Los Misterianos

This is one of the earlier sci-fi movies from Toho studios. Respectable Toho actors and actresses are in this movie including Kenji Sahara, Yumi Shirakawa, Momoko Kochi, Akihiko Hirata, and Takashi Shimura-all actors that appeared in the original Godzilla and Rodan movies. This story involves a group of cool looking aliens called the Mysterians, who want to possess a huge chuck of land in Japan and marry Earth women. The suspense builds when the Earth people resists the Mysterians' demands, which results in a battle for Earth action. Just to note, the actor playing the Leader of the Mysterians was Yoshio Tsuchiya. He also played the Vapor Man in 'The Human Vapor,' Controller of Planet X in 'Godzilla vs. Monster Zero,' and Businessman Shindo in 'Godzilla vs. King Ghidorah.'

Eiji Tsuburaya's advanced special effects highlighted a spectacular battle of fire, lasers, rockets, tanks and flying saucers between the humans and space aliens. A slow and mysterious, but sometimes militaristic and moving music score by Akira Ifukube. A dramatic and somber story by Takeshi Kimura. Directing was once again done by the great Ishiro Honda.

The downside, though, was that the story lacked a solid plot and the female leads weren't emphasized enough. There were too many scenes that depicted meetings held by the officials, discussing what to do about the aliens. These meetings were important in a way, but kind of boring. And, the robot monster, Moguera, was a terrific-looking monster, but wasn't utilized enough. But overall, a pretty cool feature for a sci-fi film made in the 1950s.

Grade B

Although best known for their Godzilla series, Japan's Toho Studios made many other sci fi and fantasy films. This was the first of many that would be about aliens from another world invading Earth {that idea would be later incorporated into quite a few Godzilla films}. It's dated in some respects but still pretty good fun and must have seemed quite impressive at the time of it's western release. Before that the only major film that dealt with alien invasion on a "full scale,open war" kind of level was The War Of The Worlds, and The Mysterians attempts even more, if not quite succeeding, in the way of spectacle.

The first half hour is terrific, the characters are briefly introduced, strange things happen and a large bird-like robot goes on the rampage in Godzilla fashion. After this,things go downhill a little bit, too much time is taken up with meetings and the lengthy battle scenes between the aliens and the humans are a bit static and go on a little too long. Nevertherless there is a charming toy-like nature to these scenes, as various futuristic weapons are employed against the invaders.

Special effects are occasionally poor {watch out for the awful superimposed explosions} but generally better than most Hollywood sci fi films of the time. Filmed in very garish colour {which particularly highlights the alien's costumes} and with a tremendous main march theme by Akira Ifikube, the Mysterians has it's dull bits, but is still worth watching for some childish fun. Toho would perfect the alien invasion idea two years later with the incredible Battle In Outer Space.

This is a pretty decent invasion film. This time around, Honda seems to have been inspired by the films "War of the Worlds" and "The Day the Earth Stood Still" and does a good job in conveying a lot of themes that pretty much permeate a lot of his films, fear of nuclear war and the world unifying for a common cause. Also, Akihiko pretty much built on his portrayal of the tragic hero that sacrifices himself at the end to save humanity and did his usual good job.

The only complaint I have about the film is the fact that the appearance of Moguera takes place too early in the film and his destruction is much too early. They do return him to the end, but I would have preferred to see him as the weapon of last resort that the aliens use to try to deliver the crushing blow. Other than that, this is a pretty good movie.

For the first fifteen minutes of "Chikyu Boeigun" (known in USA as "The Mysterians"), nothing happens. Scientist poking around a forest fire site comes face to face with a giant, metallic bird like monster. Then this film takes off, becoming more and more exciting. After the monster ravishes a village, the military kills it. We discover it's from the planet Mysteriod, and citizens of that planet are setting up a base here on Earth. The rest of the film concerns the battles betwen the Earth and The Mysterians. A bunch of Inoshira Honda's touches abound. There's a doomed hero (Ahikio Hirata) literally going on a kamikaze mission through the alien base, the plea for all nations to drop their petty squabbles and join forces to save the Earth, and wall to wall giant monster/spaceship excitement. Musician Akira Ifukube's score is militaristic, throbbing, and perfect. While "Gojira" is the best Japanese sci-fi classic, "The Mysterians", a candy coated treat is a close second, being the most fun.

Trivia note: Musician Akira Ifukube invented the famous Godzilla roar.

When Godzilla with its American scenes with Raymond Burr made it to the USA it started a run of Japanese science fiction that lasted well over a decade. When I was a lad I well remember the TV commercials for this film and how I just had to go see it.

60 years later The Mysterians holds up rather well. A group of aliens arrive and demand a small tract of land for use. We have to grant it because these folks are way technologically superior to us earthlings. But when a big robot starts doing to Japan what live monsters usually do it's time to resist.

What I remember best from this was the rather quick end the USA and the USSR terminate the Cold War to fight these aliens. They also start researching and move quickly up the scale in weaponry.

They are a mysterious group these Mysterians. We never do see their faces.

It's always been a pet theory of mine that a lot of cultural differences will melt rather quickly if earth ever did face an alien invasion. The Mysterians is one of those few films that support that thesis.

I wish they'd show this thing. Back in my younger days after its theatrical release it was constantly on local TV in New York City.