Wyatt, comisario de Dogde City, un hombre famoso por su sentido de la honradez, y Doc Hollyday un jugador entregado a la bebida, traban una buena amistad pese a sus diferencias para enfrenta... Leer todoWyatt, comisario de Dogde City, un hombre famoso por su sentido de la honradez, y Doc Hollyday un jugador entregado a la bebida, traban una buena amistad pese a sus diferencias para enfrentarse a la banda de los Clanton en OK Corral.Wyatt, comisario de Dogde City, un hombre famoso por su sentido de la honradez, y Doc Hollyday un jugador entregado a la bebida, traban una buena amistad pese a sus diferencias para enfrentarse a la banda de los Clanton en OK Corral.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Óscar
- 3 premios y 4 nominaciones en total
- Shanghai Pierce
- (as Ted DeCorsia)
Reseñas destacadas
The flick is formed by three parts and divided by three songs played by Frankie Lane and musical score by Dimitri Tiomkin . The first is located in Fort Griffin where Earp finds Holliday and helps him against Ed Bailey (Lee Van Cleef). The second part concerns on Holliday and his mate Kate (Jo Van Fleet) and appears a gambling-woman , the red-haired named Laura (Rhonda Fleming) . Here Doc helps Earp against another historic characters , such as Shangai Pierce (Ted De Corsia) and Johnny Ringo (John Ireland), furthermore is the sheriff Ben Masterson (Kenneth Tobey) . The third part focuses Tombstone , 1881 , with stimulating scenes about OK Corral gunfight between Morgan (DeForest Kelley) , Virgil (John Howard), Wyatt Earp , Doc against the nefarious Ike (Lyle Bettgler), Billy Clanton (Dennis Hooper) , Johnny Ringo, and Tom McLowery(Jack Elam). The main character is a historical figure , in this case the sheriff Wyatt Earp who participated the most famous duel occurred in the western town of Tombstone in 1881 that has been brought to the big screen many times as in the classic "My Darling Clementine" in 1946 directed by John Ford with Henry Fonda and Victor Mature , in this "Gunfight at O.K. Corral" (1957) by specialist John Sturges who would resume the same story in "The Hour of the Gun" (1967) ; the demystifying "Doc" (Frank Perry, 1971) with Harris Yulin and Stacy Keach or the more modern "Tombstone: The Legend of Wyatt Earp" (George P. Cosmatos, 1993) with Kurt Russell and Val Kilmer and ¨Wyatt Earp¨ (Lawrence Kasdan, 1994) with Kevin Costner and Dennis Quaid . The motion picture was stunningly directed by John Sturges
This is a story enormous in scope ,unusual in concept with a mile-a-minute action on a climatic and thrill-a-minute gunfight. Packs a magnificent cinematography-Vistavision and Technicolor with overblown chromatic by Charles B Lang and outdoors shot in Fort Griffith , Tucson, Phoenix and Tombstone . This thrilling film contains a spectacular and lyric musical score by the great Dimitri Tiomkin . John Sturges's masterpiece of the West in one of the top films of the 1957 year . Followed by a sequel ¨Hour of the gun (1967)¨ also directed by specialist Sturges with James Garner and Jason Robards .
Now personally I think their careers show that both of these guys knew exactly what they were doing in guiding their own destinies. This film is a great example of it. It was deservedly a critical hit and a moneymaker.
No film has ever been made that completely told accurately the story of the famous gunfight, least of all this one. But it sure captures the spirit.
I think both of these guys could have played each other's part and the film still would have been a winner. The problem with playing Wyatt Earp is that he's usually such a straight arrow on screen or on television that the main job of the actor is to keep from making him sound like Dudley Doo-Right. Burt Lancaster is capable enough and did it, but Wyatt Earp maybe one of the least complex roles he ever essayed.
Kirk Douglas though is the best Doc Holiday I've ever seen portrayed. Doc Holiday is a brooding, consumptive alcoholic who's also a woman batterer. He treats Jo Van Fleet like garbage and her responses to him is responsible for several of the plot twists. As I've said before Douglas can flip into rage better than any other actor ever. Just watch him with Van Fleet after the youngest Earp brother has been killed.
Today we would call Jo Van Fleet a battered spouse even though she and Douglas are living common-law. Her's is the next best portrayal in the film besides Kirk Douglas.
Rhonda Fleming has little to do except look coquettish and beautiful as the lady gambler who Lancaster falls for. But that was usually enough for her public. It's ironic that she's playing a liberated woman for 19th century and Fleming's politics are quite right wing and Lancaster her very traditional 19th century man was a noted political liberal.
And of course the unbilled co-star is Frankie Laine singing that wonderful title song by Dimitri Tiomkin and Ned Washington. Tiomkin was one of the best of movie composers, his music gave that extra oomph into a lot of good movies, making them great.
