Parole, Inc.

There's nothing like a movie made in the 40s. There is a simplicity of perspective that is utterly refreshing when compared to the rubbish that passes for entertainment these days. The entire cast is excellent, the plot clean and easy to understand. Well before the half point of the film, I was rooting for the undercover agent to succeed. I like the fact that the crooks were't so smarmy as to be stereotypes. They were rotters but somehow still seemed human. The end of the film has a strong build up. I really enjoyed this forgotten movie. I wonder how many other B movies are so good. Working my way down IMDb list of available films online, I may soon know.

I really didn't expect much from this film, I thought it would be a cute film since Turhan Bey and Evelyn Ankers was in it but I never thought it would be as serious and good of a film as it turned out to be.

Lyle Talbot is FBI agent Richard Hendricks- one of the Feds. He out to bust a parole ring. It's up to Hendricks alone to keep from getting caught as he is surrounded by a gang of criminals while trying to find out how they are doing it, which gang members are involved and which parole board members are involved.

The film actually engrossed me from the very start - there are a couple of cute moments as the film is in it's conclusion but it is a drama - a good crime drama.

8/10

There have been a lot of paroles. The board is corrupt. O'Shea is sent to infiltrate those suspected of being on the take. He is able to sweet talk his way into the confidences of the ring, but eventually, he must face the real leader, played by Turhan Bay (What a name). Anyway, the plot thickens and one of his confidantes gets killed. It bothers me a bit that even though the guy was a criminal, he had a nice human quality to him. There is some slipshod police work and O'Shea, who looks a little like the mummy in a hospital room, narrates into a giant microphone, telling what happened. I guess a movie in the forties isn't going to have anyone think that the good guys are vulnerable, though he does take quite a beating. This is one of those little films that one barely pays any attention to.

This low-budget little crime thriller actually turned out to be better than I thought it would be. Cagney-like Michael O'Shea plays a federal investigator who goes undercover to expose a crime ring that gets undeserving prisoners paroled in its care, resulting in a crime wave that's wracking the city. O'Shea is quite good as the feisty agent posing as a convict on the lam, and Turhan Bey is fine as a slick, villainous lawyer. The script by "B" veterans Sherman Lowe and Royal Cole is serviceable if predictable, and some of the supporting performances are weak, but little-known director Alfred Zeisler keeps things moving along, although a little raggedly. All in all, a pretty good example of the low-budget independent "B" thriller of the late '40s. Worth a watch.

I love Michael O'Shea, Turhan Bey, and Lyle Talbot so I looked forward to this 1948 B noir, directed by Alfred Zeisler.

It was a bit of a chore. I ended up watching a colorized version because the black and white had no captions. Then there was a notice about the colorization and some project by IMDb.

After that, I sat through a long diatribe against the parole system and how vicious criminals are released. Finally the film started.

Michael O'Shea is in the hospital covered in bandages telling the story of how he got that way.

It seems that paroles are being bought. Who is buying them, and who is being paid? At the behest of the police commissioner (Talbot) Government agent Richard Hendricks (O'Shea) goes undercover to infiltrate the system and find out.

He meets a club owner, Jojo (Evelyn Ankers) who has crooks managing something called a punchboard scam, which has to do with gambling. Richard, using an assumed name, wants to do a job but needs a buddy out of prison. This leads him to Rodescu (Bey) who is filtering money to some of the parole board.

Sending fake telegrams, he sets up a rendezvous between the board and Rodescu. Unfortunately for Richard, a glitch in some paperwork puts him in danger.

Fair noir with some suspense and decent performances. Michael O' Shea had a wonderful, upbeat screen persona. The exotic Bey left Hollywood and pursued photography in Europe when his career faded after the war. However, he returned in the '90s with Babylon 5 and worked through the '90s.

After a Tyrone Power memorial service, I walked by casting director Marvin Paige on the phone. He put his hand over the receiver and said in a conspiratorial voice, "I'm on the phone with Turhan Bey. We're talking about Tyrone." Cracked me up.