PUNTUACIÓN EN IMDb
7,3/10
4,9 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios en total
Henri Virlojeux
- Mario
- (as Henri Virlogeux)
José Luis de Vilallonga
- M. Grimp
- (as José-Luis de Vilallonga)
Germaine Montero
- Mme Verlot
- (as Germaine Montéro)
Marc Arian
- L'autre comptable
- (sin acreditar)
Henri Attal
- Le copain de Francis
- (sin acreditar)
Jacques Bertrand
- Le comptable de Grimp
- (sin acreditar)
Georges Billy
- Un passager du train
- (sin acreditar)
Reseñas destacadas
It is well nigh impossible to imagine any other French actor of that time with box office clout who could have played Charles, the ageing, hard-bitten crook nearly as well as Jean Gabin. There is also Alain Delon, the new kid on the block, who was very keen to play the part of Gabin's partner in crime as it would hopefully increase his profile in the United States.
This is Gabin's third collaboration with director Henri Verneuil and has all the hallmarks of Verneuil's style: very little camera movement, good composition of shots and an eye for detail. Louis Page who worked a great deal with Gabin contributes stunning cinematography. I found the score to be rather intrusive but I am probably in the minority. Adapted by Albert Simonin from 'The Big Grab' this has tremendous dialogue by Michel Audiard which is a gift to any actor. Rita Cadillac is rather insipid as the love interest but there is a lovely cameo from Dora Doll as a high class hooker. On a nostalgic level it is great to see Viviane Romance as she and Gabin had first appeared on film together in 1936. The highlight of course is the casino heist which is filmed brilliantly. Slick, professional but rather 'cold' this film will always have an audience because of its subject matter and the two charismatic leads. The final sequence is beautifully edited and absolutely priceless.
This is Gabin's third collaboration with director Henri Verneuil and has all the hallmarks of Verneuil's style: very little camera movement, good composition of shots and an eye for detail. Louis Page who worked a great deal with Gabin contributes stunning cinematography. I found the score to be rather intrusive but I am probably in the minority. Adapted by Albert Simonin from 'The Big Grab' this has tremendous dialogue by Michel Audiard which is a gift to any actor. Rita Cadillac is rather insipid as the love interest but there is a lovely cameo from Dora Doll as a high class hooker. On a nostalgic level it is great to see Viviane Romance as she and Gabin had first appeared on film together in 1936. The highlight of course is the casino heist which is filmed brilliantly. Slick, professional but rather 'cold' this film will always have an audience because of its subject matter and the two charismatic leads. The final sequence is beautifully edited and absolutely priceless.
This film deserves more credit than it gets. All the actors are top notch (Jean Gabin as the ageing theif, Alain Delon as the playboy) and the story is very well crafted and has all the great tough guy dialogue of great caper's like RIFIFI, BOB LE FLAMBEUR etc however the overall tone of the film is a bit lighter and not as serious as those films. the heist itself is pretty short and sweet but this movie is more about the planning and the aftermath.
Another great thing about this picture is that even though it's black and white, it's still widescreen adding a nice touch to the look of the film. The only drawback to the DVD is that the picture is quite soft and blurry but for a film of this age and obscurity beggars can't be choosers! Another must see for heist fans (like me!)
Another great thing about this picture is that even though it's black and white, it's still widescreen adding a nice touch to the look of the film. The only drawback to the DVD is that the picture is quite soft and blurry but for a film of this age and obscurity beggars can't be choosers! Another must see for heist fans (like me!)
Charles (a magnificent Jean Gavin) is a mature delinquent recently released from prison . He renounces the plans his wife (Viviane Romance) about a simple and easy life . Charles pretends the perfect robbery recruiting previous cell-mate named Francis (Alain Delon, actor most often used in Verneuil films) . The hold-up is carefully schemed on the vault of Cannes casino in the French Riviera . Meanwhile Francis falls in love with a gorgeous baller dancer (Rita Cadillac). Francis wielding a machine gun and black masked hides himself on the elevator shaft and heads to basement where is the locker room . But the bad luck does the crime gone awry.
This heist movie packs thrills , emotion , romance, extraordinary performances and exciting finale burglary . Sensational acting by two big star names , Gabin and Delon . Strong secondary cast with Viviane Romance as the spouse , Jean Carmet as a barman and the Spanish Jose Luis De Villalonga as a Casino chief . Interesting and thrilling screenplay by the prestigious Michael Audiard based on novel by Zekial Marko . Atmospheric cinematography in black and white by Louis Page . Lively musical score with catching leitmotif composed and conducted by Michael Magne .
