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Nací para ti

Título original: Marjorie Morningstar
  • 1958
  • Approved
  • 2h 8min
PUNTUACIÓN EN IMDb
6,2/10
1,3 mil
TU PUNTUACIÓN
Nací para ti (1958)
Eighteen year old Marjorie Morgenstern is a proverbial New York Jewish-American princess on the cusp of womanhood. While she has in the back of her mind that she would like to become a stage actress, she is less certain about her personal future. While she has burgeoning sexual feelings for her boyfriend Sandy Lamm, who she is expected to marry eventually in he being a nice Jewish boy, she isn't sure if she truly loves him. Marjorie wants some time away to discover in part if she should accept Sandy's proposal of marriage. In doing so, she meets several wannabe suitors, who will enter, leave and reenter her life over the course of her young adulthood, the one who she believes she is truly in love with being Noel Airman, fourteen years her senior, he the social director of South Wind, a summer resort in the Catskills, when they first meet. Much like Marjorie's chosen life path is against the tradition envisioned by her opinionated mother, Rose Morgenstern, in Rose hoping that acting is just a phase and that Marjorie will settle into a life as housewife and mother, Noel has taken a similarly unconventional life path, bucking an envisioned professional life for one in the arts, he adored as a genius by those at South Winds as he is writing a Broadway musical. What those at South Winds do not see is Noel's time away from South Winds, he who has a tendency not ever to finish what he starts, which may be in part the reason why he never sees himself getting married in his romantic relationships only lasting the short course of his time in any one given place. What may be more egregious in Rose's mind about Noel as a potential husband for Marjorie is the fact that he has turned his back on his Jewish heritage. As Noel contemplates settling into a more conventional life for Marjorie, the question becomes whether what they both see as the love they have for the other can overcome these many obstacles.
Reproducir trailer1:31
1 vídeo
58 imágenes
DramaRomance

Añade un argumento en tu idiomaAt 18, Marjorie Morgenstern is the proverbial New York Jewish-American princess on the cusp of womanhood. While she has in the back of her mind that she would like to become a stage actress,... Leer todoAt 18, Marjorie Morgenstern is the proverbial New York Jewish-American princess on the cusp of womanhood. While she has in the back of her mind that she would like to become a stage actress, she is less certain about her personal future. Although she has burgeoning sexual feeling... Leer todoAt 18, Marjorie Morgenstern is the proverbial New York Jewish-American princess on the cusp of womanhood. While she has in the back of her mind that she would like to become a stage actress, she is less certain about her personal future. Although she has burgeoning sexual feelings for her boyfriend Sandy Lamm, a nice Jewish boy whom she is expected to marry eventually... Leer todo

  • Dirección
    • Irving Rapper
  • Guión
    • Everett Freeman
    • Herman Wouk
  • Reparto principal
    • Gene Kelly
    • Natalie Wood
    • Claire Trevor
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,2/10
    1,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Irving Rapper
    • Guión
      • Everett Freeman
      • Herman Wouk
    • Reparto principal
      • Gene Kelly
      • Natalie Wood
      • Claire Trevor
    • 34Reseñas de usuarios
    • 14Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 5 premios y 3 nominaciones en total

    Vídeos1

    Trailer
    Trailer 1:31
    Trailer

    Imágenes58

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    Reparto principal55

    Editar
    Gene Kelly
    Gene Kelly
    • Noel Airman
    Natalie Wood
    Natalie Wood
    • Marjorie Morgenstern
    Claire Trevor
    Claire Trevor
    • Rose Morgenstern
    Everett Sloane
    Everett Sloane
    • Arnold Morgenstern
    Martin Milner
    Martin Milner
    • Wally Wronkin
    • (as Marty Milner)
    Carolyn Jones
    Carolyn Jones
    • Marsha Zelenko
    George Tobias
    George Tobias
    • Maxwell Greech
    Martin Balsam
    Martin Balsam
    • Dr. David Harris
    Jesse White
    Jesse White
    • Lou Michaelson
    Edd Byrnes
    Edd Byrnes
    • Sandy Lamm
    • (as Edward Byrnes)
    Paul Picerni
    Paul Picerni
    • Philip Berman
    Alan Reed
    Alan Reed
    • Puddles Podell
    Ruta Lee
    Ruta Lee
    • Imogene Norman
    Ed Wynn
    Ed Wynn
    • Uncle Samson
    Beverly Aadland
    • Dancer
    • (sin acreditar)
    Russell Ash
    • Harry Morgenstern
    • (sin acreditar)
    Howard Bert
    • Seth Morgenstern
    • (sin acreditar)
    Leslie Bradley
    Leslie Bradley
    • Blair
    • (sin acreditar)
    • Dirección
      • Irving Rapper
    • Guión
      • Everett Freeman
      • Herman Wouk
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios34

