Eva al desnudo

What a genius Joseph L Manckiewicz was. A literary script that is totally accessible. A melodrama for the thinking man. A film that is as engrossing and entertaining every time you see it. Bette Davis touches all the raw nerves of her mythological career. Anne Baxter never went this far. Thelma Ritter became a sort of icon. Marilyn Monroe gives us a preview of forthcoming attractions as a graduated from the "Copacabana" academy of dramatic arts. Celeste Holm represents us, all of us and George Sanders creates a prototype for a cultured monster that is immediately recognizable. I don't recall another film in which the nature of selfishness is so wittily dissected. A total triumph.

In show business, there is probably an Eve Harrington born every day. Someone who butters up to a performer of note, acting innocently, revealing none of the coldhearted ambition they really have. Anne Baxter plays this type of person to a tee. She looks like a baby-faced fan, but little do we know, there is a fame machine at work in her mind. Bette Davis, as Margo Channing, star of the stage, is a veteran who has seen it all. She is quite the egotist. Margo is a brilliant actress and she knows it. Eve discovers her blind spot and moves in on her like a quiet storm. This is the premise of ALL ABOUT EVE, Joseph L. Mankiewicz's masterpiece of sly wit and subtle manipulation. Mankiewicz also wrote the picture (winner of the Best Picture Oscar of 1950) with such skill, the talented cast need only to memorize the lines and deliver them with the proper technique.

The performances are great, regardless, especially by Bette Davis and the always detested George Sanders, one of my favorite actors of the Golden Age of Hollywood. The film is narrated initially by Sanders, who plays a ruthless swine of a theatre critic, then by Celeste Holm, the wife of Eve and Margo's playwrighter, then Bette Davis in the performance of a lifetime. The movie is about 90% dialogue, much like a play. The words are so crisp and sharp, you never sway or lose interest. These characters are just too interesting. Bette Davis has a cavalcade of unforgettable dialogue. "Fasten your seatbelts. Its going to be a bumpy night!" This is the one everyone remembers, but I would be remiss to get into any others.

The picture runs well over 2 hours, but it doesn't seem like enough. Mankiewicz could've held a seminar of screenwriting by showing this. George Sanders is the only actor of the roster to bring home an Academy Award, and rumor has it Davis and Baxter, who was just 27 at the time, were feuding during much of the shoot and lusted the Oscar. Time has been very good to the film as well. 1950 was a wonderful year for movies and ALL ABOUT EVE's artistic equal that year was the equally well-written SUNSET BOULEVARD, which took us behind the scenes of a tainted Hollywood. EVE takes on theatre and treats Hollywood like an afterthought. There are many references to the film industry, usually involving the scenes with Margo Channing's boyfriend, who is attempting to make a career on the silver screen.

The movie is highly unpredictable, especially the last scenes which tie the ideas of the story up. There is an Eve everywhere and each character gets what he or she deserves. Fasten the belts and listen up. This is screenwriting at its finest.

You will see yourself in every character in this very intelligent, entrancing movie. Though set in "the theatre," the story could just as easily have been told in a small town, a corporation – even a religious organization. Being set in the "glamorous" world of entertainment – its seems all the more timely in these days of fame, fortune and the insufficiency (almost shame) of being ordinary. The theatre setting also underscores the reality that the world is a stage, and all its people, players.

So much to study in this movie: the genuine, trusting (and romantic) human; the streetwise, good, hardworking human, who's seen it all and doesn't embrace it; the jaded, heart-hardened, deceitful loser with power, who admires the same and disdains human goodness; the ambitious sociopath who fools so many; the unsuspecting onlookers who see only the façade of success; the inescapable fact that supreme achievement has been had by very low characters; the painful passage of an aging woman into the light of knowing she's loved for being beautiful beyond her appearance, for being HER; the touching portrayal of her lover who remembers his love for her as he passes on a much younger, beautiful, talented actress; the sorrow of a (betraying) friend who discovers the frightened and lonely heart of her successful friend … The dialogue is sharp and clever, barked and growled, smarmy and tender… A truly human movie about being human. Go – find yourself in everyone!

Here's perfect writing if ever a movie ever had it-where did Joseph L. Mankiewicz come up with these people? Who would have thought he could not only revive Bette Davis' career with her greatest-ever role, but actually make her even more fascinating than she ever was before? Davis plays famous and established actress Margo Channing, a self-centred and tough but vulnerable woman who is purused relentlessly by Eve Harrington (Anne Baxter), a seemingly innocent woman who worships Channing-she even becomes her personal assistant. However, her devotion soon becomes sinister, and Margo lets her friends know, though they just think she's being selfish and unfair. Celeste Holm is excellent as Margo's best friend, who at first is on Eve's side but eventually sees how conniving Eve can be and how ruthless she is in climbing to the top. The party scene early on in the film features some of the film's best lines (`Fasten your seat belts…it's going to be a bumpy night!'), though my personal favourite is when Davis tells Baxter to put her award `where you heart should be'; Margo Channing is just about the best female character of the fifties. Features Marilyn Monroe in an early role.

Your number one fan, has finally met you, she's made quite a connection, and now you're paired just like a two, organises your affairs, running up and down the stairs, whatever you need doing, that's exactly what she'll do. It's not too long before the sycophant attempts, to take a little piece, of all that she has dreamt, front and centre of the stage, with an audience engaged, all established on embellishing pretence. But there's a price that success usually requires, after someone has initiated fires, their enabler's a tiger, a cunning, devious backbiter, who'll have them dangle from his strings and walk his wires.

Timeless and enduring with outstanding performances that to this day still take your breath away.