The picture is splendidly directed by Henry Verneuil , a Turkish director working in France from the 40s . Although not a director of great reputation among the critics , his movies have almost all been aimed squarely at the commercial market . Verneuil is an expert on heist-genre such as he proved in ¨The Sicilians clan(68)¨ also with Gabin and Delon , ¨The burglars(1971)¨ with Omar Shariff and Jean Paul Belmondo , furthermore on Warlike genre : ¨Weekend at Dunkirk¨ and ¨The 25th hour¨ and even directed one Western : Guns of San Sebastian(68)¨. He seemed to have dropped out of the film-making after 1976 , but in 1981 unexpectedly reappeared with yet another of his caper film : ¨Thousand millions of dollars¨ . Rating : Exceptional and above average, a must see for French cinema lovers and Gavin and Delon fans.
This heist movie packs thrills , emotion , romance, extraordinary performances and exciting finale burglary . Sensational acting by two big star names , Gabin and Delon . Strong secondary cast with Viviane Romance as the spouse , Jean Carmet as a barman and the Spanish Jose Luis De Villalonga as a Casino chief . Interesting and thrilling screenplay by the prestigious Michael Audiard based on novel by Zekial Marko . Atmospheric cinematography in black and white by Louis Page . Lively musical score with catching leitmotif composed and conducted by Michael Magne .
The picture is splendidly directed by Henry Verneuil , a Turkish director working in France from the 40s . Although not a director of great reputation among the critics , his movies have almost all been aimed squarely at the commercial market . Verneuil is an expert on heist-genre such as he proved in ¨The Sicilians clan(68)¨ also with Gabin and Delon , ¨The burglars(1971)¨ with Omar Shariff and Jean Paul Belmondo , furthermore on Warlike genre : ¨Weekend at Dunkirk¨ and ¨The 25th hour¨ and even directed one Western : Guns of San Sebastian(68)¨. He seemed to have dropped out of the film-making after 1976 , but in 1981 unexpectedly reappeared with yet another of his caper film : ¨Thousand millions of dollars¨ . Rating : Exceptional and above average, a must see for French cinema lovers and Gavin and Delon fans.
An old gangster (Jean Gabin) wants to plan a last robbery before retiring. He asks a young man (Alain Demon) met in jail for a partner. The story may look classical but it's played very fine. The most interesting thing in this movie is the dialogue by Michel Audiard. It's amazing ! As good as ever, so watch this film in french language.
It's also the farewell to an old world which disappears little by little because the time of old gangsters is over. It's also funny to hear the characters talk in french postwar slang language.
It's also the farewell to an old world which disappears little by little because the time of old gangsters is over. It's also funny to hear the characters talk in french postwar slang language.
A prototypical heist flick. Old ex-con Jean Gambin is looking for one last score before he retires -- the robbery of a casino on the French Riveria. He enlists Delon, a cocky punk, to help him. Has all of the features: old guy looking for one last score, young active guy who still sort of needs to learn the ropes, complicated heist relying on split second timing, things that go wrong at the last second, unexpected developments, a lot of masquerades, etc. Early on there's some playing around with the notion that Gambin symbolizes a time that is passing, but that isn't really developed, settling down instead to more standard genre fare. Heist is clever and well done, the remake of Ocean's Eleven later stole some of the ideas here. Final shot has that typical Gallic "throw your hands up in despair" kind of thing going for it. Cast is good, with Delon in particular a standout in the kind of role he was meant to play in those years.
¿Sabías que...?
- CuriosidadesCharles' house appears to be the last single one left between the new high-rise buildings. His wife was offered 15 Mill. Frs. to tear it down and make room for a new skyscraper. In fact the house is still standing with no more high-rise buildings around but those that are in shown in the film.
- PifiasWhen Charles is entering the vault, M. Grimp is standing with his face against the wall, so he can't see neither Charles nor the bags. But he gives a very detailed description to the police later.
- Créditos adicionalesThe film opens with MGM's 1956-57 logo.
- Versiones alternativasThe colored version is shorter than the original black & white film: 13 minutes are missing in this version (original cut: 116 min, colored cut: 103 min). No complete scenes are cut, but many scenes are shortened.
- ConexionesFeatured in MGM Is on the Move! (1964)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Any Number Can Win
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.000.000 US$
- Duración1 hora 58 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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