Reseñas de usuarios

When I travelled from India to US this was the only Hindi movie DVD that I carried with me. To me this is a "complete movie", as a movie should be. It entertains me by taking me through a wide gamut of emotions, it stimulates me spiritually and philosophically (indian faith, western existentialism are all there) and it is technically brilliant.

Each scene seems to be individually composed and you can see the effort that director vijay anand and his crew put in. Raju speaks to us in one of the scenes "there is not much difference between me and you". And as he speaks this you see the statue of Krishna in the background and Raju's index finger stretched as if holding a sudarshan chakra. Brilliant!!! Subtle things like these that you have to watch out for. The name "Guide" itself conveys a different meaning at different times in the movie; a railway guide, a personal guide and then a spiritual guide.

It is very sad that a brilliant director like Vijay Anand could never come out of the shadows of Navketan and despite giving us some of the most important and influential movies of our times was ignored. People in west respect their classics and make an effort that Billy Wilder, Hitchcock, Orson Welles, Chaplin etc. are not forgotten. New directors openly admit how much they have been influenced by these people. But in India, what is not on MTV is not worth remembering. In another 10 years no one will remember Vijay Anand.

Based on R.K. Narayan's famous novel, The Guide, Vijay Anand's Guide is a doubtless classic of Hindi movies. In a way, the movie broke tradition by presenting a relationship between a simple man who works as a guide and an unhappily-married woman he assists. The film's most remarkable feat is the lack of over-perfection. The characters are devoid of any heroic qualities. They are, like everybody else, flawed and imperfect people who have their ups and downs, and not typical self-sacrificing figures. The first scene when Dev Anand's Raju is released from prison made me predict that in typical Hindi-film style, he was actually there for no reason and was probably accused for no fault of his own. After all we are so used to seeing movies in which the lead characters are imprisoned either because they sacrificed themselves for somebody else or because they were deceived. Here Raju really did commit a crime. It's interesting how the story moves through several ironic turns. In the first half we see that Waheeda Rehman's Rosie is emotionally dependant on Raju as in him she finds a friend and confidant, and he is the one who inspires her to fight for her dignity and is her only support system. Later in the film, the story turns over when, with the help of Raju, Rosie achieves fame as a dancer. She is stronger, and feels more confident. There we see that it is actually Raju who is dependant on her, both emotionally and financially. He loses himself to drinking and gambling and is an altogether different person. Well, so is she, and that's what gives us a fascinating look at the complexity of their relationship.

The second half is, by my estimation, much stronger than the first, but that's a good thing (the trouble is when it's the other way around). In many ways, the second half, namely the parts showing the conflict in Raju and Rosie's new life as a couple, is reminiscent of many classic Hollywood pictures involving relationships. The narrative structure is done well, never daring to torture the audience and instead making everything easy to follow despite many complex proceedings. Yes, there are moments which I felt were unnecessary and the film may be quite overlong, but otherwise it is well-edited although, of course, it is more a case of good storytelling, and due credit for the consistency goes to Vijay Anand for writing such a good script and directing it so well. The dialogue is for the most part excellent - it is rich and meaningful, and it's easy to see why many of the film's lines are famous to this today. They bring depth to the story and never sound cheesy or corny, just very appropriate and convincing. The film is also one of the most remarkable cinematographic achievements of the times, and the colour cinematography makes for an easy watch. The music, by S.D. Burman, is sublime, and rightfully each song is considered a classic. The songs are executed with impressive energy and colour, they never feel out of place, and are all situationally relevant as they enhance the meaning of the story. My favourite number is of course the highly popular "Aaj Phir Jeene Ki Tamanna Hai", just because I saw it as an uninhibited celebration of the human spirit, and it is just an exhilarating and joyful number.

