La araña

This is a typical drive-in movie horror film from the late 1950s. Like all similar films (such as ATTACK OF THE GILA MONSTER, THE KILLER SHREWS, etc.), this one had a very low budget, was quickly made and featured small-time actors. Naturally, the dialog was poor at times and the overall plot laughable, but in a strange way the film was still a lot of kooky fun. The spider special effects were generally very good and the story kept my interest. While those who love Shakespeare and art films probably won't appreciate this film, for those who love the genre this is a film that will most likely satisfy. As for me, I like these silly old flicks and recommend the movie--but I also can't rate it any higher because of its questionable aesthetic value and cheesiness.

PS--Look at the marquee at the movie theater. One of the films on the bill was THE AMAZING COLOSSAL MAN and the other was ATTACK OF THE PUPPET PEOPLE--both films by director/producer Bert I. Gordon who made this film.

I remember the newspaper ads for this as a kid. They showed a hideous spider with the head of a skull, and the tagline: It must eat you to live! Talk about giving a kid nightmares. Never got to see it at the theater but got the videotape and, while not as good as Tarantula, it comes pretty close. Mr BIG (Gordon) always had a knack for getting decent character actors, and he has good ones here, except for the teenage male lead who is pretty lame. He also knew how to keep the story clean and simple, fast-paced and interesting, without much superfluous material to bog down the action. Usually his films were hard-pressed to get to 90 mins, no filler material in them. If you are able to forgive the effects limitations of the times and of the budget, you will enjoy this and not feel that you've wasted your time. And keep your eye out for JOE, the thirty year old high school student!

Released in 1958 and shot in B&W, "Earth vs. the Spider" details the events of a small town in Southern California when a colossal spider living in a cave comes to town.

While "Earth vs. the Spider" is great when you're 8 years-old its flaws surface when viewed as an adult. For one, the spider's size changes according to the sequence: In the cave it's huge, but when it's on display at the school it's noticeably smaller; then when it traverses the town it's gargantuan. Inconsistencies like this don't make for great movies. It's entertaining in some ways, like being a period piece of the late 50s, but it pales in comparison to Sci-Fi giants from the 50s like "The Day the Earth Stood Still" (1951) and the monumental "Forbidden Planet" (1956). It doesn't help that colossal animal/monster movies made in the decades since are just all-around better, including being in color. Still, "Earth vs. the Spider" is worth catching if you favor these kinds of flicks and want to go back in time to the late 50s, not to mention there are some effective elements, like the horrific sounds the spider makes and the drained remains of its victims.

The film runs 73 minutes and was shot in Bronson Canyon, Griffith Park and Los Angeles, California, with additional footage from Carlsbad Caverns National Park.

GRADE: C

There are few film genres which can evoke such a wonderful sense of vintage entertainment as classic monster horror films. Whether perused in more depth to explore resonant themes and cultural tie-ins or simply taken at face value for comically poor dated special effects and pulpy entertainment, the particular cocktail of entertainment offered by almost any given similar film from the era is unlikely to disappoint - and Earth vs. the Spider is no exception. Despite a somewhat misleading title (then again, 'Small Rural American Town vs. the Spider' does lose some dramatic flair), the film's small, self-contained scope proves to be its greatest advantage, with few more profound aims than to entertain, and, despite whatever other faults, almost unwavering dedication to that front.

While firmly ensconced in genre conventions, the film's tongue in cheek tone promotes such a wholesome sense of enjoyment that such clichés feel warmly familiar rather than suffocatingly so. Like many of its contemporaries, the film explores notions of adults versus teenagers (one particularly comical yet chilling scene has the titular creature awoken by a rock 'n roll song and dance interlude) and science versus good old fashioned American values, though the film is politically correct to not outright condemn scientists as nonsensical lunatics as many other such films do. Similarly, the much alluded to cause for the spider's abnormal growth is crucially never discovered, feeding into cultural notions of post-war nuclear paranoia. However, the film boasts surprisingly strong production values (the spider's cave is a wonderfully grotesque setting) and above par special effects given its inevitably low budget, and again manages to bend convention to its advantage through use of an eerie theremin score, giving it a sturdy enough veneer to make for a surprisingly entertaining 73 minutes.

Despite the cast's typically universally flat performances failing to infuse much life into the shoddy script, one would hardly peruse such fare for the acting, making the cast's lackluster efforts endearingly amusing. Ed Kemmer interestingly melds the 'scientist voice of reason' and 'charismatic protagonist' figures into a single character, and feels all the more fresh and appealing because of it. June Kenney is often embarrassingly and comically melodramatic as a teen mourning her missing father, and Eugene Persson counterbalances her overacting with a dull, unenthusiastic performance as her earnest, "gee whiz" boyfriend. Gene Roth delivers many an (intentionally) comical moment as the town's ineffective sheriff, who also intriguingly shifts roles into a voice of reason figure later on.

Despite a slew of expected faults given its genre, Earth vs. the Spider is never less than supremely entertaining, making for a wonderful comedy (intentionally or not) and easily worth investigating for any fans of classic horror, or those willing to derive amusement from envisioning how frightening it must have been to 1958 audiences, or simply ridiculing it throughout.

-5/10

Jack Flynn is attacked while driving home. His teenage daughter Carol and her boyfriend Mike go searching for him and find a giant spider in a cave. The Sheriff doesn't believe them. Their teacher Kingman is able to convince him to send a posse. Armed with DDT, they are able to kill the giant spider. They bring the spider back to town and store it in the high school gym. As the kids practice rock and roll, the spider revives and terrorizes the town. Meanwhile Carol and Mike go back to the cave to find her lost bracelet.

It's a campy 50s creature feature. The giant spider is a fun visual. The acting is bad. The story is simplistic which actually helps. I certainly don't want too many explanations about giant spiders. That can't be any good. It's a B-movie with a few fun unintentional silliness.