Después del funeral

The wonderful Margaret Rutherford is at it again as Miss Marple. And if that is not enough for you, there is also Robert Morley in his familiarly pompous screen persona hamming it up. These two strong personalities among the fine cast administrate the slightly humorous murder story taking place in and around Hotel Gallop. Although maybe not quite as fresh as the first entry in the series, 'Murder She Said', this film clearly delivers what every Agatha Christie loving citizen expects from a movie version of one of her many books. In my opinion Rutherford was able to bring more pep into Miss Marple than any other actress since or how I have seen her in my mind while reading the stories. In general the four Marple films made in the 1960's with Rutherford have clearly a more entertaining mood in them, which is not always so with many other adaptations.

The scriptwriter has even jokingly made Marple to specifically mention how great and useful Agatha Christie's books are when you are trying to solve a puzzling murder case by yourself. And what is she doing in the first shots during the title sequence? She goes around around collecting money for a reforming criminals assistance fund. A fine way to set the mood and the tongue in the right place for the rest of the movie. Later on she does twist on the dancing ball in order to fake a heart attack. Warmly recommended with a big smile to everyone.

Murder At The Gallop was one in a series of Miss Marple/Margaret Rutherford British mysteries...Rutherford certainly appears and acts quite differently from the character of Miss Marple which Agatha Christie created. If you want to see the Christie books presented accurately on screen, view the versions with Joan Hickson as Miss Marple. They work perfectly with the characters, settings and time period of the orginals.

However, authenticity is not one of the reasons for seeing this series of films. Margaret Rutherford is a screen gem...working with her real life husband, Stringer Davis, as co-sleuth (his character never appeared in any of the Christie novels) they form a wonderful partnership. I only wish they had continued this series. 'Gallop' features some excellent supporting actors -- Flora Robson, Finlay Curie and especially Robert Morley. It's filmed in beautiful black and white which captures the early 1960's quite well.

For an entertaining evening of pure delight this is a mystery to cherish!

Whilst out collecting funds for the Church roof Miss Marple and Mr Stringer witness the death of Mr Enderby, frightened to death by a pathological fear of cats he left a vast fortune to his family, could a member of his family have been greedy enough to kill for money?

Loosely based on a Poirot story 'After the Funeral, it's big and brassy, more fun then serious, but it genuinely works. It looks beautiful in black and white. The music is fun and seems to almost mirror Rutherford's personality, it's also loud and brisk, at times though it is a little over the top, a bit grindy.

Rutherford is just fabulous, she's so charismatic and humorous, she's a joy to watch, for me it's a shame only four films were made, a few more would have been great. Robert Morley is great fun as is Stringer Davies, but the star turn comes from Dame Flora Robson, so soft and delicate faced, she gives a fabulous performance as Miss Milchrest.

The best bit is definitely the ending, Miss Marple in an evening gown doing the twist, sent to bed, and confronted by the murderer, honestly it's just bliss.

I can imagine the die hard Christie fans being horrified at the thought of watching this, but it somehow goes beyond it. The humorous tone somehow allows the liberties. I must point out that Suchet's After the Funeral is a stunning production.

Take it for what it is, pure entertainment, huge amounts of fun. Possibly my favourite of her Miss Marple outings 10/10

Having admired lovable Miss Marple and Mr Stringer in MURDER SHE SAID dealing with a very special case of murders at the Ackenthorpe Hall, it seemed that hardly can they pursue a trail on their own more effectively. Nevertheless, she is daring enough to state in MURDER AT THE GALLOP powerfully: "We have us and our methods" and this bursts out in riveting thrill and entertainment.

MURDER AT THE GALLOP with magnificent Dame Margaret Rutherford in the lead, provides yet new sensations, thrills, secrets to unveil and goose skin to experience. Along with its obvious echoes of the first part, MURDER AT THE GALLOP is an altogether haunting, mysterious and absorbing experience. In what way?

A BIT OF ITS STORYLINE: An old mansion of the Enderby family...a shocking thing happens as Miss Marple and Mr Stringer open the front door of the mansion. The old Enderby (played by iconic MGM actor Finlay Currie) hauntingly falls dead on the staircase. Heart attack or murder? Presumably frightened to death of cats, the former reason seems more likely to be adequate even for the police inspector Craddock (Charles Tingwell). But for Miss Marple, falsely perceived by the Inspector as a 'busybody' who merely has 'tittle tattle to convey,' that will never be a satisfactory conclusion. She is frightened to death of nothing. Having 'snooped' the family gathering of the Enderbys she overhears a significant statement (when Mr Stringer again gives her a 'leg up') and proceeds in order to trap the killer. Travelling by bikes is enough to do more than best investigators in limousines. With a little bit of cooking skills (note this aspect) and a little bit of determination, events unexpectedly prove that the law might sometimes have a long arm but, unfortunately, to the great surprise of those who doubt her, that never resembles Miss Marple's proceedings...