Raju and Rosie have been known as iconic characters, and due credit for this must go to the actors, though they are well written. Dev Anand, as already mentioned, plays an imperfect man who is still rather classy as a character and it is a demanding part for any actor. This is the role of a lifetime for this popular actor, he sinks his teeth into it, and delivers. He is convincing even in the most crucial moments, where a lesser actor could have failed, and brings character to Raju. Waheeda Rehman shines as the conflicted Rosie, in a performance that, in spite of being so restrained, conveys so much of her inner pain and dissatisfaction from life. Her transformation is very convincing, as later in the film we see an altogether different woman, who is indifferent to her surroundings and to Raju as well. It never looks peculiar, where it could have because we saw a much more warm side of her character early in the movie. It goes without saying that her dance numbers are simply superb - they are some of the best portions of the film and they contribute significantly to the building of her character. Each one of them constitutes an expression of her state of mind, whether happy or tormented, and there is a certain fervour in her expressions and moves that explosively brings out her otherwise repressed energy and emotion. Anand and Rehman are supported by several actors who provide strong support even if not all of them are great actors. Kishore Sahu is good as Marco, Rosie's ignorant husband, although he has several weak moments. The glorious Leela Chitnis is wonderful as Raju's loving mother.

Guide is a great film, though I would never call it flawless. In all fairness I found myself disappointed a bit with the conclusion of the story although I did see the redemptive tone of the ending. It is of course handled very well, but the chapter where Raju is mistaken as a holy man just didn't work for me as much despite the spiritual side of it. I still appreciate Guide and believe that fans of Hindi movies, and even foreigners who have not seen Indian movies, will enjoy this movie. It is a fine dramatic musical, and all I think is left to say is well-done.

Guide is an impeccable work of art, not simply a movie. I see it as a lifetime achievement for all those who were a part of it,not intending to undermine their other accomplishments.Vijay Anand,popularly called Goldie(movie director),shows his class and commitment to prove himself even when the English version of the movie directed by Ted Danielewski failed earlier.It was a just a five minute song that Yash Johar(PRO for production) showed to the distributors before they were convinced that the movie is a classic.The photography,art direction and production of the movie sets it apart from other movies of its era and at the same time puts it right up there on a different level.

I would say that GUIDE is the soul of Indian Cinema and serves as an inspiration to many. For all those who doubt the talent and originality of Dev Anand(Raju), this is the answer. Waheeda Rehman(Rosie) has herself confessed that Guide was the best ever role that she performed. S D Burman's heart rendering music and Vijay Anand's vision have made this a landmark accomplishment for Indian Cinema.

In India, this movie is considered a textbook for directing films. I would say it's a textbook for acting, editing, song-writing, and music direction. If Vijay Anand's direction made this movie a classic, S.D. Burman's music made it unforgettable.

Of course, before the movie came R.K. Narayan's story of Raju, the guide; a story that lent its honesty to the film: The protagonist is not infallible, he is human. He doesn't get everything right. He is not loved by everybody. He cheats, albeit in love, and pays the price. He attempts to cheat again when he tries to run away from the village where he is being considered a saint and is being expected to fast for rain. That's when he realizes he has run enough attains peace.

Without going any more into some of the more abstract reasons this is my all-time favorite film, I'll point out some of the more obvious. Only the genius of S.D. Burman could create "Din Dhal Jaaye", "Tere Mere Sapne", and "Piya Tose Naina Laage Re" - all for the same film! It is rumored that R.D. Burman ghost-composed some of the songs (especially "Aaj Phir Jeene Ki") as his father had taken ill at some critical point in the film. Regardless of which Burman did it, I am thankful for what he did.

Dev Anand and Waheeda Rehman are two of my most favorite actors. With this movie, Dev Anand silenced his critics. His acting, especially in the last part of the movie, is heart-wrenching.

I disappointed to know that S.D. Burman did not win the Filmfare award for Guide. Not that awards matter - Pink Floyd never won a Grammy (well if you don't count the one they got for "Cluster One", which was just and instrumental).

