Las tres caras de Eva

For dramatic effect movies about mental illness always have the psychiatrist coming up with a miracle cure of the patient. You saw that in Spellbound with Gregory Peck and in The Snake Pit with Olivia DeHavilland. It's not that easy, but it does make for good cinema. To give credit where it is do, The Three Faces of Eve is about a real case of multiple personality disorder and Alistair Cooke's narration does give it a proper time frame, the cure is a matter of years here.

In only her third feature film Joanne Woodward became the Best Actress for 1957, ironically beating out Elizabeth Taylor who was descending into madness in Raintree County instead of being cured. I read somewhere that the Southern born Ms. Woodward remarked ironically that it took years of training for her to lose her southern accent and then she has to find it all over again to win her Oscar. I guess the Academy voters that year were as impressed as I was how she was able to flip into three different characters in many scenes. She's drab homemaker Eve White, a Tennessee Williams sexpot as Eve Black, and as Jane who's trying to leave both behind.

As good as Woodward is, my favorite scene in The Three Faces of Eve is when psychiatrist Lee J. Cobb tries to explain to Woodward's working class husband David Wayne about multiple personality disorder. The patient looks on Cobb's face and the blank expression on Wayne's face say more than ten pages of dialog. Another performance to look for is that of future TV physician Ben Casey, Vincent Edwards as a soldier trying to pick up Woodward in her sex kitten self.

Nunnally Johnson gets some real good performances out of his cast and a once in a lifetime role for Joanne Woodward.

Wow! Woodward is amazing in this film as Eve White, Eve Black and Jane. She plays them all to perfection. It has to be hard to switch and do all these different characters right after one another but she did it wonderfully. It's no surprise she won the oscar for best actress. Great film, if you havent seen this one yet do ASAP!

I read Paul Newman's biography this summer. And early in the book, they mentioned the 3 faces of Eve and the Oscar Mrs Woodward won for her portray of the personality troubled character. From that moment, I wanted to see the movie. I have watched it lately and I must admit this is one of the best movie I have seen so far. She was capable to play three different characters and at the same time understand the subtlety of this disease (as I happen to study mental diseases). The ensemble has a good rhythm. The other characters are good and take just the necessary room without trying to impose. I enjoyed the tension that rises as we approach the end of the movie. There is no bloodshed yet it is quite terrifying. I recommend this feature to any movie lover.

I suppose the one thing Eve White could never be accused of, in the 1957 movie "The Three Faces of Eve," is not having enough of a personality! In fact--to the consternation of her dullard Georgian husband, and the amazement of shrink Lee J. Cobb--she's got three distinct personalities that tend to emerge quite unexpectedly. The first is Eve White herself, a mousy dishrag of a housewife; then there's "Eve Black," an extroverted, hard-drinking party girl; and finally "Jane," a nice, well-spoken young woman. As portrayed by Joanne Woodward in her Oscar-winning role, this mixed-up gal becomes a very believable and sympathetic figure. Woodward is actually pretty amazing here, and it is quite remarkable how she is able to switch on a dime from one personality to another, using all the actor's tricks of mannerisms, voice inflections, accents and so on. Cobb is also excellent, as usual, as the soft-spoken, patient doctor who tries for years to help her, and David Wayne is also fine as Eve's husband, who, in one fascinating scene, seems to cheat on his wife WITH HIS OWN WIFE! The psychological explanation of why Eve has become what she is may strike some as too pat, but we shouldn't forget that this is all based on a real-life case history. However, as Danny Peary reminds us in his fun book "Alternate Oscars," the real-life Eve had not been cured at the time this film was made, but rather required 17 years' worth of additional therapy, during which time a full 22 personalities came forth! But I guess that would have made for a very depressing 10-hour movie! And I wholeheartedly agree with Peary that Woodward deserved an Oscar for her work here. Heck, under the circumstances, they should've given her three!

Joanne Woodward lights up the screen in triple roles in this tale of multiple-personality disorder. Her initial, primary role is that of Eve White, a seemingly ordinary and meek Southern woman married to a man named Ralph (David Wayne). Well into adulthood, her second personality, a flirty, vampish, life-of-the-party pre-marriage version of herself, starts posing serious problems, and she is sent to therapy. An eminent psychiatrist (Lee J. Cobb) uses hypnosis to try to get through to her, and find the life event that triggered the emergence of Eve No. 2 (although none seems to exist). In time, a third personality emerges, a soft-spoken but mature and intelligent woman named Jane.

Although extremely well shot in CinemaScope by Stanley Cortez, this relatively brief film (92 minutes long) does not try to dazzle the viewer with visual dynamics, hinging almost entirely on Woodwards' impressive ability to delineate these three distinct characters. She certainly deserved that Best Actress Oscar win; "The Three Faces of Eve" offers her plenty of opportunity to just emote for everything that she's worth. Offering strong support are Wayne, as the husband who finds that he just can't stand by her (and, in one memorable scene, finds himself attracted to the Eve Black personality), and Cobb as the determined doctor interested in Eves' welfare. In smaller roles, you'll see familiar actors and actresses such as Nancy Kulp ('The Beverly Hillbillies'), Douglas Spencer ("The Thing from Another World"), Vince Edwards ('Ben Casey'), and Ken Scott ("Stopover Tokyo"). The film is narrated by Alistair Cooke of 'Masterpiece Theatre' fame.

This compelling material is given fairly straightforward treatment by screenwriter Nunnally Johnson, in one of his eight directing credits. It doesn't get too bogged down in "psycho-babble", although there is some amusement in the way that Cobb has his work cut out for him trying to use laymen's terms with the not-terribly-bright, hot-tempered Wayne.

While the film ends rather abruptly, it's careful to point out to us that the journey to self-discovery for Eve was a couple of years in the making. While the ending is kind of typical Hollywood stuff, Woodward still sells all of it so beautifully.

Inspired by the real-life case of South Carolina woman Christine Costner Sizemore, who ultimately manifested over *20* different personalities over the course of her lifetime.

Eight out of 10.