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Five

  • 1951
  • Approved
  • 1h 33min
PUNTUACIÓN EN IMDb
6,3/10
1,8 mil
TU PUNTUACIÓN
Five (1951)
Official Trailer
Reproducir trailer2:02
1 vídeo
52 imágenes
DramaHorrorSci-Fi

Añade un argumento en tu idiomaThe world is destroyed in a nuclear holocaust. Only five Americans survive, including a pregnant woman, a neo-Nazi, a black man and a bank clerk.The world is destroyed in a nuclear holocaust. Only five Americans survive, including a pregnant woman, a neo-Nazi, a black man and a bank clerk.The world is destroyed in a nuclear holocaust. Only five Americans survive, including a pregnant woman, a neo-Nazi, a black man and a bank clerk.

  • Dirección
    • Arch Oboler
  • Guión
    • Arch Oboler
    • James Weldon Johnson
  • Reparto principal
    • William Phipps
    • Susan Douglas Rubes
    • James Anderson
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,3/10
    1,8 mil
    TU PUNTUACIÓN
    • Dirección
      • Arch Oboler
    • Guión
      • Arch Oboler
      • James Weldon Johnson
    • Reparto principal
      • William Phipps
      • Susan Douglas Rubes
      • James Anderson
    • 58Reseñas de usuarios
    • 44Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Vídeos1

    Five
    Trailer 2:02
    Five

    Imágenes52

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    + 45
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    Reparto principal5

    Editar
    William Phipps
    William Phipps
    • Michael
    Susan Douglas Rubes
    Susan Douglas Rubes
    • Roseanne Walter
    • (as Susan Douglas)
    James Anderson
    James Anderson
    • Eric
    Charles Lampkin
    Charles Lampkin
    • Charles
    Earl Lee
    • Mr. Barnstaple
    • Dirección
      • Arch Oboler
    • Guión
      • Arch Oboler
      • James Weldon Johnson
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios58

    6,31.8K
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    Reseñas destacadas

    6innocuous

    More a film noir than an S-F film.

    A bit overwrought and florid, but very enjoyable. Several reviewers pick on it because they seem to think that the characters are walking around in a totally depressed state throughout the movie. I don't see this at all. In fact, I perceive them as incredibly upbeat and positive about their situation, all things considered. One of the aspects of this film that I enjoy the most is the pure villainy of the bad guy. It's rare nowadays to see such an uncompromising and ungrateful jerk written into a script. He's human and believable, but he has no redeeming qualities at all. Also, he accomplishes this without the aid of technology, secret weapons, or even any sort of clever scheming or evil plans.

    The cinematography is pretty good, with some startling shots and quite a bit of hand-held camera.

    Finally, and I simply can't pass on this, the title is numerically correct for the majority of the movie. A couple other reviewers have stated that it is incorrect and I'm not sure if they're numerically challenged or what.
    barry-52

    Great film. Saw in l951.

    I have been searching for a copy of this film on video for ten years. Like others who have commented, it has haunted me since seeing it as a l7 year old when it was originally released. In recent years I learned that the set was Oboler's own home designed by Frank Lloyd Wright. I would be quite interested to see it as newly built compared to some recent color photos of the structure available in various FLW collections.
    7whpratt1

    1951 Classic

    Enjoyed viewing this black and white film from 1951 dealing with a few people who were able to survive a nuclear war which killed millions of Americans. William Phipps, (Michael) lived in New York City and witnessed the entire city's population killed and he traveled to the West and was able to find a town where he could obtain food and shelter. As the film develops he meets up with a young woman named Roseanne Rogers, (Susan Douglas Rubes) who is pregnant and Michael takes her under his wing and tries to comfort her and he begins to fall in love with her. However, Roseanne wants to find her husband in the city and keeps her distance. There is three men and one woman who remain alive in this film and all these people begin to get on each other's nerves and this story takes on some very mysterious twists and turns.
    panaboydean

    an overlooked masterpiece

    i first saw five on the late show when i was in highschool in the mid-60's and i never forgot it, images from it stayed with me--i saw it again in the late 70's or so and then, the last time, in the early 90's on tnt (and taped it and loaned it to someone and never saw it again)--the last time i watched it i was astonished at how visually perfect it is, in many ways too perfectly staged--often the light is coming directly from the horizon like a maxfield parrish painting and i've often wondered if the actors and crew had day jobs and the whole thing was done early in the morning or late in the evening--leonard maltin likes it and comments negatively on its "purple prose", which is true, but i'm a noir fan and it's fun--i can't believe this isn't available on tape or dvd--obler's frank lloyd wright house is a treat too.
    6Uriah43

    Rich in Drama and Tragedy

    This movie starts off with a mushroom cloud and pictures of what were the greatest cities on earth. It then shows a young woman named "Roseanne Rogers" (Susan Douglas) in a disheveled condition walking down a lonely road in a state of shock and disbelief. She happens to see a cabin perched upon a mountain top and decides to take shelter there. Once inside she meets a man named "Michael Rogan" (William Phipps) who is as startled to see her as she is to see him. They think they are the last two people on earth. Until two more men show up and then a third. One of these men, "Eric" (James Anderson), believes that they have developed an immunity to the radiation and that they should drive to a city a few days away to look for more survivors. Michael believes that the city is dangerous due to high levels of radiation and unsafe. Now, rather than give the entire plot away I will just say that this is a surprisingly good movie for its time and it is rich in drama and tragedy. Definitely worth a watch for those who enjoy dystopian films of this nature.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Filmed in a house called "Cliff House" designed by famed architect Frank Lloyd Wright. It was the home of the film's producer/writer/director, Arch Oboler, and sat on his 360-acre ranch in the Santa Monica Mountains along Mulholland Highway. Outdoor scenes were filmed on his property as well as other nearby locations in the Santa Monica Mountains. The "Cliff House" was burned to the ground - with only the foundations and chimney remaining - in the 2019 Woolsey Fire which swept through the area.
    • Pifias
      When looking at the soap box powder in the store, the name of the soap is "Atomic Suds" but when the box is tilted by the actor you can clearly see the box top reads "Tide".
    • Citas

      Michael: He's dead, they're all dead! We live in a dead world! And I'm glad it's dead... cheap, honky-tonk of a world.

    • Conexiones
      Featured in Gran bola de fuego (1989)

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    Preguntas frecuentes

    • How long is Five?
      Con tecnología de Alexa
    • What is in the letter left behind for Michael?

    Detalles

    Editar
    • Fecha de lanzamiento
      • octubre de 1951 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • 5ive
    • Localizaciones del rodaje
      • Arch Oboler House - 32436 Mulholland Highway, Malibú, California, Estados Unidos(primary location as house where survivors stay, interiors, exteriors)
    • Empresa productora
      • Arch Oboler Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 75.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 33 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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