This film featuring Dev Anand in the title role is a film with a philosophical bend so well blended with the storyline that you may very well miss it if you are not a good cinema reader... this film is a story about a young charismatic guide who earns his living by guiding art lovers through the ancient relics of Ajanta and Elora-a very ancient cave sculpture site. He falls in love for a very talented but uncared wife of a sculpture researcher who suddenly on his visit to this relics stumbles upon a priceless discovery of very ancient cave sculpture..his passion for his work and the consequent neglect of his wife sets the stage of a accidental love between the guide and the young and beautiful wife aptly portrayed by the charming Waheeda Rehman.This love is a result of the appreciation and recognition of the potential of the talented wife who has a penchant for dance and music...The saga enfolds and leads to the lady becoming a famous dancer thanks to the management of the guide who is now totally in love with the dancer....The husband repents and tries to woo his wife back and dedicates the original manuscript of his work on the cave sculptures to her and the guide...also he sends her the royalty earned from his work...the charmed lover the guide in order that the wife may not return to her husband...endorses the check on her behalf by forging the signature...so that she does not know about the change of heart of her husband...this lands him in soup and he is arrested on charges of forgery...she refuses to bail him out just because he had acted wrongly...the story takes a philosophical turn and the happy go lucky guide wanders off after the jail sentence..the wife does love the guide and waits for him but he goes away disenchanted with his life...he reaches a desolate village and with his knowledge and wit finds himself as a guide of the ignorant people..they put full faith in him and turn to him in any crisis...but then the village faces a famine and they ask him for rain......that is not in his control but the villagers have faith..they ask him to go on a fast to woo the god...he pleads but the faith of the villagers forces him to take a fast..not eat anything or drink anything till it rains...he sets the stage for his death...but he knows he is a farce and does not want to die...then comes the struggle between his conscience and his outer self...this is the best part of the film and this is what makes it a classic..........tears flow in my eyes and there is rain.......but the man dies...the guide guides himself to glory..from powerlessness to strength...from life to death........see it to love it.....

Sep : 16 2005 I might be too young to comment about this great movie. I am just 24 years old. But i think age is not a bar to appreciate this movie. I see this move at least twice or thrice a week. Based on R. K. Narayan's Novel, "Guide" is by far the best movie ever made. Hats off to Narayan , Vijay Anand and Dev Anand. Not to forget S.D Burman Da 's music. This is a thought provoking movie. It, has the power to arouse the sub-conscious ethical senses. All the new directors have to learn a lot from this movie. Movie making is not just copying Hollywood. You can proudly say that Guide is a Hindi movie.... made in India. The concept of guide was far ahead to the contemporary movie making. It was made not only for that generation but for generations yet to come, just with enough impact to change lives..

GUIDE (1965) is an unsung classic of Hindi cinema, starring major Bollywood star Dev Anand. It's a beautifully-produced modern love story and focuses on what happens when a tourist guide takes up with an ex-dancer who has been abandoned by her archaeologist husband and then guides her career as she becomes a musical star. It has much in common with classic Hollywood romantic musicals in the way it seamlessly incorporates songs and musical numbers into the action and charts the success of its female star. It adds to this rags-to-riches show biz story some characteristic Indian twists which give it greater scope and deeper meaning.

Based on a novel by R.K. Narayan, GUIDE stars Anand as Raju, a glib, well-liked freelance tour guide who takes visitors, Indian and foreign, to historic sites around Delhi and tells them stories--some true, some embellished--about these magnificent places. When Raju takes Rosy (Waheeda Rehman), the ex-dancer, under his wing it causes a rift between him and his mother, friends and co-workers, so he leaves with Rosy and helps her to embark on a career as a singing and dancing performer.

However, as Rosy achieves stardom, Raju falls into bad habits, palling around with the money men, drinking and gambling heavily. Eventually, he is arrested for forging a check and is sent to jail. When he gets out he starts life anew and wanders alone far and wide before winding up in a remote desert village where, thanks to the endless stream of pearls of wisdom he dispenses, he is taken as a holy man. In the midst of a terrible drought, he is compelled to embark on a fast so as not to disappoint the villagers who believe his fast will bring rain. All the while, Rosy and his mother are searching for him.

The story is not told in quite this order. We first see Raju as he is getting out of jail and we first see Rosy as she begins her search for him. The story then unfolds in flashbacks from both his and Rosy's perspectives. If there is any flaw in the narrative structure, it is that the exploits of Raju in his reign as holy man, or "swami," are given short shrift while the love story tends to bog down during the lovers' disillusion and drift apart. We needed to see more of Raju's life in the remote village. Given that the film is only 170 minutes (rather short for a Bollywood film), another half-hour of storytelling would not have hurt.