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    Reseñas destacadas

    mg1119

    Great Soap Opera Wallow

    This is just one of those glossy '50s tearjerkers, with glamorous people, pretty Technicolor, and fab costumes. The best thing about it is Gene Kelly, who is absolutely handsome, charming, and sexy as a slimy rogue who leads the sweet, innocent Natalie Wood down a treacherous emotional path. The two stars have tremendous chemistry, in spite of the large age difference between them. Kelly proves that he is (was?) a marvelous dramatic actor, a side seldom seen in his career outside of this movie. He should have done more of it. Wood is more of a raw, unpolished talent at this point in her career, but her vulnerability and ability to bring real tears to a scene makes her performance tremendously affecting. She's also radiant and beautiful, showing off her Audrey Hepburn-like ingenuous charisma. This is not a perfect movie, but you will be engrossed and emotionally moved by it. Fine performances also by the supporting cast, including Martin Milner, Ed Wynn, Carolyn Jones, and just about everyone else. A fine popcorn romance.
    9bkoganbing

    Meet the Morgensterns

    If you grew up in a Jewish home or even a mixed household as I did there were two books in every domicile. One would have been Leon Uris's Exodus and the second was Herman Wouk's Marjorie Morningstar. I guess I can appreciate the film more than most since I saw a lot of the characters in my youth and afterwards.

    Everett Sloane and Claire Trevor, formerly of the Bronx, now reside in a doorman building in Manhattan. Everett is a self-made man who's now living the American dream, albeit Jewish style. And Claire, if she's gone a bit high hat, is still a very concerned mother and a pretty shrewd judge of character or the lack thereof. In fact Claire Trevor has the best performance in the film.

    The Morgensterns have two children, daughter Marjorie and son Seth. It's Seth's bar mitzvah that the story opens with, but it's Marjorie who the film is about.

    Remember this is post World War II America and Claire wants for her daughter a man as successful as the one she married. No great thoughts about alternative avenues for women. But Marjorie is determined to explore alternatives.

    With best friend Carolyn Jones, who's very into alternatives, Marjorie takes a job as a counselor in a summer camp. And in a neighboring camp she meets Noel Airman, the camp theater director. Now Marjorie's smitten and wants a show business career.

    Though Natalie Wood plays Marjorie and the title role, the most complex part is Gene Kelly as Noel Airman. Kelly as a dancer has just the right theatrical background to understand an underachiever like Noel Airman. He's all surface charm, and even talented. But there are a lot of people in the theater who never become successful at it in monetary terms. The few that do are lucky, they might get the right breaks, but they all work hard at what they love.

    Noel won't commit to work. He wants it all, but he doesn't want to work for it. He also doesn't realize that show business is a business and there are a lot of people out there as talented as he without his issues.

    In fact the key scene in the film is when Claire Trevor on meeting him, sizes him up correctly in five minutes. Kelly sizes Trevor up as well that she's a bit of a snob, but at least she has her's.

    This film brought Natalie Wood real star status. It was her break out role from what was essentially brat pack pictures from the 1950s. She's so beautiful here it's hard to imagine the tragedy that awaited her. A perfect Jewish princess, in the nicest sense of the term.

    Ed Wynn who never was able to translate his vaudeville and radio success to Hollywood until late in life also shines here as Everett Sloane's Uncle Samson. He's the happy go lucky contented man, but not terribly successful of the previous generation. He represents as much as the family loves him, what they've escaped from.

    In life and more so in Hollywood life, things do have a funny way of resolving themselves. And Marjorie in a way she and we don't expect gets her real heart's desire. But for what and how you have to watch this very nostalgic re-creation of upper middle class Jewish life in New York City.
    5sroimoi-184-971491

    An OK flick

    I have watched Marjorie Morningstar on video a few times and have read others' review of it. As a Jew, I was not bothered by the stereotypes. They rang true because in that day an age, that is how parents viewed marriage for their children. Interesting that the Bar Mitzvah was held in an Orthodox synagogue where there is separate seating men and women though the religious observance of the Morgensterns is questionable. In any case, while the premise of a young woman falling for an older man with great passion is believable, Gene Kelly as Noel Airman to me was not even likable. And it is wonder why they needed to cast a 46-year old man in a role of a 33 year old. Ed Wynn and Carolyn Jones were a delight, while most of the other characters were not particularly noteworthy. The movie ending is far different from the book, and honestly, I think I prefer the movie ending though the book's end was probably more true to life.
    bern6336

