Nadie puede vencerme

Overshadowed by the more heralded The Champion in 1949, I like this movie better. Maybe the grittiness of this one with its unrelentingly seedy environment and no obvious feel good outcome made it less popular at the time. After seeing it for years on cable, a most welcome sight on DVD. Certainly an Oscar caliber performance by Ryan. The direction and cinematograpy also Oscar worthy. The boxing match itself is a classic, convincingly choreographed. The whole cast down to the smallest part is uniformly fine, with many memorable faces. The sense of anxiety we feel for Stoker mixed with hope and fleeting elation makes quite a compelling story. The movie is 71 minutes and is in `real time` ****1/2 out of *****

Robert Ryan is a victim of "The Set-Up" in this 1949 film also starring Audrey Totter, George Tobias and Percy Helton. Ryan plays Stoker Thompson, a 35-year-old prize fighter who is still trying to make it. Totter is his wife, who wants him to quit before he's crippled and/or brain-damaged. In fact, she's not even sure she can watch him fight anymore, though he begs her to come to the arena. What he doesn't know is that his handlers have accepted money for him to take a fall. They don't bother telling him because they believe he's going to lose anyway.

Hollywood has long had a love affair with the fight business. It's easy to see why - it's a visual sport and one-on-one, and there's always a story to tell, either about a loser or an egomaniacal winner. "The Set-Up" is a fascinating film brilliantly directed by Robert Wise, with the boxing match done in real time. The action switches back and forth from the arena to Stoker's wife walking through the dark city trying to sort out her feelings and ultimately ripping up her ticket to the match. Meanwhile, Stoker keeps looking out the window at his apartment window - when he sees that the lights are off, he believes she's coming to the fight.

The fight itself is incredibly realistic and brutal, and the focus is on what can only be described as sadists sitting around the ring yelling, truly man at his most barbaric in Wise's approach. The entire experience - the fight and the audience reactions - is very uncomfortable. The match is difficult enough to watch, but the aftermath is worse for the tension factor alone. Interestingly, Wise lets us see the violence in the ring and let's us imagine some of the violence outside of it later.

For a time in his career, Robert Ryan had kind of a gentle giant thing going occasionally. A very prolific actor, he could be pathetic, as he is here, or take on a character with mental or emotional problems with ease. As his career continued, he played increasingly more angry and violent men. Toward the end of his career, however, he portrayed John the Baptist and Nolan in "The Man Without a Country." He's terrific here as a sad, desperate man going for the glory when he's just about washed up; he is in a business with no humanity, yet he sticks out because he is kind and reeks of goodness. Audrey Totter is very good as his wife, who loves him and wants more for him than being beaten up. Tobias and Helton give great performances as men whose souls left them a long time ago. The rest of the cast is equally good.

This film makes a profound impression on the viewer, and if you're not interested in fighting, you definitely won't be after this film. If you're a fan of the sport, you'll perhaps ask yourself why. No matter what, you won't be unaffected.

More than a movie, this is an urban nightmare with an atmosphere thick enough to drown in. It's a vision of some never, never land of unending shadows, cheap neons, and snaking lines. Delirious pleasure seekers crowd "Dreamland" and the "Fun Arcade" or slip into the burger joint for a greasy slab, while overhead a band blares out a feverish tune. Soon the delirium spreads out into the dark as far as far as the eye can see. And through it all, weaves the camera, in and out, as though we too are trapped in the urban inferno.

Except the real pleasure-seekers crowd around a cone of shrunken light. Beneath the bulb, endless rounds of sweaty hopefuls beat out their brains for a few bucks and the roar of blood-lust delight. There's the fat guy stuffing his mouth with each hammer blow, the timid housewife shrieking along in ecstatic release, and the office guy shadow-boxing with the boss's kisser. And in the snake pit's center, there's an old guy, beaten and bloodied, trying to salvage some dignity before he checks out for the last time. Likely, he's the only one who cares. Yeah, it's a great little movie, maybe the best ever on boxing-- with an iconic Robert Ryan, an over-scrubbed Audrey Totter, and a reptilian Alan Baxter. Don't miss it.

I love Robert Ryan films. Whether playing a scum bag or a hero, his gritty and realistic performances have always impressed me. One of his better films is this boxing flick. Ryan is an old washed-up boxer who is expected to take a dive. Through much of the film, you really don't know what he will do--throw the fight or try to salvage some of his dignity. And, I gotta say that the boxing scenes are brutal and realistic--it really HURTS to watch the fight. If you like the films THE HARDER THEY FALL or REQUIEM TO A HEAVYWEIGHT, then is this movie for you! In fact, try watching all three to get a look at the less glamorous and seedy side of boxing.

Bill "Stoker" Thompson is 34, not old perhaps but in the world of boxing that makes him an old man. Despite the protestations of his wife Julie, Stoker still believes that one more punch, one more fight will see him making it into the marquee fights and the big time rather than being on the support bill. As he waits in the dressing room full of similar hopefuls (some his age and tired, others just starting and full of big dreams) his trainer is busy making the fix with the opposition – for Stoker to go down like a $10 ho and not last the distance. However, Stoker isn't told as his manager assumes that Stoker losing is a given and that the "fix" is unnecessary and easy money for them all; however with Stoker feeling this is "the one", it may not be that simple.

Although Rocky is the one that most people will throw at you when you ask them to name a great boxing movie, The Set-Up is much, much more interesting as its aspirations are empty, its sights never getting much beyond the gutter and the men merely small players in a game that never plans for them to win. The narrative is essentially about Stoker entering a fight not aware that he has already been bought to lose but the actual film is much better than this limited plot suggests. For much of the first third we are treated to an intimate look at the small time boxers – whether it be the punch-drunk old timers or the youngster who believe that they will only be doing this level for one or two fights before hitting it big. This is the reality – as much as we love to see the Rocky tale of the underdog getting his day in reality the underdogs of life generally remain just that – underdogs. In this section of the film this is very well painted and, although the characters are not deep enough to be people they are definitely well enough written to be interesting and engaging.

The other two thirds of the film are concerned with the fight and the aftermath, with the fight taking up the majority of the second half of the film. The fight is realistic and tense throughout, I was genuinely unsure how it would go. The aftermath is short and punchy (sorry!) and is effectively dark and gritty for it. The end result is a film that is dark, low key and gripping throughout; it exists in the gutter, in the small time where all our characters seem destined to remain regardless of heart or talent. The cast deliver well, particularly the lead role from former college boxer Ryan. He is really in touch with his character and delivers convincingly in his dialogue, his boxing and his mannerisms; while in the dressing room his facial responses to other boxers show thoughts within his head and conflicting emotions that his experience and age allow him. He is the dominant figure of the film and his is a great performance. Totter is a little less refined but her emotional delivery works well in both of her main scenes with Ryan – although her wandering the streets could perhaps have been trimmed a little bit. The support cast are less well written but do still play their parts well enough but it is Ryan's film and worth seeing for him alone.

Luckily he is not the only reason to see it as the film is engaging, well written, dark, gritty, tense and very enjoyable. The lower number of votes (and potentially therefore, younger viewers) is a tragic state of affairs considering the class on display in this short punchy product and I for one will be answering "The Set-Up" when asked to name a great boxing movie.