Still, it is an accomplished work, boasting all the class, elegance and artistry of a classic Hollywood or European drama and few of the notable excesses of Bollywood films. It maintains a discreet cinematic distance that keeps the emotions in check while adding richer layers. There are songs and dances, but not too many, and they are all beautifully shot and staged, particularly the lavish, lengthy sequence showing Rosy's rise to stardom as a stage performer. The two leads, Dev Anand and Waheeda Rehman, are both genuine movie stars in the classic sense and carry the film as well as any of their counterparts in other cinemas. Rehman, for one, has a presence which clearly recalls such Italian actresses as Sophia Loren and Gina Lollobrigida. For those who are new to Bollywood, this film is a useful way to explore the roots of the Bollywood musicals that are finally attracting serious attention among film fans in the U.S.

Undoubtedly, one of the finest examples of film-making.This film is an absolutely original, Indian story, and does not owe anything to the west.Every aspect of the film is top-notch. The songs(each one, a masterpiece) blend so beautifully with the sequences, that one is convinced that the film would be incomplete without the songs.Adapted from the novel written by RK Narayan, the film explores the adventures and misadventures of the happy-go-lucky tourist guide, Raju(played by Dev Anand).The film moves on to the next level with the beginning of a love affair between Raju and a danseuse named Rosy(Waheeda Rehman) who is already married, but is discontented because her archaeologist husband doesn't really give a damn about her.The husband (Kishore Sahu) is shown to be deeply engrossed in the caves of Udaipur(the city where Raju is famously called "Raju guide")However, there is hardly any intimate scene between Raju and Rosy (later christened Nalini, in the film) and their feelings for each other are depicted in a very subtle manner. The characterization is so good that we sympathize with Rosy, rather than condemning her for having an extra marital affair....What happens next and what awaits Raju and Rosy is what the film is all about. Definitely a must-see film and certainly 10 on 10

After having watching the film, you get the feeling that this could have been a very good film if it had been better directed. Waheeda Rehman's dancing act isn't convincing. Nobody in India, and certainly nobody in Europe goes to watch Bollywood dreamworld dances. Apparently they do in the film. In the film Rosie becomes a famous dancer, but what we see of her talent is not impressively choreographed Hindi film kitsch. I've seen the same thing in worse films, so I can't see why the director couldn't think of anything more original for this film, which obviously sets its sights higher than the average Hindi film.

This could have been a very good film with better direction, and with a slightly improved script.

The book was penned by an ace novelist by the name of R.K.Narayan, who wrote the story surrounding a small village in North India. The director was Vijay Anand younger brother of Dev Anand, who reluctantly accepted the task and changed the location to Udaipur, also called the Pink City, for its ornate pink palaces and now a tourist mecca. The partnership was called Navketan International. Navketan International even handled the advertising for this movie, which was pioneering and unique even for the '60s. The actor playing "Raju" was none other than,Devdutt Pishorimal Anand, Aka Dev Anand, Evergreen Anand, Dev Saab, an English major who trekked his way to Bombay (now Mumbai) the "Hollywood" of India now inaptly titled "Bollywood". Dev Anand was accepted by the Indian moviegoers instantly since he had chiseled features (mixture of Gregory Peck & Rock Hudson!)wore hats at a rakish angle,walked sort of sideways! and spoke Hindi with a clipped and poetic accent. Being handsome compared to some actors who were cherubic! didn't do any harm either. Dev Anand, who started his career in 1946, went on to act in over 100 movies in a span of fifty years, now an octogenarian, writer, producer,director of movies OF which, less said is better!

