Danza macabra

Here's a favorite example of Italian horror cinema, filled with the trademark qualities that have impressed genre-film afficionados for the last half century. It compares favorably with the highly-regarded, Mario Bava classic, BLACK SUNDAY, and features another major appearance by the mysterious beauty, Barbara Steele. The black-and-white cinematography and production design are nicely realized, and an appropriate atmosphere of menace and sexuality is skillfully delivered. All in all, this is a prime example of why Italian horror cinema deserves some appreciation. The music is by Riz Ortolani (of MONDO CANE fame). A very nice DVD from Synapse.

I've watched this movie a number of times, and found it to be very good. This movie is also known as "Castle Of Terror", "Coffin Of Terror", and "Dance Macabre". Barbara Steele, is her usual beautiful/creepy self. George Riviere, the male lead, does a good job with his role. The whole movie is dripping with atmosphere, and there is a good deal of tension throughout. The camera angles are good and the acting, for the most part, isn't bad. This film is quite suitable for a rainy day or evening. I have the DVD uncut version, which is far superior to the edited TV version. Grab some popcorn, turn out the lights, settle back and enjoy. John R. Tracy

It's hard to explain the appeal of this movie. It's not a gem as some have said. But I wouldn't characterize it as Euro-trash either. The plot is not very original, and relies on standard haunted house conventions, perhaps pirating some from Robert Wise's THE HAUNTING (1963). It may also have a literary source in Bulwer-Lytton's story "The Haunters and the Haunted," which also tells the story of a disbelieving rationalist who wagers he can spend a night in a mysterious house where spirits relive incidents from past lives. The film is full of continuity holes (or should I say "challenges"), because many may be explained away. But the execution is flawed. Feral cats, sudden scenes of carnage, and other fright effects do not deliver the shudders.

I must say, however, that the film held my interest, primarily because of the creepy, fog-shrouded sets that look better than they ought to on such a small budget, and because the performances are above average for this type of fare. And although the plot is full of old dark house clichés—slamming doors, billowing curtains, and mysterious portraits—some nice dialog makes it all seem less contrived somehow. There is no doubt that the director and writers were absolutely sincere.

There is also some provocative sexual content and nudity following a tradition of salaciousness that seems to have been a necessary ingredient of horror films as far back as Hollywood's pre-code days. So if I were forced to assess whether this glass is half empty or full I would say it is slightly more than half full. This one might appeal to all those baby boomers who watched the soap opera DARK SHADOWS when they were teenagers in the '60's. It has that feel to it, only with better acting and writing.

Well executed old and very dark house horror. Good set-up which includes the character of Poe, himself, alluding to the story in a London pub. Although from here it is pretty much the one guy who has taken the dare to visit the house on a particular night running from room to room either looking for or avoiding people, it is still most enjoyable. Plus we have the delightful and enigmatic Barbara Steele. There is some wooden dialogue and some unexplained bits and bobs but it is the super creepy atmosphere that is maintained throughout, that and the super musical score that keep this one moving nicely along. DVD originates from US and has a few extras

I remember seeing this film at the West End theater in Louisville, Kentucky when I was a boy. The scene where Dr. Carmus finds the gardener's coffin, and the breathing dead body therein, was the scariest part of the movie for me, only intensified by the darkness of the film. I also wondered about the people hanging from the trees at the end, until I recognized the part of the film in which the family name of the Blackwoods was changed from Blackblood, due to the fact that in the family history there was a character who was known for his many hangings of various people. Sir Thomas Blackwood seemed to get his kicks out of adding to the deaths caused by his family. I also noticed that as Foster first enters the gate of the cemetery, he is careful in noticing the sharp object of the gate, where he meets his end. I would not hesitate to recommend this film to horror movie lovers.