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TU PUNTUACIÓN
Durante el siglo XIII, el tímido niño mongol Temujin se convierte en el intrépido líder Gengis Kan, que une a todas las tribus mongolas y conquista la mayor parte de Asia, Europa y Oriente P... Leer todoDurante el siglo XIII, el tímido niño mongol Temujin se convierte en el intrépido líder Gengis Kan, que une a todas las tribus mongolas y conquista la mayor parte de Asia, Europa y Oriente Próximo.Durante el siglo XIII, el tímido niño mongol Temujin se convierte en el intrépido líder Gengis Kan, que une a todas las tribus mongolas y conquista la mayor parte de Asia, Europa y Oriente Próximo.
- Dirección
- Guión
- Reparto principal
Françoise Dorléac
- Bortei
- (as Francoise Dorleac)
Susanne Hsiao
- Chin Yu
- (as Suzanne Hsaio)
Reseñas destacadas
I haven't seen this in years, but I remember it has some exciting battles, some good acting by Omar Sharif, Michael Hordern and Stephen Boyd, some great acting by James Mason and Robert Morley. I guessing that none of the actors were Mongolian or Chinese. Historically inaccurate, but kind of fun, sort of like some of Erroll Flynn's movies, like "The Charge of the Light Brigade". In recorded history, Genghis Khan was a murderous, merciless tyrant, not the idealist he's seen as in this picture, just wanting to unite all the tribes and live their lives out riding around on their horses not being bothered by the meddling Chinese. Even with all that said, it has some spectacular action and some interesting scenes that do have some historical veracity.
As an user has pointed out ,this is the last of the spectaculars of the late fifties/early sixties which began with De Mille's "Ten Commandments" and included such works as "Ben Hur" ,"Spartacus " (which was more Kirk Douglas' work than Kubrik's ),the highly underrated "Cleopatra"(when will we see the uncut version?),Mann 's "El Cid" and "Fall of the Roman Empire" .
This is the last hurrah,but it's a bad film.James Mason and Robert Morley do not seem to take their roles seriously (as Chinese characters!!)and their playing is deliciously tongue-in-cheek.But all the others seem to believe in this far-fetched tale ,very dubious historically ,with Egyptian Omar Sharif as the lead who abducts pretty princess (French Françoise Dorléac) who is raped by Irish Villain (even
nastier than Ben Hur's Messala) Boyd.There's also American Wallach who offers him his two daughters.Both Sharif and Boyd seem to enjoy bondage (collar ,cage,etc).When he speaks to common women ,Genghis is feminist (it's up to them to choose) ,but when he is with his wife ,he's a more credible macho.
Incidentally,Sharif,Mason and Dorléac's sister (Catherine Deneuve) would team up three years later in Terence Young's "Mayerling".This time,Mason was Sharif's father .
If you want to see a good Sharif movie,do choose "Dr Zhivago" instead.
This is the last hurrah,but it's a bad film.James Mason and Robert Morley do not seem to take their roles seriously (as Chinese characters!!)and their playing is deliciously tongue-in-cheek.But all the others seem to believe in this far-fetched tale ,very dubious historically ,with Egyptian Omar Sharif as the lead who abducts pretty princess (French Françoise Dorléac) who is raped by Irish Villain (even
nastier than Ben Hur's Messala) Boyd.There's also American Wallach who offers him his two daughters.Both Sharif and Boyd seem to enjoy bondage (collar ,cage,etc).When he speaks to common women ,Genghis is feminist (it's up to them to choose) ,but when he is with his wife ,he's a more credible macho.
Incidentally,Sharif,Mason and Dorléac's sister (Catherine Deneuve) would team up three years later in Terence Young's "Mayerling".This time,Mason was Sharif's father .
If you want to see a good Sharif movie,do choose "Dr Zhivago" instead.
I remembered enjoying this film when I saw it as a pre-teen on television in the '60's. I have remained an avid fan of adventure films and epics. So, when it was aired yesterday on TCM, I tuned in with anticipation. It had not aged well. Perhaps all of the anomalies are more difficult for a mature movie fan to accept.
The best parts of this film are the locations, the sets, the costumes and the props. Even so, the sets are never quite convincingly grand enough. They retain the flavor of sets. The photography never captures the locations in a way that conveys the vastness of Central Asia. And the impact of the costumes and props is diminished by the fact that they are at the service of a predominantly Caucasian cast attempting to portray the tribes of Mongolia.
Blonde Francoise Dorleac, who portrays Genghis Khan's wife is the most glaring racial anomaly. But the entire cast is similarly anomalous. At least Stephen Boyd and Omar Shariff aren't blond. But Englishmen, James Mason and Robert Morley look hopelessly out of place. (I personally wondered how people of Oriental heritage reacted to Mason's stereotypical pronunciation of the letter "L" as an "R!") I don't really find a lot of fault with the portrayals offered by Mason and Morley, although I do agree with the suggestion of several reviewers that they seem like they wandered in from a production of the Mikado.
