Al otro lado del puente

Like some others here I had seen this movie once many years ago, I was very young and came upon it at least 30 minutes into the film. Over the years I forgot the title of it, but never the plot and Rod Steiger and of course Dolores. I never saw it TV again. I would ask people about it describing the plot but no one seem to remember it.It wasn't until I was looking over Steiger's filmography that I found out the title. I bought the DVD and watched last night and memories of years and years came back over me.The music the photography, the hopelessness. So beautiful, so sad.If you have not seen it yet, please do so. One of the most forgotten movies and one of the best performances Rod Steiger ever gave.

A truly memorable, but curiously forgotten film (not on video or DVD) that deals with an absorbing theme -- how to disappear using an assumed identity. A rare example, I think, of the film version's being just vastly superior to its orginal source (a slight, if taut short story by Graham Greene).

The plot is brilliantly simple (a la Hitchock). Carl Schaffner is travelling on a train. He's trying to escape from something dreadful and threatening (not specified) and is terrified. In desperation he decides to bump off a fellow passenger, assume his identity and take his documents. He intends to leave the train at the other end, get through the official formalities and disappear safely from whatever is chasing him. He goes to a lot of trouble to darken his moustache, get the clothes right etc. The train reaches its destination. Passengers alight. He gets off, strolls down the plaform. It all seems to be going like clockwork.

Then the guard shouts at him: "Hey! Don't forget your dog!"

It seems his victim had a dog and boarded it in the guard's van. The rest of the film fascinatingly details the developing relationship between Carl and his newfound canine companion while he continues to attempt to survive and escape detection. It is highly original and gripping throughout. It has thrills and pathos. Superb acting by Rod Steiger as Carl and a really professional actor as Gloria, the dog. Very evocative black and white photography and rich, sympathetic direction. I saw this as a student in 1957 and never forgot it. I have seen it once on TV. It MUST come out on DVD!

Well, I haven't seen this movie since I was 7 years old but I have never forgotten it either. The first reviewer is right about this being one of those movies that seems almost forgotten... probably because the message is so downbeat... disturbing and very sad (But then somebody will remember it after 49+ years) This is one of those movies that couldn't have been done in color because it is so bleak. I am going to look for a copy of this movie and see it again before I can really review it... I thought "Old Yeller," was the world's best movie until I saw it again as an adult and it might be this way with Across the Bridge as well.

In this film, which my ex-English teacher lent to me to show me what kind of cinematic experiences I've been missing out on, I was so confused until the very end about which actor was Rod Steiger. After seeing Mr. Steiger in Elia Kazan's On the Waterfront, I was convinced that he was only that. But it was when the end credits came up that I was utterly taken aback and mortified by the way it said Carl Schraffner...........Rod Steiger! It was indeed the man with the funny accent and the simply blended performance that was one of my personal favorites. This is indeed a hidden cinematic masterpiece and is highly underrated, and deserves a lot more credit than it got. I can't believe this didn't even get nominated for an Oscar. I thought the overall production was fantastic, all of the actors, especially Rod Steiger, and the direction were fantastic! The writing could've been upped a notch, but otherwise, this film left me speechless and yearning for more. But one thing that I didn't like was the dissatisfaction in the end.

Bernard Lee made an acting profession playing various detectives, predominately as the first "M" in the Sean Connery era of James Bond from 1962.Before this he specialised in playing various policemen like in the subject film made in 1957.He is frustrated by the non-existent extradition treaty between Mexico, the U.S. & the U.K. in his attempts to bring to justice a latter day Robert Maxwell type crooked financier, played by Rod Steiger.A previous reviewer suspected it was filmed on location in Spain to obtain a Mexican type atmosphere and this worked well.There were a few British type actors pretending to be Mexican like Eric Pohlmann and the actor who played the chief of Mexican police whom I have seen in more typical British plots.

However the star of the film for my money was the dog actor who played "Dolores".She had a few expressive close ups with her doggy eyes which were very effective.When Rod Steiger initially rebuffed her, I was concerned that the R.S.P.C.A. would have to intervene.Nowadays when animals appear in films the producers invariably state in the credits "No animals were injured during the making of this film".The plot has already been effectively commented on by other users.Quite enjoyable I awarded it 7/10.