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IMDbPro

Try and Get Me

Título original: The Sound of Fury
  • 1950
  • Approved
  • 1h 31min
PUNTUACIÓN EN IMDb
7,2/10
2,3 mil
TU PUNTUACIÓN
Lloyd Bridges, Adele Jergens, Frank Lovejoy, and Kathleen Ryan in Try and Get Me (1950)
Cine negro¿CrimenDramaThriller

Añade un argumento en tu idiomaA down-on-his-luck driver joins a criminal's heists. Media coverage fuels public interest as their crimes grow bolder. When a hostage situation goes wrong, arrested suspects face danger from... Leer todoA down-on-his-luck driver joins a criminal's heists. Media coverage fuels public interest as their crimes grow bolder. When a hostage situation goes wrong, arrested suspects face danger from angry mobs. Police struggle to maintain order.A down-on-his-luck driver joins a criminal's heists. Media coverage fuels public interest as their crimes grow bolder. When a hostage situation goes wrong, arrested suspects face danger from angry mobs. Police struggle to maintain order.

  • Dirección
    • Cy Endfield
  • Guión
    • Jo Pagano
    • Cy Endfield
  • Reparto principal
    • Frank Lovejoy
    • Kathleen Ryan
    • Richard Carlson
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    2,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Cy Endfield
    • Guión
      • Jo Pagano
      • Cy Endfield
    • Reparto principal
      • Frank Lovejoy
      • Kathleen Ryan
      • Richard Carlson
    • 43Reseñas de usuarios
    • 32Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Nominado a 2 premios BAFTA
      • 1 premio y 2 nominaciones en total

    Imágenes26

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    + 19
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    Reparto principal30

    Editar
    Frank Lovejoy
    Frank Lovejoy
    • Howard Tyler
    Kathleen Ryan
    Kathleen Ryan
    • Judy Tyler
    Richard Carlson
    Richard Carlson
    • Gil Stanton
    Lloyd Bridges
    Lloyd Bridges
    • Jerry Slocum
    Katherine Locke
    Katherine Locke
    • Hazel Weatherwax
    Adele Jergens
    Adele Jergens
    • Velma
    Art Smith
    Art Smith
    • Hal Clendenning
    Renzo Cesana
    Renzo Cesana
    • Dr. Vido Simone
    Irene Vernon
    Irene Vernon
    • Helen Stanton
    Cliff Clark
    • Sheriff Lem Demig
    Harry Shannon
    Harry Shannon
    • Mr. Yaeger
    Donald Ross
    • Tommy Tyler
    • (as Donald Smelick)
    Robert Altuna
    • Boy in Miller Car
    • (sin acreditar)
    Frank Baker
    Frank Baker
    • Man Exiting Optometrist
    • (sin acreditar)
    Joe Conley
    Joe Conley
    • Man in Crowd
    • (sin acreditar)
    Jane Easton
    Jane Easton
    • Barbara Colson
    • (sin acreditar)
    Norman Field
    • Man on Street
    • (sin acreditar)
    Lynn Gray
    • Vi Clendenning
    • (sin acreditar)
    • Dirección
      • Cy Endfield
    • Guión
      • Jo Pagano
      • Cy Endfield
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios43

    7,22.2K
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    10

    Reseñas destacadas

    shady3

    Powerful !

    Watched this film tonight for the first time and expected a standard film noir but got a thrilling story of a heartless killer (Lloyd Bridges), a man whose life is spiraling out of control (Frank Lovejoy) and an ending that left me speechless. I am shocked that this film is not talked about more in the lists of the best noirs of all time.
    8elo-equipamentos

    Lloyd Bridges in your best role ever!!!

    This sad history really happened on thirties in San Jose California and later a book and on fifties into a movie about a jobless guy played by Lovejoy who try gets a job without success, so find a clever guy Lloyd Bridges as Jerry Slocum who invite him to a little job as night driver, after few works they made a kidnapping and end up killing the victim, Tyler now is a disturbing person who is involved in a murder, Jerry actually the brain in all this mess trying to get the money, but all fall down after Tyler had a nervous breakdown, it's about how the press can pressure all people to make revenge for ours hands, the movie is good, although l'd never saw so realistic acting from Lloyd Bridges like that fantastic!!! Another character to be mentioned is Velma played by gorgeous Adele Jergins who is a woman to pursuit an easy life, great Noir from the Cy Endfield!!

    Resume:

    First watch: 2017 / How many: 1 / Source: DVD / Rating: 8
    7claudio_carvalho

    Manipulation and Consequences

    The unemployed Howard Tyler (Frank Lovejoy) is desperate for a job since he is married with children and his wife Judy (Kathleen Ryan) is pregnant. When he meets the "bon vivant" Jerry Slocum (Lloyd Bridges), the stranger offers a job position to Howard. Soon he learns that Jerry is a small-time thief and his job would be to drive the getaway car after the heist. Howard improves the life of his family and tells that he is working in the night shift of a factory. Meanwhile, the journalist Gil Stanton (Richard Carlson) that works in a tabloid is assigned by the owner to promote the thefts to increase the selling of newspaper. When Jerry kidnaps the son of a millionaire, he brutally kills the man and forces Howard to help him to dump the corpse in the sea. Then he asks for ransom to the family. When the boy is found, Stanton incites the population telling that the abductors are monsters. When Howard and Jerry are arrested, a mob threatens their lives in front of the police station. How will the police officers protect the prisoners?

