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IMDbPro

Invitación a un pistolero

Título original: Invitation to a Gunfighter
  • 1964
  • Not Rated
  • 1h 32min
PUNTUACIÓN EN IMDb
6,3/10
2,5 mil
TU PUNTUACIÓN
Yul Brynner and Janice Rule in Invitación a un pistolero (1964)
In New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.
Reproducir trailer2:18
1 vídeo
72 imágenes
DramaOccidental

Añade un argumento en tu idiomaIn New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then ... Leer todoIn New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.In New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.

  • Dirección
    • Richard Wilson
  • Guión
    • Alvin Sapinsley
    • Hal Goodman
    • Larry Klein
  • Reparto principal
    • Yul Brynner
    • Janice Rule
    • George Segal
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,3/10
    2,5 mil
    TU PUNTUACIÓN
    • Dirección
      • Richard Wilson
    • Guión
      • Alvin Sapinsley
      • Hal Goodman
      • Larry Klein
    • Reparto principal
      • Yul Brynner
      • Janice Rule
      • George Segal
    • 36Reseñas de usuarios
    • 19Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:18
    Trailer

    Imágenes72

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    Reparto principal43

    Editar
    Yul Brynner
    Yul Brynner
    • Jules Gaspard d'Estaing
    Janice Rule
    Janice Rule
    • Ruth Adams
    George Segal
    George Segal
    • Matt Weaver
    Alfred Ryder
    Alfred Ryder
    • Doc Barker
    Clifford David
    Clifford David
    • Crane Adams
    Mike Kellin
    Mike Kellin
    • Blind Union Vet
    Brad Dexter
    Brad Dexter
    • Kenarsie
    Pat Hingle
    Pat Hingle
    • Sam Brewster
    Bert Freed
    Bert Freed
    • Sheriff
    John A. Alonzo
    John A. Alonzo
    • Manuel
    • (as John Alonzo)
    Curt Conway
    Curt Conway
    • McKeever
    Clarke Gordon
    Clarke Gordon
    • Hickman
    Gerald Hiken
    • Gully
    Strother Martin
    Strother Martin
    • Fiddler
    Clifton James
    Clifton James
    • Tuttle
    William Hickey
    William Hickey
    • Jo-Jo
    Gertrude Flynn
    Gertrude Flynn
    • Hannah Guthrie
    Olive Dunbar
    Olive Dunbar
    • Townswoman
    • Dirección
      • Richard Wilson
    • Guión
      • Alvin Sapinsley
      • Hal Goodman
      • Larry Klein
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios36

    6,32.5K
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    Reseñas destacadas

    6Marlburian

    Unsatisfying Western redeemed by Brynner

    One of those Westerns in which the townspeople come to wish they hadn't hired a gunslinger to do their dirty work. I had suspected that the version I saw on TV had been edited to squeeze into programme schedules, but this website gives the running time as 92 minutes and the TV slot (including commercials) was 105 minutes. One moment Matt Weaver has stormed into the night, furious that in his absence his home has been sold, the next he's become a feared outcast who's killed a man, instantly becoming such a threat to the townspeople that they have to hire a gunman. OK, the town has lost many of its men to the Civil War, but surely its citizens could muster enough courage and guns to do the job themselves? Brynner produces a sinister screen presence and dominates the cast, many of are low key. And several plot elements are understated; racism there may be in the town, but this is only evident when the hotel owner suggests that d'Estaing might be better suited seeking a room in the Mexican quarter; there's been many a better portrayal of a corrupt town boss than Pat Hingle's; and the lady to whom d'Estaing returns her pawned jewelry looks a bit too elegant to be down to her last dress.

    d'Estaing's drunken rampage through the town came as a shock; the place must have been typical of many of the postbellum period, and its racism, venality and corruption as portrayed in the film didn't seem to justify a hired assassin's rage. It would have been better had d'Estaing been exposed to more overt racism than a patronising suggestion that he finds accommodation in a Mexican establishment.

    No great surprises in the ending, but again it wasn't convincing when the Anglo-Americans united with the Mexicans in a gesture of respect.

    Take away Brynner and this would have been an extremely average Western.
    8JuguAbraham

    More than a Western--it makes you think about deeper levels racism than the obvious

    A very underrated western! Superb performances from Yul Brynner and Janice Rule. Arguably their best. Director Richard Wilson had worked with Orson Welles on his theater projects and that influence is evident in the adapted screenplay he wrote with his wife. The film questions the moral superiority of the Unionists over the Confederates. It asks, more importantly, if racism in USA is merely related to a white versus black confrontation or to white versus all non-whites (Mexicans, mulattos, cajuns, Native Indians, etc.). More than the action, the film is lifted by the spoken word (e.g., how an average American thinks Jules and Jewel are the same!) and misplaced morality. Needs to be more widely seen and appreciated.
    9bkoganbing

    Another Cajun Gunfighter Portrayal for Yul Brynner

    This is an underrated western with a great moral lesson about both racism and judging too quickly from appearances. The townspeople led by Pat Hingle in this northern leaning western town hire Yul Brynner to gun down George Segal who has returned from the Civil War after fighting for the Confederacy. George Segal has come back to claim his land and his woman, each of which has been taken by another.