This has the makings of a classic, and of course the story is one of the great ture legends of the Wild West. Burt Lancaster as the tough and unbending lawman and Kirk Douglas as the unpredictable semi-lawless cad are both great, and the best scenes are probably those with the two of them. The rest of the cast is reasonable, some of them really good, though maybe the all important bad guys lacked some kind of wild evil they might have needed (a Lee Marvin intensity). One of the bad guys, Johnny Ringo, is played by a nice guy actor, John Ireland, even though Ringo was never part of thie OK Corral story. It does have a young Dennis Hopper, which is fun to see (and Hopper hailed from Dodge City itself in real life).
Still, it looked like it would really be equivalent to "Rio Bravo" and others from the same time period.
Not so, not for me. And it's simply because of that whole range of different things that add up in a great movie and slip and slither in a decent one. For example, there are a number of interludes with horses walking through the big landscape and the corny theme song is sung through a new verse. I can't believe this was effective even at the time (music from 1957 in general wasn't so corny and fakey, including country music), but now it deadened the flow. Likewise the series of events didn't always seem to lead one to the next in a compelling way, as the interludes allowed a shift in location and sometimes a whole new situation to develop.
One problem (if this is a problem) is that it's based on facts. I think this made the movie makers add information and keep switching towns simply because it was the way it was and they thought they must. Maybe they did. Oddly, they got lots of the essentials wrong that might actually make a better movie if someone wants to take another crack at it (quick details at wikipedia). The final famous shootout is fun and well done but way too obvious with the good guys always getting their target and the bad guys missing, or hitting a leg.
So why the reputation? It isn't bad, and it is always compelling to see Douglas in particular in almost any film. The filming (by Charles Lang, one of the greats) is first rate, and so just watching, whatever the scene, is enjoyable.
Lancaster, continuing his rule of alternating between heavy drama and action films, researched the historic Earp extensively, speaking to many who knew him, and his performance is restrained and assured. Douglas, on the other hand, fresh from playing Vincent Van Gogh in 'Lust for Life', knew he needed a splashy hit film, and played Doc Holliday as larger than life, swaggering, diseased, and charismatic. His portrayal is far closer in spirit to the interpretations of Holliday by Val Kilmer, in 'Tombstone', and Dennis Quaid, in 'Wyatt Earp', than Victor Mature, in John Ford's 'My Darling Clementine'.
The film, co-written by Leon Uris, author of 'Exodus', is a historically fanciful but very entertaining exploration of the friendship between Earp and Holliday, as the lawman moves from Dodge City to Tombstone, followed by the gambler, covering a 'blood debt', after Earp saves his life. The climax is, naturally, the infamous gun battle between the Earps (with Holliday) versus the Clanton family and their allies. While purists will quickly note that the shoot-'em-up presented is totally fabricated (watch 'Wyatt Earp' or 'Tombstone' if you want accuracy), it certainly is rousing!
Other aspects of the film to enjoy...Dimitri Tiompkin's magnificent musical score, highlighted by Frankie Laine's unforgettable performance of the title tune, throughout the film...Excellent supporting players, including Jo Van Fleet as Holliday's mistress, John Ireland as evil Johnny Ringo, a young Dennis Hopper as Billy Clanton, and Rhonda Fleming as the gambler girlfriend of Wyatt (based on Earp's actual wife, Josie)...Cameos by Kenneth Tobey as Bat Masterson, DeForest Kelley as Morgan Earp, Martin Milner as James Earp, and Frank Faylen as the corrupt sheriff.
The director, John Sturges, revisited the Earp saga some years later in 'Hour of the Gun', with James Garner as Earp, and Jason Robards as Holliday, but while the later film may be more correct, historically, 'Gunfight at the O.K. Corral' is a far more enjoyable film.
I strongly recommend it to any western fan!
¿Sabías que...?
- CuriosidadesThe legendary gunfight took place on October 26, 1881 and lasted thirty seconds, resulting in three dead men after an exchange of thirty-four bullets. The fictionalized gunfight in this movie took four days to film, and produced an on-screen bloodbath that lasted five minutes.
- PifiasWhen the OK corral fight commences, one of the Earp brothers fires a shotgun at the wagon the Clanton gang is in. Ike yells "shotgun" and they duck. The pellets from the shotgun blast are clearly seen hitting the canvas on the wagon, forming a large circle with the many different pellet holes. Two scenes later when they return to the same canvas, all the pellet holes are gone.
- Citas
Wyatt Earp: All gunfighters are lonely. They live in fear. They die without a dime, a woman or a friend.
- ConexionesFeatured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
- Banda sonoraGunfight at the O.K. Corral
(1957)
by Ned Washington and Dimitri Tiomkin
Sung by Frankie Laine
A Columbia Recording Artist
Selecciones populares
- How long is Gunfight at the O.K. Corral?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Gunfight at the O.K. Corral
- Localizaciones del rodaje
- Old Tucson - 201 S. Kinney Road, Tucson, Arizona, Estados Unidos(Tombstone in the opening scene is the same bridge and town as "Rio Bravo" w/John Wayne and was filmed in "Old Tucson".)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.000.000 US$ (estimación)
- Duración2 horas 2 minutos
- Relación de aspecto
- 1.85 : 1