Celosas de una hermosa partera viuda, las mujeres de un pueblo siciliano planean su ruina, negándose a tener nada que ver con sus maridos.Celosas de una hermosa partera viuda, las mujeres de un pueblo siciliano planean su ruina, negándose a tener nada que ver con sus maridos.Celosas de una hermosa partera viuda, las mujeres de un pueblo siciliano planean su ruina, negándose a tener nada que ver con sus maridos.
- Dirección
- Guión
- Reparto principal
Reseñas destacadas
This sex comedy from 1962 isn't entirely without its charms, but some of the content is objectionable (even considering the period), and it gets awfully muddled and dull in its second half. On the positive side, there's Angie Dickinson puttering around on her Vespa on the windy mountain roads overlooking the sea in the gorgeous town of Forza d'Agrò, which was also one of the locations used in The Godfather. Sentimentally, I liked seeing 74-year-old Maurice Chevalier sing a couple of tunes, even if the degree to which is character, a priest, is involved in the sex lives of the villagers seemed a little odd. All the ogling of Dickinson early on gets a little wearisome, mostly because it just seems unimaginative, but the candor with which everyone talks about the libido of both sexes and how the wives decide to take a page out of Aristophanes and go on a sex strike made me smile.
On the downside, the film takes attitudes that haven't aged well, which in itself isn't surprising and something I'd normally try to accept and learn from, but it crossed a line with the spousal abuse humor. The men have a right to expect sex from their wives, you see, and so when they hold out, they can be knocked around, and some of them appearing with garish black eyes the following morning. One of the jokes is that the husband also has a black eye, but I found no solace in that. This was part of acceptable humor of the period, e.g. Jackie Gleason regularly threatening to sock Audrey Meadows in the kisser six years earlier on the TV show 'The Honeymooners,' but when it's clear punching actually has occurred and no big deal, it's tough to enjoy.
To some extent I probably would have excused the film for those moments, but it also goes downhill when it starts trying to maneuver Dickinson's character into a romance with a character played by Gabriele Ferzetti. I found the scenes between them bland and uninteresting, taking away from Dickinson's flirtation with the villagers or the dynamic with the wives, one of whom is played by Sylva Koscina, who is unfortunately underused. As it plays out, all of the bite and playfulness is sucked out of the film, leading to a rather humdrum ending.
On the downside, the film takes attitudes that haven't aged well, which in itself isn't surprising and something I'd normally try to accept and learn from, but it crossed a line with the spousal abuse humor. The men have a right to expect sex from their wives, you see, and so when they hold out, they can be knocked around, and some of them appearing with garish black eyes the following morning. One of the jokes is that the husband also has a black eye, but I found no solace in that. This was part of acceptable humor of the period, e.g. Jackie Gleason regularly threatening to sock Audrey Meadows in the kisser six years earlier on the TV show 'The Honeymooners,' but when it's clear punching actually has occurred and no big deal, it's tough to enjoy.
To some extent I probably would have excused the film for those moments, but it also goes downhill when it starts trying to maneuver Dickinson's character into a romance with a character played by Gabriele Ferzetti. I found the scenes between them bland and uninteresting, taking away from Dickinson's flirtation with the villagers or the dynamic with the wives, one of whom is played by Sylva Koscina, who is unfortunately underused. As it plays out, all of the bite and playfulness is sucked out of the film, leading to a rather humdrum ending.
An attractive young blonde woman (Angie Dickinson), who is a midwife, arrives for work in a Sicilian village and the men ogle over her. This action alienates the local women. As a group, they decide to forgo sex with their men. Without sex, they get even with their husbands. Also, without sex there are no babies. Without babies, there is no need for a midwife. The village priest, Father Antonio (nicely played by Maurice Chavalier), aware of what is happening, has his hands full. The irony is that some of the women are just about Ms. Dickinson's equal (like Sylva Koscina and Rosanna Rory). The last scene is a howl! Harmless fluff!
I saw this movie in the early sixties, and it was hysterical. Unfortunately, this movie has never been made for VHS or DVD. I wish they would put it out on VHS or DVD as it is a very funny movie about an American girl who goes to a Sicilian village and becomes the scandal of the town because all the women are sure that she is plotting to be with their husbands. Father Antonio is the town priest who is very funny. Jessica, the American girl, rides around on a motorbike which is very scandalous for a their small village. If they ever put this movie out on VHS or DVD be sure to see it if you have Sicilian or Italian ancestry, or if you just want to laugh a lot.
The basic plot line is that Jessica (Angie Dickinson), who is new in a small Italian village, and is working as a midwife, frightens the town's women. They fear she will steal their husbands, as she is presented as being amazingly alluring to all the men. The main problem with this premise, at least from a man's point of view, is that Silva Koscina, who plays one of the wives, is far more attractive, both facially and overall physically, than Angie Dickinson. (Perhaps the Italian men were mesmerized by Ms. Dickinson's blonde hair.) The women are presented as getting together and planning to deny their husbands sex, in order to prevent pregnancies and therefore drive the midwife out of town. The plots of comedies are expected to be kind of dumb, but this one really takes the cake: they deny both their husbands and themselves any sex, because they are jealous of a new woman? How many women do you know who would react that way? Three stars out of ten, and while I'm at it, Maurice Chevalier really can't sing, can he?
This movie is filmed in Forza D'Agro, Sicily which just happens to be my Grandmothers town, still as gorgeous today as it was back then!! Perched on a mountain very close to the sea. My great grandfather is cast as an extra in the background and appears a few times, i never met him so its great to see him! So you might call me bias, but to me it has beautiful vistas, beautiful actors majestic panoramas and these type of movies are like snippets in time and are nostalgic, lite hearted and fun to watch..... Sublime old film. Angie Dickinson is at her most beautiful in this film, at least I think so anyway.
P.S I found a DVD copy of this at scooter movies.
P.S I found a DVD copy of this at scooter movies.
¿Sabías que...?
- CuriosidadesMaurice Chevalier looks in the camera and narrates from the beginning, like he does in Gigi (1958).
- PifiasAs Chevalier drives a Jeep along the coast, in the long shot the steering wheel is on the left followed by a close shot where he's on the right.
- ConexionesReferenced in Wild Seed (1965)
- Banda sonoraJessica
Music by Marguerite Monnot
Lyrics by Dusty Anderson (as Dusty Negulesco)
Sung by Maurice Chevalier
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Jessica, la fascinadora
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 52min(112 min)
- Relación de aspecto
- 2.35 : 1
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