Cohete K-1

Some films are blessed (though the producers would argue) by having less money with which to work. "Rocketship X-M" (the initials represent "eXpedition Moon") relies therefore upon, ahem, a real Story, with Acting, rather than flash and effects. That's why a half-century later, the well-remembered "RX-M" has held up so well. (An analogy could be drawn with the co-incidental 1949-1955 television series "Captain Video and His Video Rangers", where the bulk of budget also went towards quality writers and cast.) John Emery is - surprise!- a good guy here.

Osa Massen, one of the screen's most photogenic stars ever, is radiant. The whole cast carries through the forgivable inconsistencies with style. Ferde Grofé's music takes us from exultant triumph to eerie mystery and, finally, into bitter realization of what the RX-M crew discovers, the utter waste of an entire civilization. (Remember the real-life "face" on Mars?) Grofé well-illustrates the withering madness in the crew's panicked escape and return attempt. And the final moments aboard the doomed RX-M are of the stuff that makes for great film. I saw this in theatrical release, and you, too, will find "Rocketship X-M" one of your most memorable. Highly recommended to all.

Rocketship X-M is a solid film, and is a darker, less optimistic effort than 1951's "Flight to Mars". The 50th anniversary DVD edition is amazing, and the "Sepiacolor" scenes on the martian surface are quite effective.

Buffs will notice that the very brief (5 second) image of the ship on the surface is a different image than in the original. The use of Death Valley for the Martian surface (at dusk) is much more effective that in scenes from Flight to Mars, which were probably all shot in a studio. Lloyd Bridges is in love with himself even more than he is with the German girl scientist on board - which is kind of nauseating - but overall, the film is a favorite.

Classical music lovers will take note of the music score by Ferde Grofe, better know for his Grand Canyon Suite and other orchestral works.

Writer-Producer-Director Kurt Neumann put together an excellent ensemble cast, and accomplished having Lippert Pictures finance this $96,000 venture in 1950. This is a simple picture that works due to fine direction, players and technical staff. Karl Struss, one of Hollywood's most admired photographers, lensed the picture. One of the best known American composers, Ferde Grofe, wrote the musical score, and one reviewer found it more original than John Williams' STAR WARS score. Although the technical knowledge that exists today dates the picture somewhat, this picture is not campy because it has a serious tone to it, and most audiences key in on that. The original soundtrack recording of the score received an LP release on the Starlog label during the 70's. There are now moves underfoot to re-record the entire score for a CD release, possibly in 2001.

ROCKETSHIP XM received some updates in the 70s, when some new special effects scenes were shot and released on VHS. This version is currently available from video sources.

This movie is great in its predictions of how space travel would take place in the future (remember, it was released in 1950, way before any manned rocket launches). Of course there are some mistakes, but overall I am impressed how accurate they are. The plot is extremely simple, but the ending is in style with the realism it portrays (although not very hollywood-like) Acting is adequate, but stereotype of its age.

All in all, an enjoyable movie for SF fans

Got to remembering this old flick lately and decided to try to find a copy. Imagine my suprise when I found it in a dual pack which included "Destination Moon" (1950). Bought them both in a heartbeat! Although both are "primitively" produced I personally think they did a good job for what they had to work with. I would be a gas to see a remake of both using todays technology.