Decisión al amanecer

Close to the end of WW2, the US military recruits Nazi defectors from the ranks of German POW's to return to Germany as spies. Klaus Kinski makes a brief appearance during the interview process, but his character is rejected. Who is accepted to participate in this mission is incomparable Oskar Werner as Corporal Karl Maurer who is given the code name Happy. It's an ironic name for such a serious actor. He's perfect for the part in this heavy film set largely in the destruction of bombed out cities. Such a setting makes it difficult for the Germans to actually capture him, as when they are on to his trail, the aerial Allied bombings begin again. There are lots of places to hide amidst the treacherous ruins of the near collapsing buildings.Yet the Germans try to maintain discipline to the very end, as a deserter is hanged and his body is left for all to see. The film uses the destruction in which it is set and reminds us of how things change when the peace time environment becomes lost amidst the destruction. Werner goes through several meetings with Germans, the best being the Colonel who orders the deserter to be hanged, and another with the tragic character played by Hildegard Knef, whom he meets in a bar. Amidst the desperation still lurks a couple of true Nazi believers, one played quite well by Wilfred Seyferth as Heinz Scholtz, a dangerous SS man who befriends the traitor Werner. The film is overwhelmingly stark and lacks any sense of humor whatsoever, but in my book that just adds to the overall effect, much like some of the Cold War era spy films, such as The Spy Who Came In From The Cold.

As American forces approach Germany near the end of World War II, it becomes crucial for them to get an idea of the Germans' capacity to resist. In order to do that, they recruit spies from among German POWs, train them and send them into Germany to gather information. This is somewhat of an unusual film about a subject that, as far as I know, had never been dealt with before or since (the movie is based on fact; American military intelligence did indeed use German POWs as spies). The location filming helps the picture greatly, as the war had only been over for a few years and Germany still hadn't rebuilt yet. Performances are universally top notch, notably Oskar Werner as a young German soldier code-named Happy who volunteers to return as a spy, and especially Hans Christian Blech as Happy's tough, opportunistic, and not entirely trustworthy partner. There are some nail-biting moments, notably aboard a train when Happy and his partner come under scrutiny by a suspicious Gestapo agent. The film has a tough, gritty, dangerous look that is totally atypical of the usual 20th Century Fox gloss, and is all the better for it. Gary Merrill as the tough American officer in charge of the operation, and Richard Basehart as an American agent sent in to accompany the two German spies, also turn in first-rate performances, and director Anatole Litvak keeps the film full of twists and surprises, but it's Oskar Werner's show, and he is up to it. An excellent film and one to put on your must-see list.

A taut story, first-rate acting, and a compelling subject make this film worth seeing.

Espionage/spying is a tricky subject, but "Decision Before Dawn" handles it brilliantly. No flash, no Mata Haris, no absurd coincidences. Weaving human drama and the grim realism of war, this film is that rare gem that manages to teach without preaching.

Among the superb performances is our hero Happy, played with just the right blend of suspense and humanity by Oskar Werner. Happy (an ironic name given to him by his American overseers) is torn between love of his native land and his duty to what is right. Werner walks this tightrope better than most I've seen.

In the end, however, it's the script that is the true gem of the film. Peter Viertel is a master story teller, with such great screenplays as "Saboteur" and "The Hard Way" to his credit. Viertel, with a story by author George Howe, weaves an intricate, but not confusing, narrative of war and devotion and duty. He's one of the few _writers_ I look for when I check out "On TV This Week" on IMDB.

The movie puts you in WWII's closing days as you watch an idealistic young German Army medic become a traitor to his country by working as a spy in order to let the war end quickly and let peace return. The movie extras are former German soldiers, and you can tell by how they wear their "rag tag" uniforms and bark out commands in German. The scenes are superb. Bombed out areas of Germany were used, and one scene in a bombed out theater is especially great. You hear the falling glass and metal structures as the Gestopo search for the soldier. It is simply a very entertaining movie that lets one ponder: What would I have done if I were in his place?

Having served in the US Army-Europe in Germany it was easy to see that this work was an accurate depiction of the world as Germans saw it in those years. Going to the IMDb database confirmed that it was filmed in Wurzberg, a city I visited many times. One can not help but wonder what memories and nightmares came back to life for the German people in this movie, or the ones who viewed it, or even witnessed the movie being made. The film is so very realistic in script, acting, and setting that some must have almost thought WWII was alive again. For those that lived through WWII in that country it must have seemed as if those days were repeating themselves. Every detail of this movie is accurate as far as I could tell. It does not employ overused stereotypes, no action heroes, no earth shaking grand and glorious finale, it simply depicts a period of time in all its' tragedy and irony in a most realistic manner. This work deserves more praise and exposure than it has received. A must see for every WWII researcher and historian.