Sorrowful Jones

Bob Hope stars as Sorrowful Jones in the second screen version of Damon Runyon's "Little Miss Marker". It's a bit of a move in terms of screen characterization for Hope, but not enough of one to upset his fans. There are still the sarcastic asides, self-deprecating and delusional, but the character has a sense of depression implicit in the name that Hope had not brought to other roles. He would expand on this for the next half dozen years, reaching the point where he could play carefully tailored real-life characters like Jimmy Walker and Eddie Foy, that showed his actual abilities as an actor, before he would become a bit stale in the late 1950s.

Although Hope would not adopt the. Fractured English that was a trademark of Runyon's Broadway characters -- only Tom Pedi does -- a competent cast, including Lucille Ball as her most sarcastic, William Demarest, and Thomas Gomez run ably with their parts. Only Mary Jane Saunders as the little girl suffers in comparison, but Shirley Temple had played the role in the first version, cute and bubbly and headstrong. Miss Saunders is simply sweet.

This movie, a re-make of Shirley Temple's "Little Miss Marker" gets little respect from the critics. As usual, I disagree with them: this is fun movie and one you should enjoy if you like Temple and laugh at Bob Hope's jokes.

I didn't always think Hope was funny but this movie had a lot of laughs, a great story and a cute kid. It isn't as hokey or dated as most of Hope's films and some of his lines in here are downright clever.

Mary Jane Saunders does a nice imitation of Temple-Margaret O'Brien, a combination of those two child stars. You also get Lucille Ball in here, although she's just okay, nothing hilarious. She does get some good wise-cracks in, however.

This is a solid, underrated comedy. I'm sorry to see I am only the second person to review this film on IMDb. A lot of people are missing out on a funny movie.

Sorrowful Jones is both the first time Bob Hope teamed up with Lucille Ball as a leading lady and it's his first try at a Damon Runyon character. It succeeded, but it's not as good as some of the other of Bob Hope's Forties comedies.

This is a remake of Little Miss Marker where Adolphe Menjou played the role of Sorrowful Jones. The problem with this version is that in the first one the main character is the little girl left as a human marker for bookie Sorrowful Jones. The little girl back then was Shirley Temple and it was a Shirley Temple picture.

No child was going to steal the spotlight from Bob Hope and this one has the emphasis on Hope's character which is all wrong. Little Mary Jane Saunders is not Shirley Temple, but who is. Anyway she does not steal the film from Hope and that's wrong.

On the plus side Hope and Lucille Ball show some really good chemistry and they did far better in their next film together Fancy Pants. Also look for good performances from Bruce Cabot as the gambling kingpin and from William Demarest as Hope's sidekick.

But if you want to see Hope and Ball at their best I recommend Fancy Pants.

Damon Runyon's Little Miss Marker had already been filmed in 1934 as a Shirley Temple starrer, this remake changes the title and brings in the star power of Bob Hope and Lucille Ball, with great results.

Story has Hope as sly bookie Sorrowful Jones, who after accepting a five year old girl as a betting marker, gets lumbered with the child when her father is wasted by gangster Big Steve Holloway (Bruce Cabot). Initially a fish out of water with the kid, Sorrowful strikes up a loving relationship with her and aided by his ex-girlfriend, Gladys O'Neill (Ball), fights to keep the child out of an orphanage.

It's not - as some of the posters proclaim - funnier than Paleface (either of them since the sequel is better), in fact it's not close to the funny heights achieved by Hope's next Runyon adapted picture, The Lemon Drop Kid. However, Sorrowful Jones is funny, Hope gets to deliver some absolute corking lines that are guaranteed to at the least put a big grin on your face, but there's a semi-seriousness to it all which thankfully works a treat alongside the quips and wonderfully strange situations that Jones finds himself in. With a weighty support cast that also features William Demarest and Thomas Gomez helping things along, and young Mary Jane Saunders adorable beyond compare, this is a little cracker of a picture to brighten your day. 7/10

All the versions of the Runyon story are very good. It's just a great story, but this one is clearly the best. A seemingly heartless, stingy bookie accepts a little girl as a marker for a bet, but when the girl's father is killed by notorious gangsters, the bookie, Sorrowful Jones, is stuck with her. The events that follow range from hysterically funny to emotionally provoking. And those qualities are enhanced by great talents. Bob Hope is perfect as the stingy bookie, playing to his usual role. Bruce Cabot does well as the evil gangster, and Lucille Balllands another great role (she had to have the best agent in the business) as the mother figure. But the little girl, Martha Jane Smith, is absolutely divine as the sad faced girl that even makes Bob Hope melt. She is just zillions of times cuter and more emotion provoking than the bland Shirley Temple. If you don't believe me, see for yourself. A classic that need to come to AMC instead of those stupid boring movies they keep showing (Arnie movies, Stallone movies, Friday 13 movies, etc). How about showing real classics like this instead, something people will watch and enjoy!