MADAME RUTHERFORD AND OTHER MAINSTAYS: Echoing the previous part aids seeing Madame Rutherford in this film because her already familiar style constitutes the very core of entertainment and thrill. Again with some witty moments and cutting remarks that add the spicy aspect to the whole movie, MURDER AT THE GALLOP is a sole entertainment. Margaret Rutherford is outstanding in the role and her moments include some of the quintessential parts of the entire success of the movie. She proves again that Marple is her name but marble her nature... As a creative and gifted performer from the very start, she proves to dominate our attention considerably. Thanks to her well crafted performance, again, thrill is combined with humor and cutting tongue with the most honest intentions. Among many of the brilliant scenes, a mention must be made of her dance with Mr Stringer when she deliberately falls ill and he, in a disguised manner, 'hots it up' as well as hilarious horse-riding with Mr Hector Eckerby (Robert Morley). As for other mainstays like Stringer Davis and Charles Tingwell, the memorable performances clearly echo MURDER SHE SAID and there is no need to outline their contribution again. Let me, however, highlight some important merits of the supporting cast here.

TWO SUPPORTING CAST: Within the peculiar dynasty of the Enderbys, truly sophisticated characters emerge. As a matter of fact, the supporting cast who appear to be outstanding in their parts are Flora Robson and Robert Morley. While Ms Robson portrays the strangely calm, oddly suspicious type who catches our attention finally, Mr Morley handles the very essence of the film's psychological and humorous aspect. As a serious buff of the old furniture, a man 'saddled' in old manners and strict in human relations, a funny horse-rider who is a rather sympathetic comedian type provides wit brilliantly. The scene with pulling of the boots, for instance, is hilarious. As he was a friend of Dame Margaret Rutherford in real life, their scenes are played with ease and humor. When the events turn more intense and murder at the gallop becomes reality, he changes into a decent observer.

THE FILM'S EFFECT: The unique atmosphere of the MGM sets, make-believe tricks of the genre, the undertones of images, growing tensions and Ron Goodwin's catchy music score are just some of the aspects that contribute clearly to its good reputation as a silver screen product of the time.

If you liked MURDER SHE SAID, you will surely enjoy MURDER AT THE GALLOP and follow the wonderful investigation of the Agatha Christie's character so memorably portrayed by Madame Rutherford. The law might have a long arm, indeed, but Miss Marple...never! As she does not agree to keep her saddle at the Enderbys when their case is complete, she leaves with Mr Stringer and makes us look forward to more thrill of the genre.

A must see for Agatha Christie's fans who are less strict with the screen adaptations than the author herself.

As is well known by now, Dame Agatha Christie was not enamoured of Dame Margaret Rutherford's take on her Jane Marple creation. Fair enough as Dame Agatha had lovingly constructed a plain Jane, spinster/every-woman who, underneath the quiet demeanour and placid knitting possessed a mind sharper than the point of any of her knitting needles. And like television's Columbo she was always under-estimated, to the eventual chagrin of the guilty party in the crime under investigation. As a fan of the BBC/PBS Masterpiece Mystery series I have probably seen most if not all of Dame Agatha's books dramatized, my favourites being those with Joan Hickson whom I find to be the very embodiment of the Jane Marple Dame Agatha originally had in mind. That said, I am not so much of a purist that I cannot enjoy Dame Margaret Rutherford's decidedly non Dame Agatha approach to super sleuth Jane Marple. In short, all four films in the MGM produced series are a pure delight with MURDER AT THE GALLOP just barely edging out MURDER SHE SAID as my personal favourite.

Others have more than adequately provided a synopsis of this and the other trio of Marple movies in the series, so I won't re-till that ground. Suffice to say, if you haven't seen any of them, or you just want a good, light, engaging Brit whodunit then don't miss any of these wonderful confections. I've seen them all many times and yet every repeat showing finds me totally entertained by Dame Margaret, real life hubby Stringer Davis, Charles Tingwell, the excellent casts of supporting players and Ron Goodwin's superb scores. Indeed, they are still as much fun today as when first viewed in their initial theatrical runs back in the sixties.