El cuatrero errante

It's entirely possible that the VHS that I watched of this film was badly edited because the film seemed to begin in the middle.

The Cloud Brothers, Robert Sterling and John Drew Barrymore, have settled in some country where there's a nice range war in progress. They've got both big cattle baron John Litel and a group of smaller ranchers against them. All they want to do is be left alone, but neither group will allow that.

A third brother, Robert Preston, arrives on the scene. He's a noted outlaw named Kid Wichita and he really ratchets up the violence quotient. That also includes killing the sheriff who is Litel's son and Jack Elam who's married to Cathy Downs who he's taking a fancy to.

This is a nice cast and John Drew Barrymore certainly showed he had the potential to be an earlier version of James Dean. The heritage of that name proved too much for that man though.

One of the more ambitious undertakings from Eagle-Lion Studios. But The Sundowners was flawed in the execution.

The Robert Mitchum/Deborah Kerr Sundowners was far better.

Not to be confused with the 1960 film directed by Fred Zinnemann, this film produced by Alan Le May, best remembered for providing the raw material for John Ford's 'The Searchers' contains a similar family conflict but overall is a much more straightforward business.

Robert Preston is cast against type as a moustached villain while John Barrymore Jr as 'The Younger Brother' for once plays a nice kid.

The staging by director George Templeton is for the most part pretty perfunctory, but the climax against a backdrop of cliffs with one guy wielding a whip is pretty eye watering.

Chill Wills gets to sing a bit. But don't let that put you off.

The Cloud brothers Tom and Jeff are in a mini war with some neighbouring ranchers who are stealing their cattle and want that land that they own. In these confrontations one of their ranch guys is found dead. Not too long James Cloud ('Kid Wichita') makes his way into the picture to help his brothers out on this outcome. Kid Wichita goes to any lengths to make sure that those neighbours pay back their interest. This means going out at night and herding their cattle to cover the costs, but there's more going on than that here. This situation gets more complicated when killing becomes apart of it and Tom can see his younger brother Jeff is turning out like Wichita and he doesn't see eye to eye to that. Realising now that he made a mistake by letting Wichita become apart of it, he must turn him into the law, alive or dead.

Pretty much a typical Hollywood western that seems to have put a lot effort into the production side of things (especially the Technicolor), but the story and pacing seems to be stuck in first gear throughout most of the picture. It's mostly a melodramatic and slow moving story that is rather chatty but still engaging no matter what. This is because the tough cowboy dialog between them is incredibly taut and that thrives throughout. That kind of makes up for sparse action and tension, but the momentum does picks up in the last 15 minutes with a revelation, which you have already guessed and a climatic showdown in the caverns. This is where the best moments occur. The shootout between the Cloud brothers and some rustlers up in the rocky terrains with its classic cowboy banter is fairly well staged. Like some reviewer has mentioned that really goes to the whip crazy incident. But after all of that you'll be expecting uplifting showdown between the brothers after the biting conflict amongst them earlier on, but sadly it all ends in a small whimper.

Being shot location also gives it a bit more credit. The Texas landscape helps for a nice backdrop, which makes for an easier viewing then actually just being made on sets. It one of the draw cards to make sure you keep on watching, that's for sure. Though saying that I was squinting to make out what's happening in those damn impossible moments in the dark. Some sequences felt liked they were chucked in without any thought, but that could be because of the editing. The editing was rather sharp and maybe too sharp, as some things were left open in the story with no much detail about certain scenarios that come to be. While the score was a bit over-bearing at times. But that's no real biggie. The characters in the film are well established and the performances are reasonably sound by the second-rate cast. Robert Preston as 'Kid Wichita' is the one and only enlightened character in the film. He spent most of the time amusing himself by making fun out of people he knew wouldn't fight back, well that changes. Robert Sterling as the flat Tom pales in comparison to the lively Preston and John Drew Barrymore as the younger Jeff wasn't too bad even if his performance was quite raw. Also Cathy Downs, John Litel and Jack Elam are decent in their roles.

A western that provides the usual set-up and clichés, but still mildly amusing and has a bit of style to burn.

Peaceful rancher Robert Sterling is on the losing side of a range war with his ruthless neighbors, that is until notorious outlaw Robert Preston shows up out of the blue to level the playing field. Soon he begins to go too far, feeding a growing sense of unease in Sterling, especially when his son begins to idolize the wily criminal.

The Sundowners is a tightly-paced, gritty, and surprisingly tough little picture with a great performance by Preston. Here, he comes across as an evil version of Shane, that is until the real nature of the rancher and the outlaw's relationship is revealed. Most movie guides and video boxes spoil the surprise!

Rounding out the cast is Chill Wills, Jack Elam, and the debut of John Drew Barrymore, who became more famous for his offspring than his acting.

I thought this was quite enjoyable. It has some interesting character developments and some realistic depictions of what I am certain people were like in the old west. Outlaws who were usually outlaws, but sometimes good guys, and lawmen who you were sometimes not sure of. There is the big rancher who wants to rule everything and the small rancher trying to survive. There is more dialog in this then most folks are used to with a western, but that is what makes it unique. The bad guy is a rascally sort who likes to tease. You find yourself not liking his teasing all the while respecting his brashness. He is ill mannered and imposing such that you have no doubts he can be unscrupulous, but he has a way of not being revolting all the same. Some reviewers were a bit put off by the amount of talking but that is what let you get behind the mentality of the characters. I liked this movie enough to watch it again soon. There is some breathtaking scenery of Texas to be seen. Enjoy.