    "The Sound of Fury" is a film with a simple storyline and an impressive conclusion. The manipulation of the masses by the "brown press" (tabloid) to sell newspapers is impressive and the consequence is scary. The reaction of the uncontrollable violent mob is the best part of this movie and shows the power of the free press, for the good or for the bad. My vote is seven.

    Title (Brazil): "Justiça Injusta ("Justice Unjust")
    8Steve-602

    Rare lynching film based on an all but forgotten true story

    A bit preachy in the style of the day but a remarkable film. The opening is especially strong. Among the interesting touches, the movie lynch mob is made up mainly of college students wearing their school t-shirts. New York Model Adele Jergens didn't have much of a Hollywood career but she's right on the money in this one. Although the time frame is post WWII, the story is based on an actual lynching in San Jose, California, in 1933. Reporter Royce Brier of the San Francisco Chronicle won a Pulitzer for his account of the event.California Governor James Rolph Jr. was quoted as saying he would like to turn over all jail inmates serving sentences for kidnapping to the custody of "those fine patriotic San Jose citizens, who know how to handle such a situation."
    9hitchcockthelegend

    Crime Wave In Santa Sierra.

    Howard Tyler (Frank Lovejoy) is a good honest family man living in California who just can't catch a break. Struggling financially and upset that he can't support his family, he falls in with small time hoodlum Jerry Slocum (Lloyd Bridges) who convinces him to join him in robbing gas stations. However, things start to get out of control as they kidnap the son of a wealthy family to hold for ransom. But what follows will have far reaching consequences for all involved...

    Also known as Try And Get Me, The Sound Of Fury is directed by Cy Endfield and is based on the novel The Condemned by Jo Pagano (who along with Endfield also writes the screenplay here). The story is incredibly based on a factual episode known as the Brooke Hart case that occurred in 1933 in San Jose, California. Fritz Lang's 1936 film Fury was also loosely based on the same story, which probably explains why Endfield's film had a name change to Try And Get Me.

    A brilliant crime thriller, the film is a damming indictment of uncontrolled violence in small town Americana. Its themes involving class divides, the uncivilization and ignorance of some Americans, moral and social collapse and the irresponsibility's of the press, are all rammed home with force by the soon to be blacklisted director. By definition, Endfield and Pagano have crafted the ultimate social conscious movie. Filling it with relevance that will last the ages, the undervalued Endfield also come up trumps in mood setting and visual flourishes. This be prime film noir too. Tumbling pebbles, a crime shown in reflection, our protagonist standing in the dark ruefully looking out a window, a complete night club sequence shot off kilter, all indelible images that linger long in the memory (Guy Roe on photography). Then there's the finale, a brutal and shocking ending that had Raymond Borde & Etienne Chaumenton (A Panorama Of American Film Noir 1941-1953) proclaiming it to be one of the most brutal sequences in postwar American cinema. They aren't exaggerating, it is, and it caps off a stunning movie.

    There can be a reasonable argument put forward that the film asks for pity towards the hoodlums of the piece. But that's a confliction that serves as a call for a deeper thought process with the film. The makers are merely adding drips of fuel to an already incendiary device. Hugo Friedhofer provides the music and Kathleen Ryan, Richard Carlson & Katherine Locke fill out the support cast. However, this is Bridges' movie, Lovejoy is excellent as the increasingly fretful Tyler, but Bridges goes from smarm to charm with ease and then to crazy psychotic in the blink of an eye, an unnerving character given the treatment by the big man. Still awaiting a DVD release, any chance you get to see this film you should grab with both hands. Powerful, intelligent stuff. 9/10

    Más del estilo

    El forajido
    6,6
    El forajido
    Yo amé a un asesino
    7,0
    Yo amé a un asesino
    La larga noche
    6,3
    La larga noche
    Murallas de silencio
    6,5
    Murallas de silencio
    Punto de ruptura
    7,5
    Punto de ruptura
    Mercado de ladrones
    7,5
    Mercado de ladrones
    Han matado a un hombre blanco
    7,6
    Han matado a un hombre blanco
    El caso de Thelma Jordon
    6,9
    El caso de Thelma Jordon
    Apuestas contra el mañana
    7,4
    Apuestas contra el mañana
    Nadie escapará
    7,0
    Nadie escapará
    Tenamonya Connection
    6,6
    Tenamonya Connection
    Robinson no niwa
    6,4
    Robinson no niwa

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Martin Scorsese owned the only remaining 35mm print and authorized its use for the film's upgraded new print in 2013.
    • Pifias
      During the opening credits, a shadow of a stage light and other equipment is visible on the first truck as it pulls out of the gas station.
    • Citas

      Blind Preacher: You've got to look in your hearts and ask yourself, if you can answer one thing, how much is each of you guilty for all the evil in the world? Why do you do the things you do? Why?

    • Conexiones
      Featured in Red Hollywood (1996)

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    Preguntas frecuentes16

    • How long is The Sound of Fury?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de octubre de 1951 (Suecia)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
    • Títulos en diferentes países
      • Try and Get Me!
    • Localizaciones del rodaje
      • Chandler, Arizona, Estados Unidos
    • Empresa productora
      • Robert Stillman Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 31min(91 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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