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TO KILL A MOCKINGBIRD is presented like a play in three acts. It is also from the children's perspective. Through the kids, we find that racism is a learned attitude or feeling. We also see a delightful coming of age drama as the young kids realize that there is no Boogeyman down the street and their father is capable of doing a lot more than they think. The great Gregory Peck plays Atticus Finch, a pillar of nobility, social conscience, and, rare for 1930's Americana, a single parent. Peck is such a strong presence, you believe everything about him. It is something you can compare to America's trust in TV anchorman Walter Cronkite. We always took his word for it.

Act one puts Atticus in the background and allows the kids to flourish. Director Robert Mulligan was able to get such realistic performances from non-professional kids. They are amusing and fun to watch. The big mystery lies in the house down the street in this small Georgia town. Who is the monstrous, "6 and a half feet big" legend living in the end house? Some light suspense ensues, while the buildup to a stirring act two is happening. Atticus must defend an African-American man for the alleged rape of a white woman.

After threats galore, an unshaken Peck takes to the courtroom jungle in, without a doubt, one of the top 5 court scenes in motion picture history. Brock Peters lends the film its best moments as the accused "negro" on trial. This man has a face chiseled with suffering and deep, deep sorrow. We know Atticus is a good man, a decent human being with a soul. He sees this in his client as well, and in a closing argument that must have roused the civil rights movement, implores the jury to vote justice. An all-male, all-white jury in the 1930's were tough listeners. Peters' breakdown on the stand is one of the most realistic, emotionally saddening moments you'll ever see, especially in Hollywood films of the 1960's. The scene when Peck leaves the courtroom is now legendary as well.

Act three produces a tragic death, an unlikely hero, and the bringing together of a family. The filmmakers have such a passion for the material, they seem to handle it with gentleness. Racism is a hard-boiled subject and it is depicted and dealt with through grace and patience. TO KILL A MOCKINGBIRD poses the injustice of race relations in the 1930's as a front for the events happening in the 1960's. The film came out during turbulent times and was also an adaption of a literary classic. I am one to judge a film solely by film only. The book is a separate art form and should not be compared to the film, an art form itself. It is important, it is enlightening, and it has not aged. Watch it.

RATING: 9 of 10

After hearing nothing but critical acclaim for this film, and the book it was based on, I finally got to see it. I am quite amazed at how well done this film is, and how timeless the theme is. I haven't read the book, but I'm considering it, just to see if there are any details that were left out. The story is amazing and exceptionally told. As far as I know, the film is as close to the book as it could possibly be; some call it the most accurate book-to-film conversion ever. The plot is very good, it takes a timeless problem and presents it to us, through the innocent eyes of a naive child. The pace is very good; apart from The Godfather(the first one) and one or two other exceptions, this is the only drama where there was truly not one single moment that I found dull, boring or unimportant. Nothing seemed trivial in the film. The perspective that is forced upon us is that of a young child, naive and innocent. This is a brilliant idea, as the eyes of a child is without a doubt one of the most impressionable things in the world, and the film handles this perfectly. What really makes the film, apart from the brilliant and possibly unique perspective, is the fact that the children are likable, credible and charming. You couldn't help but like them; believe me, normally I really dislike children. I find them annoying, loud and egotistical. But with this film, I couldn't, for one second, muster up any tiny amount of aggression, or even annoyance. They come off as so likable, charming, and, most importantly, *real*. Almost every kid in any Hollywood movie is either a completely ridiculous stereotype/cliché of a brat, who does nothing but destroy things around him, or the exact opposite, a little angel. Everyone knows that no child is the latter all the time, and even I will admit that there probably doesn't exist too many children who are the first, either. In this film, the children are completely real. They are naive, innocent, they disobey what their father tells them, but ultimately, they obviously love and respect their father, and they never do anything, anything at all, with the intent to hurt or harm someone or something. That is what a child is; innocent. They do what they do because they do not know better. This film provides a perfect view into their world, or, rather, their perspective of it. The acting is excellent. The child actors exceed all expectations. I was amazed at how professional and convincing they were. The other actors all give great performances as well. The cinematography is excellent; once again, it gives a perfect perspective on what your surroundings look like when you're a child. The characters are well-written, credible and well-casted. The dialog was well-written. The script was excellent. A very memorable and beautiful film, should be viewed by almost anyone. I recommend this to anyone who likes dramas, and just about anyone who for one reason or another might enjoy this. Don't be scared off by it being over forty years old, or it being black and white; it's an excellent film, and just about anyone would enjoy it. Don't miss this perfect film. 10/10