But If there was one movie that was reflective of the confluent talent that was prevalent in Indian cinema of the '60s and '70s, it had to be "Guide". Dev Anand is not an actor in the sense of acting talent like Raj Kapoor or Rajendra Kumar(Sangam) but he got away because of his good looks. Where as Waheeda Rahman, was the Liz Taylor for looks and Merryl Streep for acting in Indian cinema. The part of "Rosie" was sculpted for her. She was a noted classical dancer. She too was reluctant in accepting the part that had, lot of insinuations and was considered a bad career move. Accepted she did and the rest is history, a cinematic masterpiece caught in Eastman color by cinematographer Jal Mistry. There is a scene, where, Raju (Dev Anand,) is drunk and sings his heart and soul to Rosie (Waheeda Rahman) who has emotions crushed between a pillow and she walks down the stairs and their hands meet between rails. This was the master director Vijay Anand at work using haunting melody of music that was the staple of great music directors like "Dada" Sachin Dev Burman, whose music will linger for ever. "Guide" is a movie you will treasure, to be taken out and watched once in a while, lest we forget the fact that there were gifted craftsmen who made great movies, when movie art was a passion practiced by chosen few. It was a Sacred Sanctum, albeit not Sacred Anymore!!

The acting done was way awesome but the story isn't that much strong to hold the public the dilogues are good.... But the movie ia not that much interesting to be worthy of 8 above imdb rating too....

I think I watched this movie 40 years too late as the way you perceive the movie has changed in these decades. Audience of today gets a lot more technical than viewers in the 60s. For a scene to have an impact there must always be a buildup and I found it missing so the effect missed its mark. As for the songs, they are evergreen classics, but I found situatiions were not created for it, just abruptly starts. It was the golden age of hindi songs so no shortage of melodious numbers and looked like the director just made room for all the songs that was created. Fasting for rain seems to be a superstition that wouldn't relate to today's audiences. Relation between Dev Anand and Waheeda Rehman is confusing at best. So, if I were to rate this movie in the 60s it would be 8* but in the 21st century as an evolved audience I will give it 5*.

Based on an acclaimed novel, 'Guide' takes us through a journey guided by the protagonists Raju (Anand) and Rosie (Rehman). Simply said, the story is about Raju, the tourist guide, who falls in love with an amateur dancer, Rosie, who's married to an archaeologist. Dance is Rosie's passion but due to her husband's discontent, she gives it up in the hope to please him and remain be devoted. Eventually, he abandons her and she seeks solace in Raju's companionship. Raju encourages her to follow her passion. However, the neighborhood, his family and friends object to their relationship and the fact that she's living in his house. Even his mother leaves him. With the help of Raju, Rosie becomes a successful dancer and a star while Raju spends the earnings on gambling, drinking and other such dealings. Rosie, though somewhat bothered by Raju's bad habits, she somehow tolerates them. Stardom has never been her ambition and she continues her dance only for the passion. Then, when Rosie's ex-husband makes his entry, it becomes too much for Raju to handle and here things change from bad to worse.

The story isn't told in chronological order but due to brilliant writing and Anand's direction, it is easy to follow and keeps us engaged as the events unfold proving once again that Anand is one of the greater storytellers. The songs are among the memorable classics (beautiful lyrics) that are spectacularly picturised (thanks to the amazing cinematography and the dazzling locations) and support the narration. The characters are so brilliantly written with different layers showing us very real human beings. None of them are perfect and very easily relatable.

Dev Anand and Waheeda Rehman have acted together in a number of films, yet 'Guide' remains the most memorable film as their chemistry is simply electrifying. Not surprisingly, the characters Raju and Rosie have been immortalized by the two fabulous leads. Dev Anand as Raju delivers his best performance, while Waheeda Rehman as Rosie underplays her part to near perfection and portrays Rosie with élan and I loved her expressions in the song just before Raju is arrested.

Finally, 'Guide' remains one of my favorite classics that I'll recommend to anyone. In my humble opinion it is one that will surprise you with it's storytelling and characters and one that will stay in your brave brain for quite some time.

Raju(Dev Anand) is a smart man from a small town. He knows many Indian languages, is hard working and owner of a railway shop but he rents his shop and chooses to work as a guide. Circumstances changes and at work he gets involved with an archaeologist's neglected wife Rosy(Waheeda Rahman). He ends up helping her, against the will of his mother, separate from her husband and become a world class dancer. Raju becomes a very rich and successful man as her lover and secretary. Raju cant handle his success and ends up in a jail under the charges of forgery. Free from jail Raju decides to travel as an anonymous soul and is mistaken for a 'mahatma' by simple villagers. Raju's inner conflict and cosmic conflicts becomes one as a mad villager by mistake set hesitant Raju sail on philosophical voyage.

