Diario de un loco

Most horror movies made between the '50's and '70's weren't very much psychological once and featured for instance monsters, gore and tons of blood. In that regard "Diary of a Madman" is a quite refreshing movie. It lies its emphasis on the psychological aspects of the movie and uses it for its tension, mystery and just overall horror, even though the movie still features a 'supernatural' horror theme.

The movie has a well build up and constructed story, that only gets better and better as it heads toward the ending. The movie begins quite typical but soon becomes very intriguing when it becomes obvious that just is not just another average standard '60's horror flick, with Vincent Price in the lead role. The movie shows how the highly respected magistrate/sculptor slowly looses his mind when he is being possessed by a strange mysterious spirit called an Horla. Of course no one believes him at first when he starts to hear and see things. He starts to question his own sanity, until the Horla has him in his almost complete control. Good old Vincent Price however decides to fight back and we already at the start sort of know what has happened, since the movie is told in the past time, when people read his diary in which he described the strange events that had happened.

So you don't really have to expect an horror movie with monster, gore and scare effects. This movie is mostly about its build-up and overall atmosphere. It's a psychological movie, though visually the movie is also a good one.

The movie features quite some early and variating special effects and other cinematic tricks. It's quite clumsy looking all of course but at least you can say that they really tried and put some effort in it to making something new.

Vincent Price of course always had been at his best in roles such as these, so this movie forms no exception to that. He is highly convincing as the respected magistrate but also as the 'madman'. Two of course total opposite elements, which Price perfectly knows to handle, without ever making anything look ridicules or totally unbelievable.

It's a real surprisingly good and quite different '60's horror flick, that deserves to be seen and known better, starring genre-legend Vincent Price!

8/10

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DIARY OF A MADMAN opens with the burial of Magistrate Simon Cordier (Vincent Price), who has left behind a diary. The reading of the diary tells the story. Cordier, a respected man of the law, is called upon to visit an infamous, doomed prisoner, and discovers the truth behind the man's murderous rampage. He's told of something called "The Horla", a demon of sorts. Cordier soon finds himself possessed by the same dark force that drove this man to commit his crimes.

Price is terrific in this movie, going from affable man, to homicidal madman with ease. For its time, it's fairly gory, including a stabbing and -implied- decapitation. Nancy Novack co-stars as the conniving Odette. The voice of the Horla is provided with wicked glee by Joseph Ruskin. This movie belongs on every Vincent Price fan's watchlist...

Badly titled but very entertaining Price horror film.

For a while I had seen this movie floating around but since the title reveals zero about what the movie is about - I never bothered with it! Just had my first viewing. Better late than never!

Despite being too studiobound and needing about 20 minutes of dull footage cut out, Diary of a Madman is a knockout movie. And frankly, a very odd one, but odd in a good way.

We are missing the wonderfully campy Price dialogue we got in House of Wax and House on Haunted Hill, but instead we get a deadly serious Price who is very pleasing.

Having no location filming gives it a television movie look but the rich Richard LaSalle score makes the whole thing seem rather grand.

If you think you have heard some of the LaSalle cues before, you have, in TV's Lost In Space (1965) and Land of the Giants (1968).

Despite some mild flaws, an outstanding and wonderfully oddball flick.

This is a Vincent Price vehicle that is loosely based on a Guy De Maupassant short story. The setup is eerie, speaking of how dark spiritual beings exist in our world, unseen by human eyes. "The Horla" is one such unseen supernatural being, one which has power over the minds of men and the natural world. Unfortunately, the film's pacing becomes quite grating by the end (was it really only 97 minutes?) and ends with some fairly predictable '50s/'60s cheesy horror.

In this tale, Price plays Simon Cordier, a magistrate in a French court in the late 19th century. When the magistrate has one final conversation with a prisoner convicted of multiple murders, the man tells Cordier that he did not commit the murders, but was compelled to by some unspeakable evil entity (the Horla) which took control of his mind and body. Then, for some reason or another, the Horla begins to stalk Cordier (it's rather clumsily presented, but it works). Fearing for his sanity, Cordier takes a vacation from his work and takes up his old hobby of sculpting, which leads him to encounter the model and enchanting muse, Odette (Nancy Kovak). And it is here that the Horla begins to work his magic on Simon Cordier. The Horla plays the devil's advocate, blackmailing Cordier into following his weakest urges.

A lot of Vincent Price films operated within a spectrum of horror-comedy, which is not to say that they were exactly funny, but had such an offbeat attitude it made them simultaneously amusing and creepy. Some of those vibes can be found here, and a number of Price's lines and expressions are totally charming (such as when he's smooth-talking Odette for the first time). And the way some of the "philosophical" ideas were presented -- they were so blunt it was comedic. I don't know if that much was intentional, but it did give the movie some color.

But at the same time the plot, characters and story are all too simple for how long the film runs. And the villain or mysterious antagonist, the "Horla", becomes pretty lame by the end. He gets reduced to the sort of unimaginative pseudo-science-fiction horror that filled out B-movies in the '50s and '60s. The typical spiritual/philosophical elements which litter "mystical horror" stories are here either cliché (the crucifix is able to ward off evil... again!) or just boring (the conversations with the Police Chief about whether or not criminals are born evil). And my other main criticism is that the film would be pretty terrible without Vincent Price in the lead role. Only Price carries the film by the end.

"Diary of a Madman" was a decent distraction for a lazy afternoon, but not a film that I'd watch again. Vincent Price has done some really excellent stuff, but this isn't one of his necessary works.

Vincent Price plays Simon Cordier a kind man who is a judge. He is possessed by a Horla (never shown--you only hear its voice) who thrives on evil. It sets Price out to commit evil deeds even though he fights against it. Then he meets sweet Odette (Nancy Kovack) and things go out of control....

Well-made, colorful (some BEAUTIFUL set design here), low-key horror film. The plot is interesting and the acting is good (especially Price and Kovack). There's next to no violence in this one (the one murder scene is badly faked)...it mostly concentrates on Price fighting against the Horla. There's a few very interesting discussions between Price and the demon about good, evil and morality. It all leads up to a great climax. If you're looking for a blood and guts movie this isn't it but it is an intelligent thoughtful horror film. Recommended.