Generally, I prefer to review movies I dislike, because I am better able to quantify negative opinions than positive ones, but "To Kill a Mockingbird" deserves a review as few other movies I have ever seen. I probably cannot make any statement about this film that has not already been made many times, but it really is one of the most beautiful and moving films I have ever seen.

I first read Harper Lee's lovely novel when I was a young teen, and it was one of those books that gave me an experience that changed the way I perceived the world and my own family. The movie stays true to the wonderful, innocent prose.

Every time I watch, I see my father in Atticus Finch. He, too, is a southerner who respects people and defends his beliefs. He also has always respected his children and treated us the way Atticus treats Scout and Jem. I also see other family and friends in various characters in the film, because we have such strong southern roots. Even the negative aspects of racial antipathy and loss of childish innocence bring certain memories to mind.

Those who did not grow up in the south or with southern families might not see parallels the way I do, but the movie would be a gem to anyone. Gregory Peck put in the performance of his career, and the children acted in the least forced manner I have ever seen. The cinematography is also beautiful, and the script is perfectly balanced-not too sparse, but also not dialogue heavy.

The best thing about "To Kill a Mockingbird" is that it preserves the spirit of the novel that resounds with so many people. This film stands as one of the best ever arguments for tolerance, loving families, and the beauty of life through a child's eyes. Everyone who watches movies ought to see it.

Hoo boy, am I a sucker for courtroom dramas. The wrangling of legal points and the investigation into the truth just gets my cinematic blood pumping (I s'pose it's in response to my own dashed hopes of becoming an attorney).

"To Kill a Mockingbird" rises to the top of the pile easily.

Yes, the courtroom proceedings are nail-bitingly engaging. But played out against the tapestry of bigotry and hate make the legal goings-on even more compelling.

The writing here is so beautiful, so lyric, so poetic. The Harper Lee-based screenplay captures wonderfully a time and a place that are absolutely real--where big brothers could solve the universe's problems in an instant and all the treasures of the world could be contained in a cigar box.

"To Kill a Mockingbird" also contains three of the most impressive child performances I have ever witnessed--there's not a false or affected moment in any one of them. Until seeing "Ponette," a movie I would highly recommend, the kids in "Mockingbird" received my best child performance ever awards. "Ponette" has ratcheted them down one notch, but that doesn't diminish the achievement here. The scene in which Scout dispels the mob simply by identifying its individual members is one of the most powerful moments in filmdom.

Peck more than deserved his best actor nod. His quiet dignity is a definite asset. Brock Peters, too, is terrific in what could have been a cliched role.

If you are a moviegoer who has a bias against black and white movies and who has therefore never seen "Mockingbird," I pity you. You've passed on one of Hollywood's most unforgettable experiences.

It's a story that's riven with themes, of prejudice, hate, broken dreams, there's courage and caring, there's taunting and daring, growing up, finding out what life means. At its heart you'll find Atticus Finch, defends a man most town folk want to lynch, no evidence in play, to support what they say, but they're adamant and won't move an inch. Scout and Jem watch these awful events, through child's eyes losing their innocence, in a world that's gone mad, it makes you so sad, but there's hope that leaves some recompense. Plus there's Boo, who defies more perceptions, all shrouded in cloaked misconceptions, hidden from view, most people eschew, but a saviour, and a child's revelation.

As good as it gets.