Goodbye, My Fancy

"Goodbye, My Fancy" stars Joan Crawford, Robert Young, Eve Arden, and Frank Lovejoy and was made in 1951. It was originally a play by Fay Kanin that enjoyed a run of over a year. Madeleine Carroll starred.

Crawford in 1951 was 44, and in those days, after an actress turned 30, she went into supporting roles. It's to Crawford's credit that she stayed a leading lady well past 30, albeit in lesser films.

This film is actually a good one. Crawford plays a Congresswoman, Agatha Reed, who is invited back to her old college to receive an honorary degree. She is thrilled, for more than one reason.

Agatha has happy memories there and has never forgotten her old love and, though she doesn't state it, she's hoping to see him again. Also, she finds it amusing that she's been invited -- she was expelled from the school for staying out all night and didn't graduate.

Agatha and her able assistant (Eve Arden) travel to the college, dogged the entire way by a photographer (Frank Lovejoy) with whom Agatha had an involvement a few years back.

Agatha has filmed a documentary that she wants to show at the school. The film is about what happens when people are denied their freedoms, and deals with book burnings, persecution of teachers, etc. She is shocked to find that there is some question as to whether or not the film will be shown.

"Goodbye, My Fancy" is about going home again, and underneath Agatha having two men interested in her, it makes a statement about McCarthyism which was so rampant at the time. It's also about standing up for what you believe in and having integrity -- true ethics kick in when you've got something to lose.

I saw some comments about Crawford being miscast - I'm not sure why - she played strong career women for many years.

The casting is off, but it's not Crawford. It's partly the script and partly the casting. Robert Young is very good as the President -- handsome, charming, and formal.

Eve Arden is funny as the assistant, wisecracking her way through the role. Shirley Booth played the role on Broadway.

The role that's miscast is Frank Lovejoy as Matt Cole. The role called for a macho, attractive tough guy and instead we get the rather sloppy, wisecracking Lovejoy. The ending of the film seemed to come out of nowhere.

Otherwise, fairly enjoyable, good cast.

I'm glad to see that TCM has chosen to include this film in its lineup. I have, however, noted an error in the TCM and Wikipedia summaries regarding filming location. Both cite Occidental College in Eagle Rock, Calif. as the site for outdoor scene filming. In fact, most if not all were shot on the University of Redlands campus in Redlands, Calif. I attended the U. of R. for 4 years and graduated in the outdoor Greek Theater that appears in the film. Other scenes show the U. of R.'s distinctive chapel with the San Bernardino Mountains beyond, as well as the school's administration building on Ad Hill, its quadrangle and residence halls. The movie was shot two years before I enrolled there. Perhaps Warner Bros. had originally intended to film Goodbye My Fancy on the Occidental campus (much closer to the studio) and for whatever reason had to switch at the last minute to Redlands, but the planned LA area location remained on the studio's records.

Goodbye, My Fancy (1951)

** 1/2 (out of 4)

Rather bizarre and uneven mix of comedy and drama features congresswoman Agatha Reed (Joan Crawford) going back to her college to receive an honorary degree. Her main reason for wanting to go back is so she can see a former love (Robert Young) who she was expelled from school for sneaking out to see. Once back on campus she ends up caught between him and a photographer (Frank Lovejoy). GOODBYE, MY FANCY has pretty much been forgotten over the years and it's easy to see why because it's really not part of Crawford's high standards, which she started six years earlier with MILDRED PIERCE and followed with some very impressive bits of work. This film here is mildly entertaining on a few levels but overall you've got to consider it a pretty disappointing picture. One of the biggest problems is that it runs 106-minutes and probably could have lost a good sixteen-minutes if not more. I say this because there's just so much going on in this picture and with so much happening the film just seems too long and uneven. The early portion of the film makes you think that we're in for some sort of weird comedy and we're given various silly scenes. Then the film because a rather bland romantic-comedy but things change yet again when we get a rather long political debate about freedom. I think the final twenty-five minutes or so are actually the best part of the film as the Crawford character tries to fight to get a film shown that tells young people some of the horrors that are out there. As for Crawford, she turns in a good performance but there's certainly nothing all that memorable here. This is the type of role should could do without trying but it's always nice seeing her. Young is pretty bland in his role but thankfully Lovejoy adds some energy when he's on screen. Eve Arden is good as the secretary and Janice Rule is also nice as Young's daughter. GOODBYE, MY FANCY really isn't going to appeal to many except for Crawford fans wanting to see everything she did.

or even a scene, for that matter. She is a stiff broad in this one, right down to a short, severe stiff hairdo. I am not a huge Joan Crawford fan, although I liked her a lot more in her earlier films, when she was still loose and a bit floppy. Once she became a "star" she changed her whole acting style so she could appear, as her ex-flame says "refeened." It is a shame she couldn't just go with the flow once in a while, instead of playing herself in different occupations.In this one, she is Joan playing a tough congresswoman. But of course she does a classic Joan melt when she sees Robert Young again after all these years...heart on sleeve as always.

She enters the reunion at her old college to the strains of a song being "sung" by by the co-eds, which incorporates her name, yet sounds like a heavenly choir. The girls come forward one by one to hand her a bouquet and each one is a cliché; there is the butch athlete, the drama queen, the good girl, etc and Joan ends up clutching a veritable rose bush as she launches into a speech, gazing off into the bright and shiny future.

Of course Robert Young is now a widower. You'll have to see the movie to see if his marital status changes.

This movie is a fifties movie, in that it is prim, everyone is a cliché of a type, right down to the wise-cracking assistant (Eve Arden)and the women are stuck with the hairdos and clothes of the period, which were never flattering to anyone.

But if you are a Joan fan, she is here, in her glory.

What plays on the surface as a "romantic triangle" film carries a strong anti-McCarthyism message. Robert Young is the once-idealistic President of an exclusive Women's College who years earlier had trysted with Joan Crawford, a Congresswoman who has made a film depicting aspects of injustice. Crawford wants to reunite with Young and have the film played during Graduation Weekend. The school's trustees don't want the film shown, thinking it too "dangerous" for their students to see. The characters' arguments about democratic values play well with a modern audience, and both the political and the romantic aspects of the plot unfold in an engrossing and entertaining manner.