Lastly, I cringed at the soundtrack - typically Occidental-sounding pseudo-epic orchestrations with grandiose flourishes. The heroic-sounding 4/4 marches were typical of the Sword and Sandal epics of the day. Only a stray chord here and there suggested an Oriental setting.
In that era, it was inconceivable to cast Orientals in the principal roles of a film of this one's pretensions. Under the circumstances Hollywood would have done better to simply avoid attempts to depict tales of Asian peoples.
In the end, bizarre casting and completely Occidental-sounding music render this film difficult to swallow for a film-goer looking for anything beyond a shallow adventure story. With the number of Oriental actors in Hollywood films today, a GOOD portrayal of the life of Genghis Khan is ripe for filming!
The best parts of this film are the locations, the sets, the costumes and the props. Even so, the sets are never quite convincingly grand enough. They retain the flavor of sets. The photography never captures the locations in a way that conveys the vastness of Central Asia. And the impact of the costumes and props is diminished by the fact that they are at the service of a predominantly Caucasian cast attempting to portray the tribes of Mongolia.
Blonde Francoise Dorleac, who portrays Genghis Khan's wife is the most glaring racial anomaly. But the entire cast is similarly anomalous. At least Stephen Boyd and Omar Shariff aren't blond. But Englishmen, James Mason and Robert Morley look hopelessly out of place. (I personally wondered how people of Oriental heritage reacted to Mason's stereotypical pronunciation of the letter "L" as an "R!") I don't really find a lot of fault with the portrayals offered by Mason and Morley, although I do agree with the suggestion of several reviewers that they seem like they wandered in from a production of the Mikado.
Lastly, I cringed at the soundtrack - typically Occidental-sounding pseudo-epic orchestrations with grandiose flourishes. The heroic-sounding 4/4 marches were typical of the Sword and Sandal epics of the day. Only a stray chord here and there suggested an Oriental setting.
In that era, it was inconceivable to cast Orientals in the principal roles of a film of this one's pretensions. Under the circumstances Hollywood would have done better to simply avoid attempts to depict tales of Asian peoples.
In the end, bizarre casting and completely Occidental-sounding music render this film difficult to swallow for a film-goer looking for anything beyond a shallow adventure story. With the number of Oriental actors in Hollywood films today, a GOOD portrayal of the life of Genghis Khan is ripe for filming!
I stumbled across this obscure movie earlier today and it was a pretty decent film. Based on the life of Genghis Khan, it's a little bit too scampy on the script but the scenery and music are gorgeous, and you can't go wrong when Bob Simmons (the early James Bond films) is your stunt coordinator. Omar Sharif gave a good performance, but I kept getting distracted by Stephen Boyd every time he appeared onscreen (mainly because in this movie he looks A LOT like a young Timothy Dalton, which is not a problem for me since I'm a big Dalton fan). The only performance I had a problem with was James Mason's campy Chinese ambassador. All in all, not a bad way to spend a couple hours.
This is a biopic of Temujin (Carlo Cura/Omar Sharif). This starts with the massacre of his tribe and being taken captive. He would escape and slowly rebuild his tribe. His shaman explains that there are three circles. Their middle circle is full of poor fighting tribes while the Chinese and the white Westerners are rich in the two outer circles. He would conquer the whole Mongolian steppe and meet the Chinese emperor.
This is an old Hollywood epic. It follows the tradition of western actors playing Asian characters. I don't expect any better but it is still very old fashion and dated. The story is fictional, but to be fair, the actual history is mostly written legends and oral traditions. The story does lose steam over time. There is no criticizing the caliber of the cast despite their incorrect race. It's all very grand and very old.
This is an old Hollywood epic. It follows the tradition of western actors playing Asian characters. I don't expect any better but it is still very old fashion and dated. The story is fictional, but to be fair, the actual history is mostly written legends and oral traditions. The story does lose steam over time. There is no criticizing the caliber of the cast despite their incorrect race. It's all very grand and very old.
¿Sabías que...?
- CuriosidadesSet in Asia, the movie was shot in Yugoslavia.
- PifiasChinese men wear their hair in a pigtails. At the time, men wore long hair in a topknot. They didn't wear pigtails until the Qing/Manchu dynasty (1644-1912).
- Citas
Emperor of China: It is better to light one candle than to curse the darkness.
- Versiones alternativasAll UK releases are cut by one min three secs. The cinema version was cut for nudity and later video releases also included additional edits for horse-falls and to a rape scene. In the latest UK DVD release, the only cuts are for dangerous horse falls (35 seconds).
- ConexionesFeatured in Cinema Komunisto (2010)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Dschingis Khan
- Localizaciones del rodaje
- Yugoslavia(Press book)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.500.000 US$ (estimación)
- Duración2 horas
- Relación de aspecto
- 2.35 : 1
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By what name was Genghis Khan (1965) officially released in India in English?
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