The film is based on a novel by RK Narayan which is as good as the film. 'Guide' is the best Indian film by any standard or scale. It is a sure Oscar winner. Graph of the character 'Raju' is unimaginably big. There is just no connection between where it starts from and where it reaches finally although he remains a 'guide' throughout. This is one of those films which changes you as a man. This film is flawless. Pace is fast and non linear. It keeps going back and forth in flashbacks but narration is tight. I think this film is the essence of most Indian philosophies like 'Atma' (soul), Parmatma (supreme soul of perfect consciousness), Tapasya (austerity), Moksha (liberation) etc. Last 30 minutes deals with philosophical questions like 'Is there God?', 'are we being watched?' etc. There are lots of things in the film which is not in the novel including the ending which I think is the most important factor of the graph of the character.

Dev Anand is brilliant in this film. This is definitely the best film of most of the cast and crew except for may be SD Burman. Though as a soundtrack this is SD's best too. Background music is filled with flute pieces and sitar which works great to set the mood for a grand philosophical finale. 'wahan Kaun Hai Tera' is probably one of the best video I can think of. In the song people throw money at sleeping Raju considering him a beggar. In the next frame he leans on a tree and cries like a child and then runs like hell. This song beats any choreography I have seen in my life including 'Anand' and 'Pyasa'. The transformation of a common man to 'mahatma' is RK Narayan's genius which Goldy Anand has very neatly transported onto celluloid screen. By the way this film is considered a bible from the filmmkinh point of view. You can imagine if its the best of Goldy 'God' Anand himself. If you are an Indian and you like films and you have not seen this film then you are like VP Singh who had not heard of Bachchan until 1983 :>. So don't be a total dumb like him and watch it.

A classic creation which was way ahead of its time. Lovable songs, It just sucks you from the first frame itself. Dev sahab best actor and a visionary. Waheedaji bold step for agreeing to do the role. Vijay Anandji wise director and risk taker. S D Burman sahab music was a cherry on top.

This is one of the seminal movies in the history of Bollywood, one of its very best - like the characters it portrays it's flawed but completely fascinating and compelling. And with music and lyrics by S. D. Burman and Shailendra vocals mainly by Rafi and Lata complemented by incessantly inventive camera-work and direction and sets in the very best '60's tradition you have something special.

And there's a gripping roller-coaster script too: Dev Anand as Raju is released from prison for forgery, goes to a small village and inadvertently becomes the villagers swami while his story comes out in flashback. He was a slick-talking guide for a rich man who (just like a fool) didn't love his younger beautiful wife Rosie played by Waheeda Rehman who in turn loved dancing and Raju helped set up her career as a stage performer and fell in love with her and – well, far more to it than just that. The characterisations are fairly deep but episodic as style was definitely preferred over substance by director Vijay Anand – and the Style is relentless, continually restless cameras and snappy movement on screen to streams of audio interpolation or character interplay or invective means attention must be paid, right from the start. The songs are beautiful and more important than usual because they're integral to the plot. Even Waheeda ecstatically dancing by herself carried a wealth of information and plot development. Out of such a great selection my favourites were Piya Tose Naina Laage Re and Saiyaan Beimaan both sung by Lata with their colourful sets and costumes and vibrant dance routines – in fact they're two of my favourite Lata songs ever; the stately Gaata Rahe Mere Dil duet by Kishore Kumar and Lata always sticks in my mind afterwards. And Aaj Phir Jeene was voted 12th Bollywood movie song of all-time by listeners to UK BBC Asian Network in 2013. The song lyrics are beautiful but the dialogue is also wise – life and death may be illusions as averred by Raju's soul but this surely is fact!

Dev said people thought him mad for pursuing with this Hindi version when an English one had flopped, and there was a cool initial reaction to the film when it was released. For those wishing for the first time for a view of Olde Bollywood, start here. This proper version is nearly three hours long and yet still leaves you thinking that there could have been more and was it rushed, just like real life. Not perfect, what is - but once seen, never forgotten.

