PUNTUACIÓN EN IMDb
7,5/10
47 mil
TU PUNTUACIÓN
Un hombre se desilusiona cuando viaja al futuro y descubre una sociedad oscura y peligrosa en lugar de la utopía que esperaba.Un hombre se desilusiona cuando viaja al futuro y descubre una sociedad oscura y peligrosa en lugar de la utopía que esperaba.Un hombre se desilusiona cuando viaja al futuro y descubre una sociedad oscura y peligrosa en lugar de la utopía que esperaba.
- Ganó 1 premio Óscar
- 1 premio y 1 nominación en total
Bob Barran
- Eloi Man
- (sin acreditar)
Paul Frees
- Talking Rings
- (voz)
- (sin acreditar)
Mike Hitlner
- Eloi Man
- (sin acreditar)
Josephine Powell
- Eloi Girl
- (sin acreditar)
James Skelly
- Second Eloi Man
- (sin acreditar)
Reseñas destacadas
One of those Sci-Fi films that's made just right to be watched over and over again and never gets old. The special effects were ahead of their time but the film is not bogged down with them and the actors are allowed to ply their trade. Rod Taylor puts in a solid performance as George the time traveler. George Pal did a great job with this picture. A remake would probably be flashier with the FX but would be hard to beat this classic.
This movie is truly a gem. There are problems with it when compared to H.G. Wells's original story, but many of the additions and changes actually are improvements, in my opinion. If there is one thing I WOULDN'T have changed, it was the part where the Time Traveler finally figures it all out: the Eloi are merely fatted cattle and the Morlocks are their "cowboys." In the book it comes through that the Eloi are not particularly good and the Morlocks aren't really evil- both groups are merely evolutionary products. Of course, theater audiences in 1960 wouldn't have accepted this.
Back to the film: the story is touching and I liked the sets and model-work. I have the DVD and I have watched it multiple times. And THAT is an endorsement.
Back to the film: the story is touching and I liked the sets and model-work. I have the DVD and I have watched it multiple times. And THAT is an endorsement.
This is a very well-done adaptation of the H. G. Wells novella, with an Oscar for the special effects that are still impressive more than 40 years later. Good performances by an ensemble cast and a good script also help. One interesting side note: character actor Whit Bissell was in both the 1960 version here and the version done for television in 1978, playing essentially the same part with two different character names! Recommended.
Boy, did a nice DVD transfer of this not only mak me appreciate the visuals in here more but made the story seem better, too, for some reason. I only acquired the DVD as a memento, so to speak. I had to have at least one movie which had the woman I had a crush on back in the early '60s: Yvettte Mimieux. She still looks great, too. The main thing, however, is how I now viewed this story and how much more I wound up liking it than in the past. This was my fourth look at this movie over a 45-year span and I enjoyed it the most this last time.
Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)
Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.
The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.
Overall, an entertaining and thought-provoking film.
Since time travel stories always fascinate me, my favorite part of the film is when "George" (Rod Taylor) is actually in his time machine and experiments with it, slowing it down here and then and then stopping it a couple of times to observe World War I and then WWII. Then, he stops in 1966 when supposedly there was a nuclear attack. (Apparently, scare-mongers back in '60 thought that was a short-term likelihood.)
Anyway, when "George" (H.G. Wells, the author of this story) finally stops, in the year 200,000-something, the story loses some of its momentum. However, it's a fairly interesting study of a group of ultra-passive people being dominated by others who live underground and then literally eat the good people. Taylor is astounded that mankind has not progressed as he had figured but seemed to have regressed.
The message I got on this last look is that man is still man, meaning sinful and capable of anything bad as well as good, and to put one's faith totally in man is a mistake. It's only going to lead to disappointments as "George" found out on each of his stops. (Notice he never stopped during a peaceful, progressive period.) Yet, "George" is still an optimist and wants to be one to help initiate change for the better. There's always hope for a better world and people like George, with his idealism put to action, can make a difference.
Overall, an entertaining and thought-provoking film.
In the early 1960s my mother used to take my younger sister and me to a nearby one-screen theater to see Saturday kiddie matinees. It was a great way to keep us entertained and out of her hair for a few hours, particularly after our baby sister was born.
One movie I saw during those matinees was the 1960 version of The Time Machine. It made such an impression on me that, for quite a while afterward, I would play Time Machine with my sister and cousin with me as the Time Traveler.
It wasn't until sometime in the 1990s that I was able to see it again when I got a VHS copy. It was very much the way I remembered it to be. I have since read the book and have found that the movie is quite faithful to the text, though some scenes involving two stops in the 1900s were added and a few bright spots appeared that weren't in the book, which is pretty dark.
The special effects look primitive by today's standards, but they did win the Academy Award for Special Effects in 1961, and rightfully so, though I have no idea what other films had been nominated.
This is still one of my top 10 movies and likely always will be. I haven't seen the 2002 version, which is probably just as well, since I'm happy with the 1960 version and don't want to ruin it.
One movie I saw during those matinees was the 1960 version of The Time Machine. It made such an impression on me that, for quite a while afterward, I would play Time Machine with my sister and cousin with me as the Time Traveler.
It wasn't until sometime in the 1990s that I was able to see it again when I got a VHS copy. It was very much the way I remembered it to be. I have since read the book and have found that the movie is quite faithful to the text, though some scenes involving two stops in the 1900s were added and a few bright spots appeared that weren't in the book, which is pretty dark.
The special effects look primitive by today's standards, but they did win the Academy Award for Special Effects in 1961, and rightfully so, though I have no idea what other films had been nominated.
This is still one of my top 10 movies and likely always will be. I haven't seen the 2002 version, which is probably just as well, since I'm happy with the 1960 version and don't want to ruin it.
¿Sabías que...?
- CuriosidadesYvette Mimieux was actually underage when shooting began (she turned 18 during the shoot) and was not legally supposed to work a full shooting schedule, but did. She was inexperienced, but as she worked on this film she kept getting better and better, so that by the end of the shoot the producers went back and re-shot some of her earliest scenes.
- PifiasIn the great hall whenever George is inside, parallel and perpendicular white lines are seen painted on the floor. The table arrangements do not conform to any arrangement that fits these lines. This is because the set was constructed over a studio parking lot and they did not put down a floor covering. The revealing parking lines are simply ignored. This info came from a special effects veteran who was on the set during the filming of these scenes.
- ConexionesEdited into El agente de CIPOL: The Project Deephole Affair (1966)
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Detalles
Taquilla
- Presupuesto
- 750.000 US$ (estimación)
- Recaudación en todo el mundo
- 5902 US$
- Duración1 hora 43 minutos
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
What is the Japanese language plot outline for El tiempo en sus manos (1960)?
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