Robinsones atómicos

After some real clunkers in the '40s, it's nice to be able to say that L & H's final film is a good one.

Okay, so they look pretty old and they are the only members of the cast who haven't been dubbed, but this film is highly entertaining and filled with vintage Stan and Ollie humour. The concept of them building a home on a deserted island is literally previously unexplored territory and there is an effective underlying message about how a 100%-tolerance society can result in anarchy.

It might take some getting used to but it's still a film well worth seeing.

I have read so many negative reviews of this film that I expected a really horrible film. Surprise, surprise. The film is actually not bad at all. Sure, Stan does look ill in some shots but the boys are still funny and the story is engaging enough. I love the fact that the film was shot in Europe. It gives it a fresh look that is absent from their older studio-bound films. Some gags are better than others(the loading of the boat is quite funny), and the whole premise of the boys creating a country without taxes and laws works quite well. In a very funny moment, Ollie declares himself president and names the other 3 original inhabitants to key posts, relegating poor Stan to the status of "the people". The supporting cast are all dubbed, but this does not hinder the film. What doesn't quite work is the whole sub-plot about the sexy French singer and her fiancé. They could have cut that down a bit. Overall, not bad at all. If you're a L&H fan do yourself a favour and give this film a chance.

This was Laurel and Hardy's last film and, of all their features, the one with probably the worst reputation. I can give it the left-handed compliment of saying, "It is not as bad as you have heard it is." The boys are caught in a storm at sea but are saved when a submerged island rises up under their boat. Along with a few other misfits, they establish a cooperative society. Then, the outside world shows up, discovers uranium on the island and the rush is on. What is unique is the level of satire that is present in the movie's last third, even though it is genial rather than sharp. Laurel looks thin and old (he was, in fact, quite ill during filming), but gamely takes his pratfalls. There is plenty of the usual shtick between Stan and Ollie. I find it funny no matter how many times I've seen it so I laughed several times. For L&H fans.

Stan and Ollie's farewell falls far short of the boys in their prime, it's true, but the film is nowhere near as bad as its reputation suggests. From what I'd heard about it I almost didn't want to watch this film – in much the same way as you want to remember a loved one hale and hearty rather than eaten away by cancer – but I braved it anyway. The print is atrocious with blurry visuals and poor sound, but even the poor picture doesn't disguise how ill and gaunt poor Stan Laurel looks. Apparently he had dysentery and prostate problems during filming, which accounts for his appearance. Ironically, Oliver Hardy, who would be the first of the duo to pass away, looks the better of the two, although it's plain to see that he'd piled on a few pounds since their heyday.

The film's storyline is fairly ordinary fluff about the boys travelling to a deserted island Stan has inherited and establishing a utopian society that works perfectly until the population count increases beyond single figures. There are a few glimpses of the old style from the boys but any enjoyment is tempered by the knowledge that you're watching ageing men trying to recapture something that they no longer possess. The rest of the cast are French, and the dialogue they speak is dubbed into English, which makes it visibly difficult for Laurel and Hardy to play off them they way they used to with familiar faces of old.

This film probably isn't one you'd want in your collection if you're a Laurel & Hardy fan, but neither is it one that should necessarily be avoided at all costs.

The boys last film is not the clunker that many would have you believe. There are numerous scenes that made me laugh out loud, especially the scenes involving Stan's pet lobster. The style is geared toward more gentle slapstick and philosophical humour that suits the aged stars perfectly.

All in all a bright and gay movie with pleasant scenery and jolly characters. Give it a try, it's far better than the big studio pictures of the 40's in it's revised approach to the comedy duo.