    Curiously Affecting

    I find Marjorie Morningstar curiously affecting but I'm not exactly sure why. I must have seen the movie twenty times from its original release in 1958 to 2004. When I first saw it it seemed a coming-of-age movie of a very beautiful New York Jewish girl. It also seemed prissy and prudish. The best thing about the movie was Ed Wynn as Uncle Samson. I felt at the time he gave an Academy Award perfor mance. I still do! When I saw the movie in the 1960s I thought it was the dumbest, squarest most ridiculous movie I'd ever seen. Natalie Wood camping around in clothes her Grand Mother would have been embarrassed to wear. Gene Kelly, [who I used to idolize} looking fat and pale with an obvious rug on. And talk about lack of chemistry! Kelly and Wood acted like they hated each other. Marty Milner was just absurd. Would anyone want to marry this nerd? Within the last five years I've probably seen it ten times and even made a a trip to Schroon Lake, N.Y. where it was filmed and stood on the beach where Kelly and Wood went swimming. I now see the movie in two ways. First, it's about values and once again Ed Wynn seems sensational because he believes in what he is saying. I doubt if any of the other Hollywood cynics believed a word of it.Second, and this has a lot to do with the haunting song, "A Very Special Love" which Kelly keeps singing.It speaks to me of my youth and my Summer loves with a wistfulness that calls me back to a gentler time. I'm sure I'll see this movie again.
    rbrtptrck

    No Other Movie Like It

    The movie suffers in two ways when compared to the magical novel about theater and love: (1) by losing the late-Depression setting, when show-business was very different than in the 1950's, and (2) by casting Gene Kelly (who himself felt he was wrong for the part) as the tall, blond Noel Airman (Warner Brothers must have lost its mind not to use its contract star Tab Hunter). But those two compunctions aside, there is no other movie like it. Natalie Wood, not yet a superstar, had to read fourteen times for the role, but all of us who loved the book knew there was no one else for it. Natalie's acting ability may have been limited to looking pretty and poignant, but there's not much else that ambitious, innocent Marjorie needs to do. This story is a loving tribute to a nice girl, and a tender acknowledgment of how hard life is for one. So far as I know, no other story captures those years when a pretty young American female has the world to choose from--or how confusing her multitude of choices are. As Marjorie slowly travels through the gauntlet of family and education (and the foggy fantasies of fame that tempt any attractive teen who draws attention and compliments) toward her inevitable, bittersweet fate, a whole world is revealed--the world of The Pretty Girl, a world of school and dates and dancing and romance--with no one really to guide her--because everyone either envies her or wants to take advantage of her. By taking her story seriously, novelist Herman Wouk created a highly individual and yet universal character, and Natalie simply WAS her. The scriptwriter did a marvelous job of condensing a long and elaborate book into an entertaining and moving photo-play--and kept enough of Wouk's dialog from the novel to give flashes of the book's insight and sophistication. All of the actors must have read the book, for they dig into their roles far deeper than the screenplay does. Not a great movie, but until someone makes a better one, it stands alone as Hollywood's most honest and endearing tribute to--The Nice Girl.

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    Argumento

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    ¿Sabías que...?

    Editar
    • Curiosidades
      Paul Newman was initially offered the role of Noel Airman that eventually went to Gene Kelly. Danny Kaye was also offered the Airman role, but turned it down as being "too Jewish."
    • Pifias
      At Marsha's wedding, Marjorie extinguishes her cigarette twice.
    • Citas

      Marjorie Morgenstern: Were you in love with Papa when you married him?

      Rose Morgenstern: When I met your father I was in love with Rudolph Valentino.

    • Créditos adicionales
      There is a credit for the perfume worn by the leading players.
    • Versiones alternativas
      The Warner Bros. logo and the WarnerColor credit are cut from television and video prints.
    • Conexiones
      Featured in Legendy mirovogo kino: Natalie Wood
    • Banda sonora
      A Very Precious Love
      Music by Sammy Fain

      Lyrics by Paul Francis Webster

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    Detalles

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    • Fecha de lanzamiento
      • 24 de abril de 1958 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Hebreo
      • Español
      • Italiano
    • Títulos en diferentes países
      • Nacida para ti
    • Localizaciones del rodaje
      • Schroon Lake, Nueva York, Estados Unidos
    • Empresa productora
      • Beachwold Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

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    • Duración
      2 horas 8 minutos
    • Relación de aspecto
      • 1.85 : 1

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