En la década de los 50, el miedo y la violencia aumentan a medida que la gente de Algiers lucha por la independencia del gobierno francés.En la década de los 50, el miedo y la violencia aumentan a medida que la gente de Algiers lucha por la independencia del gobierno francés.En la década de los 50, el miedo y la violencia aumentan a medida que la gente de Algiers lucha por la independencia del gobierno francés.
- Dirección
- Guión
- Reparto principal
- Nominado para 3 premios Óscar
- 9 premios y 8 nominaciones en total
Brahim Hadjadj
- Ali La Pointe
- (as Brahim Haggiag)
Yacef Saadi
- Djafar
- (as Saadi Yacef)
Fouzia El Kader
- Halima
- (as Fusia El Kader)
Mohamed Ben Kassen
- Petit Omar
- (as Petit Omar)
Si Mohamed Baghdadi
- Larbi Ben M'hidi
- (sin acreditar)
Franco Morici
- Mahmoud
- (sin acreditar)
Tommaso Neri
- Captain
- (sin acreditar)
Rouiched
- The Drunk Man
- (sin acreditar)
Resumen
Reviewers say 'The Battle of Algiers' offers a raw, documentary-style portrayal of the Algerian War of Independence. It delves into colonialism, resistance, and brutal tactics, highlighting moral ambiguities and human suffering. The film's realism is enhanced by local actors and on-location shooting. Its narrative structure provides a comprehensive view of the conflict, making it relevant to contemporary issues of occupation and resistance.
Reseñas destacadas
I ask myself why we never see these kind of movies on TV, instead of airing again and again the same old lethal weapons, jurassic parks, and other similar stuff? This is real cinema, this is why it is considered a form of art!
With the metaphysical crudeness of black and white, the dramatical facts of the Algerian rebellion against the French are accounted. The movie has the realistic appearance of a chronicle. And there are tons of intellectual honesty, too. I mean that there are no white hats VS black hats. You can see terrorists troubled as they are about to leave a bomb in a cafe. Policemen who struggle to save an arabian child from being killed by outraged crowd. Most of all, I like the frank words of Colonel Mathieu about the "bad methods" he's using during interrogations... Watch the movie and you will know.
With the metaphysical crudeness of black and white, the dramatical facts of the Algerian rebellion against the French are accounted. The movie has the realistic appearance of a chronicle. And there are tons of intellectual honesty, too. I mean that there are no white hats VS black hats. You can see terrorists troubled as they are about to leave a bomb in a cafe. Policemen who struggle to save an arabian child from being killed by outraged crowd. Most of all, I like the frank words of Colonel Mathieu about the "bad methods" he's using during interrogations... Watch the movie and you will know.
10ryzzard
An historian writing about the Algerian war against the French colonial authorities entitled his book "A Savage War of Peace". "The Battle of Algiers" provides many answers to that enigmatic title. It does not attempt to show us the entire war but centers on the city of Algiers. Even though you are told at the beginning that no documentary footage is used it is at times hard to believe as many of the images you see have a stark and often unsettling reality to them. Considering that this was a co production between Algeria and Italy the film is remarkable in that it does not turn itself a political tirade by taking sides. Instead the camera is a sort of neutral observer allowing us to witness events that spiraled from individual demonstrations to a full scale war of savage intensity. French officers who fought the Nazis a few years before degenerated into the mode of their former enemy while Algerians had no problems exploding bombs that would kill their own people. The camera shows no heros or villains but humanity in its darkest forms. This is a powerful film with superb direction and cinematography. It truly is one of a kind and once seen will never be forgotten.
I wish I could locate a videocassette of this film--subtitled, not dubbed. The first time I saw it, I was a little put off by what I thought was a pompous disclaimer that "not one foot" of documentary footage had been used. But, in light of the finished product, it's a remarkable statement. If a film has better captured the harsh and ugly realities that are an inevitable part of a true revolutionary movement, I never saw it. It is greatly to its credit that one never gets a sense of "good guys vs. bad guys" here--only of people trapped in a truly impossible set of circumstances, from which no escape is possible without confrontation and bloodshed. It was depressing to see this movie in Berkeley in the early 70s, and hear the audience cheer the "heroic" Algerian revolutionaries while booing the "villainous" French, in view of the great pains that had been taken to present a balanced viewpoint. This film is thrilling, heartbreaking, thought-provoking, and beautiful--sometimes by turns and sometimes all at once. If you haven't seen it and it show up anywhere in the vicinityh, drop everything and go--and pray that it's subtitled and not dubbed. (There are dubbed prints and, as is usually the case, dubbing pretty nearly wrecks it.) This is a masterpiece.