This is one of the best movie in indian cinema. Good direction, acting, and story.

52 years down the line & yet Guide still is fresh & relevant. Dev Anand was never given credit for his acting (perhaps people at that time were fond of theatrical acting of Dilip Kumar). However you have to see Guide (& other B & W movies before Guide) to realize how good an actor he was! In the song Waha kaun hai tera, when coins are thrown at him the expression of self deprecation given by him is one such example. Goldie's direction & treatment to the subject which was far ahead of its time is unparalleled.Finally what can be said about Sachinda's compositions. Surely this is the only movie all the songs of which will be as fresh 100 years from now as they are today.

Guide remains an eternal classic, a film that continues to mesmerize and inspire viewers decades after its release. This cinematic gem is not just a story but a profound exploration of the human spirit and spiritual awakening. The film's masterful direction, captivating performances, and unforgettable music coalesce to create a rich tapestry that delves deeply into themes of self-discovery and redemption.

The journey of Raju, portrayed with exceptional nuance, is a reflection of our own quest for meaning and truth. As a spiritual masterpiece, Guide offers timeless insights and a compelling narrative that resonate across generations. It stands as a testament to the power of cinema to touch the soul and illuminate the path of self-realization, making it a film that will forever hold a special place in the annals of cinematic history.

Guide review :

Many of my friends ask me about my most favourite Bollywood film ever. It is a question most movie critics would evade as it is difficult to name one gem from amongst the many offered by Bollywood since its inception. But I always give Guide as the answer as there is no other Bollywood film which has impressed or inspired me so much.

Like Mera Naam Joker (1970) is to Raj Kapoor, Guide is what defines Dev Anand. Playing the ever charming Raju guide who falls in love with the much married dancer Rosie (Waheeda Rehman), Dev Saahab has never looked or performed better...

Vijay (Goldie) Anand's direction is first rate as he effortlessly transitions the narrative from an intense romance to a philosophical allegory. The simple carefree Raju guide's liasion with Rosie plunges him in to an abyss of vices and debauchery until he lands up behind bars for forging his lady love's signature. Post his release, he wanders aimlessly but fate leads him to become a saviour of a drought striken village. "Aadmi yahan jaana chahta hai par kismat uske kaan pakadkar wahan le jaati hai".

Raju finds his redemption by fasting for the rains. "Swami, do you believe it will rain?" asks a firangi reporter to which his reply is "These people believe so and I believe in these people!".

The dialogues are fantastic, Waheeda Rehman excels in her dances and even supporting actors like Kishore Sahu and Gajanan Jagirdar shine. The music by SD Burman is extraordinary to say the least and every song is simply a delight to watch. It is interesting how Goldie merges two excellent numbers - 'Saiyaan Beimaan' and 'Kya se Kya Ho Gaya' - in to one sequence creating a mesmerizing effect.

The climax differs from the R. K. Narayan's original namesake novel on which this film is based. The philosophical touch of "Main..main.. aur sirf main" was Goldie's idea which still gives me goosebumps. It is actually a happy ending to the character if you think over it.

Released in early 1965, Guide was a slow starter at the box office probably due to its then bold theme of extramarital relationship. The film picked up later when Gujarat suffered a drought and the makers cleverly put up large posters everywhere showing Dev Saahab in his Swami avatar with the tag line "Guide prays for rains in Gujarat". That struck an instant chord with the audience who then queued up outside theatres and made it a hit.

Guide was a rare Hindi film to have an abridged English version for the overseas market. In that version, Dev Saahab can be seen unzipping his pants implying sex with Waheeda after the 'Aaj phir jeene ki tamanna hai' song.

Undoubtedly, Dev Saahab brought immortality to Guide. He loved and lived the character so much that he strongly objected to its proposed remake in mid 2000s. He was absolutely right. After all, masterpiece like this cannot be recreated!!!

Regards, Sumeet Nadkarni.

You cannot make a movie like this, if you have not experienced life. The maker has crafted such a beautiful movie. No words, but simply amazing.