Arde, bruja, arde

This is far and away my very favorite horror movie -- not only is it truly scary, it is extremely well-acted, has a very intelligent script, great direction, super photography. What's most unusual about it is the relationship among the Professor Taylor (the devastatingly yummy Peter Wyngarde)and his wife Tansy (Janet Blair) -- these two have amazing chemistry and along with the horror, you get a very realistic story of a married couple very much in love, who struggle with the wife's admission of being a witch.

Much of the horror here is simply implied, making it that much scarier, but what is shown is truly chilling. If you've never seen a believable performance in a horror movie, check out Wyngarde in this --his final scene should be shown in every drama school -- his fear is that palpable.

With a title like "Burn, Witch, Burn", I certainly was expecting a lot worse. However, this film is actually quite clever, suspenseful and worth seeing.

This film begins VERY strangely. The voice of Paul Frees (who provided the voice of Boris on "The Adventures of Rocky & Bullwinkle" and the Haunted Mansion at Disney) announces that there is a demonic curse embedded within the film and he is going to neutralize it with an incantation that is made up of a lot of words for the Devil! Following this, the film begins. The story concerns Professor Taylor (Peter Wyngarde)--a successful professor at a small medical college. One day by chance, he finds some voodoo-like charms hiding around his home. It seems that his wife is a practitioner of some sort of dark art. When he confronts her, she insists the magic has contributed to his career success AND is protecting them from those who wish him harm. Not surprisingly, since he's a man of science he gathers up all her mumbo-jumbo and burns it...and then his life begins falling apart. Apparently someone IS trying to do him harm and without his charms, his and his wife's lives are at stake. But who and why?!

Aside from one brief scene involving a stuffed bird that is clearly suspended by a wire, the film is very intelligently made. The story is constructed well, is genuinely menacing and is quite enjoyable. And, although the bird is done poorly, just a moment later they make a hawk APPEAR very large and menacing in a very convincing manner. Well worth seeing--nearly earning an 8.

Norman Taylor (Peter Wyngarde) is a successful young professor, married with Tansy Taylor (Janet Blair). He is a very skeptical man, while his wife believes in magic and witchcraft. One day, he finds lots of amulets and witchcraft in his house, and he decides to destroy all of them. His wife gets scared and advises him that he destroyed all the protection their home and lives had against the evil of envious and wicked persons, including some of his colleagues. Norman in principle does not have faith in her, but many strange events happen with him, and he changes his mind.

This English black & white low budget production is one of the most frightening movies I have ever watched. With a great direction, excellent cast having a superb performance and a tight screenplay, this movie may be considered a classic in the genre. Highly recommended for fans of horror movies, in Brazil it is only available on cable television, since Brazilian distributors have not released on VHS or DVD. My vote is eight.

Title (Brazil): 'A Filha de Satã' ('The Satan's Daughter')

Note: On 30 April 2015, I saw this movie again.

This has always been one of my favorite horror movies. A lot of its force--notwithstanding the good solid script and direction--is due to Peter Wyngarde's performance as the husband of the title witch. At first he shows us the man's skepticism, a disbelief so fervent and so confidently scornful of opposition that it persuades his wife, even in the face of the sinister atmosphere that's growing all around them--this being painted in with that easy skill that only Britons seem able to command. As the story progresses, Wyngarde shows us, one unnerving step at a time, the man's loss of his lack of faith, to the point of absolute belief (which the film points up with an obvious, but very satisfying, joke) and absolute terror. Except for Fay Wray writhing and screaming between twin pillars in anticipation of her sacrifice, I can't recall another victim whose fear I've felt along with him so completely. In my opinion Wyngarde's is one of the great performances in horror films, and the film itself is one of the last of the classics.

A demonstration that a lot can be achieved on a small budget by imaginative filmmakers. The intensity of this movie took me by surprise. I had expected something more plodding, along the lines of Hammer fare from the same period. Instead, here we have inventive camera-work (DOP Reg Wyer, cameraman future DOP Gerry Turpin), a hardworking score by William Alwyn, and a thoughtful leading man in Peter Wyngarde. Director Sidney Hayers had come from TV, where he seems mostly stayed thereafter - a pity, as he clearly rose to the challenge of this material.

Best of all are the two excellent performances by Janet Blair and Margaret Johnston. The former, an American who had to come to England to get a part that demonstrated she could really act. The latter, a distinguished stage actress who pulled all the stops out for this rare leading screen role.

The pace of the film slackens here and there, but recovers in time for a splendid finale. A couple of scenes would have benefited from retakes because of technical glitches, but I suspect there just wasn't enough money left to do them. It's certainly no worse in this respect, though, than NIGHT OF THE DEMON, which is a clear influence. The Jacques Tourneur movie is more satisfying because of the tautness of its screenplay, but in every other way NIGHT OF THE EAGLE (aka BURN, WITCH, BURN) is as good. I wish it were better known. It certainly deserves to be.