El platillo volante

This film was a disappointment simply because I expected that it would be all about aliens. After all, with a title like "The Flying Saucer" you'd THINK it would be sci-fi...but it isn't. I LOVE cheesy 50s sci-fi. What you have instead is a Cold War Commie film- --which is interesting just because so many people have talked about how the sci-fi films of the day were actually metaphors for the West's paranoia and struggle with communism.

Mike is begged to become a special agent for the US government. However, he's very apprehensive to go and seems like a loser--and their picking him because he's a native Alaskan seemed silly. There MUST have been some other Alaskans who were more qualified than this drip! Eventually he goes and is assisted by an agent posing as his nurse. The reason they're going? Well, the Russians MIGHT have developed some top secret UFO and Mike and Vee (an odd name for a lady) are there to investigate covertly.

I was surprised that the film actually WAS filmed, in part, in Alaska. I expected lots of crappy stock footage but they really went places in this 49th state and I recognized the glacier in Juneau which was the backdrop for many scenes. It actually is a really lovely film despite being in black & white.

Unfortunately, the story itself is cheesy. Much of it consists of voice-over narration and the story is amazingly slow and dull considering it's about the Red menace! Other 50s anti-Commie films were certainly more exciting than this one. The leading man, Mike (Mikel Conrad) isn't exactly Mr. Charisma and having much of the story rest on his shoulders wasn't a good idea in hindsight. James Bond he wasn't! Perhaps he's all they could afford after blowing most of the budget getting everyone to Alaska! Overall it's a terribly dull thing that only gets a 2 because of the nice scenery. Probably not worth your time unless you are (like me) incredibly lame.

I can't really add much more to what's already been said about this Alaska travelogue, but I will offer some praise to the unknown actress Pat Garrison, who plays the phony nurse Vee Langley. There is one sequence in which she goes swimming in a one-piece bathing suit, displaying an admittedly fine figure (she gets my choice for Anatomy Award Winner). There are some notable actors involved, all of them totally wasted (especially Denver Pyle and Earle Lyon), but veteran Frank Darien (Uncle John in "The Grapes of Wrath") has a better than usual role. Mikel Conrad is a total failure as a dramatic director, the action scenes are ineptly staged in what seems to come across as slow motion, and his own failings as an actor are maximized. He plays a two-fisted drinker who smokes constantly throughout the film (have to ward off boredom somehow), and the success of his secret mission (and the leading lady falling in love with him) boggles the mind; upon meeting the suspicious Russian caretaker for the first time, he blithely inquires as to whether or not he's noticed any Russian spies in the area! "The Flying Saucer" (1949) remains nothing more than a publicity stunt and vanity film for director-producer-star Mikel Conrad, notable chiefly as an historical footnote (being the first saucer movie), but effective only as a showcase for the Alaskan wilderness (I wonder if Sarah Palin ever saw this?)

THE FLYING SAUCER is the first feature film about UFO's. The first screen depiction of "flying saucers" was in the serial BRUCE GENTRY: DARE DEVIL OF THE SKIES. Other than being a first, this film about a FBI agent sent to Alaska to find a flying saucer is pretty minor. Not much flying saucer in this film, but a lot endless shots Alaska's natural wonders, and scenes of FBI agent Mike Trent wandering around from one bar to another. The saucer is shown airborne for about a total of 30 seconds. There is also an interesting full scale mock up of the saucer, but it looks very different from the airborne one. Also the writers of this film seemed to think that there was always only one flying saucer that everybody was spotting back then.

One thing that disappoints a lot of people is that the saucer isn't even from outer space. This is not so odd considering when this movie was made. Back in 1949 about 80% of Americans thought flying saucers were real but did not automatically believe in E.T.s. Some thought they were from outer space, others thought they came from the U.S.S.R, while most thought they were American secret weapons (the Navy was often sighted as the ones who were testing them.) However in this film the subject of the flying saucer being from Russia is brought up, but no one mentions the idea of the saucer being from outer space. Also at the start of the film Mikes boss mentions that the saucer works on some totally new scientific principal. When the film wraps up, we are never told how the flying saucer works. I suspect the writers could not come up with one.

Dismissed by the late Bill Warren of consisting largely of "a rather dull travelogue of Alaska" but breaking new ground on the discussion of UFOs this film confused the debate on flying saucers under the misconception that there was actually only one flying saucer despite the first sighting in 1947 of several such craft gliding like saucers skimming across water.

Conforming to the then prevailing notion that flying saucers originated behind the Iron Curtain the baddie's hideout is presided over by a Teutonic Mr Danvers, capable of instilling with menace lines like "You forgot your thermos, Mr Trent!", although the profession of his partners in crime to "the cause" marks them out as followers of Uncle Joe.

For the most part it justifies Warren's criticism. Bt when it finally makes two fleeting appearances the saucer moves a lot faster than Ed Wood's hubcaps ever did.

I've seen this film a few times, I must confess, and I like it. My favorite part is Mike Trent's bender in the bars of the Juneau waterfront. For my money, it is the centerpiece of the film and also where Denver Pyle appears. I love McCarthy era portrayals of Soviet operatives. Hantz is a first class strange character with voyeuristic and other kinky tendencies. The official-type Americanos are very fifties. People often expect all films to be realistic and can't seem to appreciate the interesting little views we can get into the past from off beat, low budget stuff like "The Flying Saucer".