Una vez a la semana

Blacklisted writer Michael Gordon returned to Hollywood to direct such harmless diversions as this one about four bored middle-class commuters who dream of leaving their humdrum existences and revisiting their idea of a dream bachelor pad, replete with wet bar, long sofa, fantastic view, and what may be the most voluptuous idea of a mistress the Hollywood of the sixties had to offer--a sociology student doing her thesis on the sex life of the suburban male played by Kim Novak. This movie would be a drag without her. She takes her place among the best American movie sex symbol acts of that time: Gina Lollobrigida in "Come September"; Tuesday Weld in "Soldier in the Rain"; Sue Lyon in "Lolita"; Virna Lisi in "How to Murder Your Wife." It was a good year for Novak--1962. Richard Quine ("Operation Mad Ball") directed her opposite Jack Lemmon in what I think is her funniest and most mysterious performance as "The Notorious Landlady." Her best moments on screen have always been the ones where she played smart women, and Cathy and Carlyle Hardwicke are two of the smartest she's ever played.

This was a fun Kim Novak film I had never seen. Novak stars as a graduate student who is writing a thesis on "the adolescent sexual fantasies of the adult suburban male." She ends up being hired by four men (three married, one divorced) as a "housekeeper" in an inexpensive but very opulent and large apartment in New York City. The three married men are portrayed by Howard Duff, Howard Morris and Tony Randall. James Garner plays the divorced man. These men commute to work together from Connecticut to New York on the same train. It seems that they frequent the same bar before deciding to go back home to their respective wives. At the bar, Garner witnesses his boss (Roger Addison from Mister Ed) canoodling with his mistress. According to Garner, his boss keeps an apartment in New York where he can entertain his lady before he returns home to his wife.

The married commuter men, bored with their wives and each feeling that something is lacking in his respective relationship, begin to fantasize about having an apartment in the city where they can entertain their mistresses as well. As a joke, the three married men enlist Garner in locating a luxurious but cheap apartment. Garner goes to Peter Bowers (Jim Backus), a landlord who is anxious to rent an apartment in his building in which a murder took place. Garner is able to secure a decent price. Novak ends up answering the same ad. After informing her that the apartment has been rented, Garner offers Novak a position as a housekeeper. Much to his surprise, she accepts the position. Elated, the three husbands think that their infidelity dream is going to come to fruition. Garner isn't too keen on the prospect, and he's the only guy who is actually free!. Each of the three husbands tell a white lie to their respective wives that they are taking a course in New York City and as a result, will be spending the night away from home one night a week.

Novak takes the opportunity to conduct her research during each evening with each husband. She gets them to reveal why they're unhappy in their relationships and their feelings in general. Each of these sessions are recorded on a tape recorder. In a form of competition, the men begin to tell each other white lies about their evenings with Novak--as a result, each man thinks that the other has slept with her. Eager to keep getting good fodder for her thesis, Novak doesn't correct them. Garner, repulsed by his friends' tall tales about Novak, refuses to visit her for "his night." He finds himself genuinely falling for her.

Eventually the wives get suspicious and they seek out to find the truth behind their husbands' evenings in New York City. How does this all work out? Watch and find out.

This is very much your typical 60's pseudo-sex comedy that has one foot planted in the production code era and one foot in the budding sexual revolution. Many of them don't work well and seem antiquated today, but the talent of the players involved helps this one along. I'd recommend it.

Boys' Night Out (1962) is one of those easy breezy comedies that comes on TCM a few times a year. I record it, watch it a few times, then delete it thinking I'll buy it, but then it comes on again to my delight:)

It's about a group of 4 men, 3 married with children and one divorced and living with his mother, who cook up a zany scheme to secure and share a NYC love pad with a young beautiful blonde to break the boredom in their lives. Little do they know, they are the subject of their ideal beautiful 25 year old blonde's own scheme, and she willingly agrees to be available for each "boys'" night out.

If you are thinking it's a love-fest, remember this was distributed in 1962, so there are lies and innuendo, but Kim Novak, in a role easily played by Doris Day just a few years before, maintains her virtue and the wives get their chance to get even. Novak shines in one of her best comedic roles. She and leading man James Garner have great chemistry. He's so handsome and hilarious at the same time. If you've never seen his comedies before his star of television days, then keep your eyes peeled for his movies. He's a charmer who always delivers a great performance. Tony Randall and Jessie Royce Landis lead the supporting cast. They always add tremendously to a picture.

This film is on the tail end of the really tastefully cute comedies, and it's a great film to enjoy when you want pure rom-com escapism. One more thing, it gets better with repeated viewings. Some new lines pop out each time that make it even more enjoyable. I didn't love it the first time as much as I have each time since.

A feline and spacey Kim Novak seems to arrive from another planet in this romantic comedy from the blacklisted director of Pillow Talk. It's James Garner and Kim instead of Rock Hudson and Doris Day -- so underneath the squeaky clean froth, their clinches have just a hint of real sexual chemistry. Clever script has theatrical touches if no depth. Second bananas play their farcical roles well, especially Tony Randall.

However feast your eyes on the apartment, the height of Kennedy-era Mod; don't miss the turquoise kitchen, his-and-her bedrooms, and more.

Would make a nice double feature with the new remake of Stepford Wives. There's a happy ending (of course): The men discover 'boy's night out' is actually more fun if the women come, too. That's progress, in a tiny way.

Some films ought to be seen in the context of the era in which they were made. It's unfair, in a way, to dismiss a lot of them because they appear to be dated, or because they don't hold our attention because one can't identify with the subject which is being treated. This seems to be the case of "Boys Night Out", a mildly amusing comedy from the early 60s. Directed by Michael Gordon, it shows its age, but still, there are a lot of ingredients that show the viewer how we lived during those less complex times in this country.

"Boys Night Out" would be impossible to make in the present climate. Where could stars of the stature of Kim Novak, James Garner, Tony Randall, be found to play in it? Salaries alone would make such an enterprise impossible by today's standards, and yet, a little more than forty years ago, this sleek package was put together without much problem, or so it appears.

The film offers some rewards to the viewer that stays with it. The idea of four men getting together to rent an apartment and get a dream woman to cater to their fantasies would not be easy to do without including a lot of sex. Little do these men realize they are, in turn, being a case study for the same woman they all desire.

Kim Novak, at the height of her beauty, does a wonderful job with her Cathy. James Garner also has wonderful moments, especially playing opposite Jessie Royce Landis, who appears as his mother. Tony Randall, Howard Duff, Oskar Homolka, Zsa Zsa Gabor, Jim Backus, Fred Ward, and the rest of the cast are good in the film.

"Boys Night Out" is a comedy about male fantasy about the best of two different worlds.