Añade un argumento en tu idiomaAfter a San Francisco gangster murders a rival criminal, he seeks shelter on a fisherman's boat while the police are man-hunting him and pressuring his girlfriend into betrayal.After a San Francisco gangster murders a rival criminal, he seeks shelter on a fisherman's boat while the police are man-hunting him and pressuring his girlfriend into betrayal.After a San Francisco gangster murders a rival criminal, he seeks shelter on a fisherman's boat while the police are man-hunting him and pressuring his girlfriend into betrayal.
- Dirección
- Guión
- Reparto principal
Irvin Berwick
- Gas Man
- (sin acreditar)
John 'Skins' Miller
- Houlihan
- (sin acreditar)
Robert A. O'Neil
- Spade-Face
- (sin acreditar)
Pepito Pérez
- Mr. Fancy
- (sin acreditar)
Syd Saylor
- Proprietor
- (sin acreditar)
Ray Walker
- Neil
- (sin acreditar)
Reseñas destacadas
Racketeer Richard Conte kills a man, and has to high-tail it out of San Francisco. The roads rails and airports are sewn up tight, so he takes the fourth exit. He hops onto a fishing boat, and then presents himself to its skipper, Charles Bickford, explaining he got drunk and fell into the boat. He's willing to work his way. Bickford agrees, but son and crew Alex Nicol knows there's more to it than that. Meanwhile, detective Stephen McNally keeps a close tail on Conte's girl friend, Shelley Winters.
There are changes to the characters - McNally not included - and it's good to watch the relations among them shift and change. Director George Sherman is facile at the action sequences, and Ernest Gann's script, in which everything is SYMBOLIC handles the ... well, if it's meant to be subtext, it's not hidden very deep. Fortunately the actors are all good, even if Bickford blows everyone else off the screen while he's on it
There are changes to the characters - McNally not included - and it's good to watch the relations among them shift and change. Director George Sherman is facile at the action sequences, and Ernest Gann's script, in which everything is SYMBOLIC handles the ... well, if it's meant to be subtext, it's not hidden very deep. Fortunately the actors are all good, even if Bickford blows everyone else off the screen while he's on it
I liked it more than most of the other reviewers. The San Francisco scenes were great, and all the character actors were good. I always like Richard Conte, and Shelley Winters was surprisingly good. The ending wasn't quite believable but it didn't ruin my enjoyment of the film as a whole.
This is a likable but significantly frail B noir offering, made for Universal, directed by George Sherman, starring Richard Conte, Shirley Winters, Charles Bickford, John McIntyre, and Stephen McNally. Conte fairs better than usual in the role of a fugitive murderer, Bruno, that hides in a fishing boat, ultimately settling in the boat and becoming of one of the fishermen. Sherley Winters looks OK as the heartbroken girl of Bruno. John McIntyre as the penniless old beggar looks really creepy. Bickford with his unusual Swedish accent is fun to watch. The narrative moves back and forth between the chaotic urban city and the quiet serene setting on the shores, where learning something about fishing becomes more fascinating than crime itself.
The opening scenes of "Raging Tide" are outstanding, filled with suspense and intrigue. It opens with a long shot of a nocturnal street and then the camera pans to the right and stops at a window in a secluded building, where Bruno is gunning down a man. We don't see who is being murdered but only Bruno as he looks at his victim. And then he tips the police about his crime and runs away. As he runs and runs, his voice-over enters the soundtrack, speaking about his condition and circumstances, but then oddly the voice-over vanishes when the film settles in the nearby sea.
"Raging Tide" has a warm, appealing moments, complemented by an enjoyable black-and-white photography (by Russell Metty), but it ultimately wafts into the air when it is over. You get the impression that it could have been better.
The opening scenes of "Raging Tide" are outstanding, filled with suspense and intrigue. It opens with a long shot of a nocturnal street and then the camera pans to the right and stops at a window in a secluded building, where Bruno is gunning down a man. We don't see who is being murdered but only Bruno as he looks at his victim. And then he tips the police about his crime and runs away. As he runs and runs, his voice-over enters the soundtrack, speaking about his condition and circumstances, but then oddly the voice-over vanishes when the film settles in the nearby sea.
"Raging Tide" has a warm, appealing moments, complemented by an enjoyable black-and-white photography (by Russell Metty), but it ultimately wafts into the air when it is over. You get the impression that it could have been better.
The Raging Tide is directed by George Sherman and adapted to screenplay by Ernest K. Gann from his own novel Fiddler's Green. It stars Shelley Winters, Richard Conte, Stephen McNally, Charles Bickford, John McIntire and Alex Nicol. Music is by Frank Skinner and cinematography by Russell Metty.
Hoodlum Bruno Felkin (Conte) hides out on the Linder family fishing boat to avoid the cops. They affect his life as much as he affects theirs
It's got a stellar noir cast and quality in the music and photography departments, but there's nothing raging about this soggy piece of drama. Conte is watchable as a thug, no surprise there, but the screenplay does him and everyone else few favours. Only one to come out on top of the writing is Winters, who revels in cutting remarks delivered via a serpent tongue. Bickford is trying to be Swedish, giving Sterling Hayden in Terror in a Texas Town a run for his money for worst Swede accent ever. While McIntire and McNally at least earn their wages.
Little to recommend outside of the cast list here I'm sad to say. 5/10
Hoodlum Bruno Felkin (Conte) hides out on the Linder family fishing boat to avoid the cops. They affect his life as much as he affects theirs
It's got a stellar noir cast and quality in the music and photography departments, but there's nothing raging about this soggy piece of drama. Conte is watchable as a thug, no surprise there, but the screenplay does him and everyone else few favours. Only one to come out on top of the writing is Winters, who revels in cutting remarks delivered via a serpent tongue. Bickford is trying to be Swedish, giving Sterling Hayden in Terror in a Texas Town a run for his money for worst Swede accent ever. While McIntire and McNally at least earn their wages.
Little to recommend outside of the cast list here I'm sad to say. 5/10
I like Conte in this film, but the entertainment comes from the supporting actors....McIntyre & Bickford. Also, I wouldn't call this Film Noire, just a good old B&W. The SF and Fisherman's Wharf shots are historically interesting, if you know the City.
¿Sabías que...?
- CuriosidadesCharles Bickford plays a Swedish fisherman as he had in "Anna Christie," Greta Garbo's first sound film.
- Citas
Connie Thatcher: Little men are smarter. There's not so much space between their ears.
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- How long is The Raging Tide?Con tecnología de Alexa
Detalles
- Duración
- 1h 33min(93 min)
- Color
- Relación de aspecto
- 1.37 : 1
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