    AS the movie progresses it's slowly revealed that the Union leaning town is not what it seems to be. Pat Hingle plays a politician very common for 30 years after the Civil War, adept at what they called "waving the bloody shirt." Just demagogue away at who did what and where during the war and ignore the current issues both social and economic.

    During the course of The Magnificent Seven, Yul Brynner's Chris Adams is referred to as a Cajun. Here he's given a proper Cajun name of Jules D'Estaing and when his secret is revealed, a whole lot of people in that town have to confront their own prejudices.

    Makes for worthwhile viewing.
    6richardchatten

    A Western with Asperations

    Largely on the strength of 'Al Capone' (1959), director Richard Wilson was considered sufficiently noteworthy during the mid-sixties to rate an entry in the Thames & Hudson 'Encyclopedia of the Arts' (1966).

    This talky, awe-inspiringly pretentious 'adult' western (scripted by Wilson and his wife Elizabeth) that a few years earlier would have signalled it's seriousness by being in black & white (like 'High Noon' or '3:10 to Yuma') is instead shot in incongruously pretty colour by veteran cameraman Joe MacDonald on the Universal backlot, where Brynner later trashes the already flimsy-looking sets with suspicious ease.

    Based on a 1957 TV play, it was made too early to be influenced by Sergio Leone, but was obviously influenced (as was Leone himself) by the samurai films of Kurosawa.

    The cast was largely recruited from TV and the New York stage, some of whom - like George Segal and Strother Martin - became more familiar a few more years later; while David Raksin's woodwind score lingers in the memory.
    6ma-cortes

    Compelling tale of a gunman hired by townspeople to protect them from a disgruntled rebel soldier

    Studio-slick story with talky screenplay, it starts when Confederate soldier named Matt Weaver (George Segal) goes back to his village after the Civil War, he encounters that his house has been sold by landowner Sam Brewster (Pat Hingle). Brewster hires enigmatic gunfighter Jules Gaspard d'Estaing (Yul Brynner) to deal with Weaver and charged with taking him out but d'Estaing's independent approach settles the issues in a very unorthodox manner . When Jules is assigned for cleaning up the troubled community , he suddenly shifts loyalties and turning the balance of power. Meanwhile , there takes place a lovely triangle among the main characters (Brynner, Segal and Janice Rule).

    This is a tremendously exciting story of a gunfighter-for-hire who had only one more killing to go. It begins as a slow-moving Western but follows to surprise us with dark characters and solid plot ; resulting to be a striking piece. Long on dialog but contains an exciting final with surprising duel . The tale is almost grim , a killer comes to a town just in time to make sure its citizenry but later the events get worse . Short on action Western with Brynner as rare gunslinger who is hired as professional murderous to kill outcast Confederate George Segal. The highlights are the violent destruction of the town and the climatic showdown at the ending. Phenomenal and great role for Yul Brynner as avenger angel and bitter gunfighter, he's the whole show at the height of his iconic game . Vivid and lively musical score by David Raksin. Atmospheric cinematography in glimmer color by Joseph McDonald. The motion picture is professionally realized by Richard Wilson (Al Capone , Three in Attic). Wilson was a previous associate of Orson Welles in the Mercury Theatre days and made another good Western as ¨Man with a gun¨, starring Robert Mitchum and ¨Zane Grey¨ episodes. Watchable results for this offbeat Western.

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    Intereses relacionados

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    Occidental

    Argumento

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    ¿Sabías que...?

    Editar
    • Curiosidades
      The Psicosis (1960) house set on the Universal back lot was the home for the character "Sam Brewster".
    • Pifias
      One of the Union infantry veterans in the town wears crossed rifles on his kepi. But the cross rifles insignia was not adopted for infantry until after the Civil War. The crossed rifles are what infantry wore during the post Civil War Indian wars. Rather, infantry wore a bugle on their kepis or bummers cap, and as the year is 1865 and as this is a Union infantry veteran from the Civil War, he should be wearing the bugle insignia and not the crossed rifles insignia.
    • Citas

      Sam Brewster: Is your name Jewel?

      Jules Gaspard d'Estaing: No.

      Hotel Owner: The hotel register....

      Jules Gaspard d'Estaing: My name is

      [d'Estaing writes his name on a blackboard]

      Sam Brewster: Jewels...Gasperd...Die-es-ting

      Jules Gaspard d'Estaing: Jules...soft j, silent s...Gaspard...silent d...d'Estaing...just a touch of dipthong.

    • Créditos adicionales
      Opening credits prologue: NEW MEXICO TERRITORY - 1865
    • Conexiones
      Referenced in Una cuestión de honor (1966)

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    Preguntas frecuentes17

    • How long is Invitation to a Gunfighter?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de octubre de 1964 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Invitació a un pistoler
    • Localizaciones del rodaje
      • La Posa Plain, Arizona, Estados Unidos
    • Empresas productoras
      • Stanley Kramer Productions
      • Hermes Productions
      • Larcas Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 1.800.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 32min(92 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.66 : 1

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