standard.

John Dehner does a Good Job and the Rest of the Cast are OK.

But Thomas Carr's Lackluster Direction Didn't Help the Movie to Rise Above Average.

Overall, it's Not a Bad Movie, but Audie Murphy Fans may be Disappointed.

The 60's were Not Kind to the Former Super-Star and this one could be Seen as the Start of the Decline.

The Western Movie was also Suffering from Over-Exposure on the Big and Small Screen and would Soon be Out of Favor.

The End of the Decade Long Run was around 1962.

But After All this Being Said, its Still...

Worth a Watch.

Cast a Long Shadow is directed by Thomas Carr and adapted to screenplay by Martin M. Goldsmith and John McGreevey from the novel written by Wayne D. Overholser. It stars Audie Murphy, Terry Moore, John Dehner, James Best, Denver Pyle and Ann Doran. Music is by Gerald Fried and cinematography by Wilfred Cline.

Filmed in black and white and produced out of the company Murphy formed with Walter Mirisch, Cast a Long Shadow is a tired Oater on narrative terms. The look and feel is fine and the performances are more than up to scratch, but there's a thematic drive missing from the writing, a missed opportunity to really pump some psychologically distorted blood into its veins.

Murphy is a tough drinking loose cannon type who inherits a ranch and renounces his past and plans to marry his sweetheart. But the ranch is wanted by the townsfolk as a means of productivity salvation and it transpires it's in a whole bunch of debt - with the bank vultures circling. So Audie takes control of a crucial cattle drive and proves to be a very hard task master, so much so he just may kill off any hope of saving the ranch in the process.

In the background is the hovering question of Murphy's illegitimacy, something which bothers him so, and with him trying to go straight and sober - but in the process alienating everyone around him, the meat is there for a tasty stew. Sadly it's only averagely unfurled and culmination of story leaves loose ends dangling. Still, it's never dull, music and photography are in sync with the play, and Murphy fans get good value for their time. 6/10

An Audie Murphy Western from 1959. Murphy is drunk, playing cards in a saloon when a man, played by John Dehner, comes a-calling. It turns out Murphy's father has passed & left his ranch to him but Murphy left home a while ago on the outs w/his father so Dehner proposes to purchase the estate from him (he's cobbled together a collection from all the other ranch hands), all Murphy has to do is come back, sign over the deed & go his merry way but once he's among the people he left behind, specifically the girl, now a young woman, who jilted him at the altar, all his past transgressions melt away emboldening him to propose marriage, which she accepts. The fearlessness continues when he announces he's not going to sell & herd 3000 head of cattle to New Mexico (to pay off the debt his father had saddled the farm with). At first his workers/investors aren't too pleased but his determination to get the job done does impress even though there are those among them who would be willing to bump him off if a stampede could happen at the right time. Offbeat to be sure, Murphy rises to the challenge in a role not unlike John Wayne's in Red River (where a megalomaniac pushes his men to their limits) but Dehner is his equal as an old herder who's too stubborn to admit his past regrets must now swallow his pride for the good of the ranch. Also starring a couple of Dukes of Hazzard vets, Denver Pyle & James Best, as Murphy's reluctant workmen.