..who had lived through the real battle.
Director Pontecorvo and cinematographer Marcello Gatti are true geniuses who amazingly filmed the movie in black and white and experimented with various techniques to give the film the look of newsreel and documentary film and that too making it an engrossing n enlightening experience.
Although the rebels lost the Battle of Algiers, they won the Algerian War n their freedom from the French colonial regime.
This movie showed the impact of colonialism on daily lives.
The guy who played Ali is noteworthy, one of the rebel female has a sharp contour cheeks and the character lil Omar will always be remembered.
The torture of the rebel prisoners is the most poignant relevance to the recent ongoings worldwide.
The ironical aspect is that of the Colonel, who himself suffered torture by the Nazis in a concentration camp, now torturing common civilians to obtain information.
Director Pontecorvo and cinematographer Marcello Gatti are true geniuses who amazingly filmed the movie in black and white and experimented with various techniques to give the film the look of newsreel and documentary film and that too making it an engrossing n enlightening experience.
Although the rebels lost the Battle of Algiers, they won the Algerian War n their freedom from the French colonial regime.
This movie showed the impact of colonialism on daily lives.
The guy who played Ali is noteworthy, one of the rebel female has a sharp contour cheeks and the character lil Omar will always be remembered.
The torture of the rebel prisoners is the most poignant relevance to the recent ongoings worldwide.
The ironical aspect is that of the Colonel, who himself suffered torture by the Nazis in a concentration camp, now torturing common civilians to obtain information.
As Algerian, I watched this movie 2 times a year for 20 years, this movie is a part of my story. It helped me to put imagines and sounds to stories I heard from my teachers, cousins, as my grand-parents and my parents still can't talk about that horrible war.
By now, as I'm growing old, I understand that this movie is not the 'Truth', it was 'war', and in a war even good people can do horrible things. And I know what I'm talking about as I was there, in Algeria, during the 'Dark Decennial', while we were fighting against our own people whom turned terrorists in the name of Islam.
So for those who will watch this film, please just remember not to judge any of the parties : Algerian /or/ French. It was a war and no war is nice, people die, and those who survive will suffer. Films/art are a form of exorcism for that pain we keep silently inside.
I like this movie, because I saw tears in the beautiful green eyes of my grand mother every time she watched it and it always gave her a good opportunity to cry for my grand father that she lost during the war. I saw my father crying for his father that he never knew, and saw him also being closer to his mom because.
For me, this movie will always be a 'Good movie to watch in Family'
By now, as I'm growing old, I understand that this movie is not the 'Truth', it was 'war', and in a war even good people can do horrible things. And I know what I'm talking about as I was there, in Algeria, during the 'Dark Decennial', while we were fighting against our own people whom turned terrorists in the name of Islam.
So for those who will watch this film, please just remember not to judge any of the parties : Algerian /or/ French. It was a war and no war is nice, people die, and those who survive will suffer. Films/art are a form of exorcism for that pain we keep silently inside.
I like this movie, because I saw tears in the beautiful green eyes of my grand mother every time she watched it and it always gave her a good opportunity to cry for my grand father that she lost during the war. I saw my father crying for his father that he never knew, and saw him also being closer to his mom because.
For me, this movie will always be a 'Good movie to watch in Family'
¿Sabías que...?
- CuriosidadesOne of the few films in Oscar® history to be a nominee in two separate non-consecutive years. It was a foreign film nominee for 1966 and then a nominee for screenplay and direction for 1968.
- PifiasIn the final scenes, showing the mass street protests, the French police are backed up by armored vehicles that are Soviet-made SU-100 tank destroyers. These were part of the Algerian military when the film was made in 1966 after independence, but would not have been present or used by the French at any time.
- Citas
Ben M'Hidi: It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do.
- Créditos adicionalesThe credits for the French release, which are used for contemporary versions of the film, differ from the credits in the original Italian release. In the original credits, Brahim Hadjadj is below Jean Martin and Yacef Saadi, Tommaso Neri is billed as one of the leads, Franco Moruzzi is credited, and Samia Kerbash is given the surname "Michele". The French release gives Hadjadj top billing, removes Neri and Moruzzi from the credits, and refers to Kerbash by her correct surname.
- ConexionesEdited into Comando Leopardo (1985)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- The Battle of Algiers
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 800.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 879.794 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 64.870 US$
- 11 ene 2004
- Recaudación en todo el mundo
- 962.002 US$
- Duración
- 2h 1min(121 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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