PUNTUACIÓN EN IMDb
5,2/10
538
TU PUNTUACIÓN
Tras escoltar a la hija de un emir hasta la fortaleza de su padre, la unidad del capitán Gerard de la Legión extranjera francesa se une a un puesto avanzado marroquí que se enfrenta a un ata... Leer todoTras escoltar a la hija de un emir hasta la fortaleza de su padre, la unidad del capitán Gerard de la Legión extranjera francesa se une a un puesto avanzado marroquí que se enfrenta a un ataque inminente por parte de tribus beduinas.Tras escoltar a la hija de un emir hasta la fortaleza de su padre, la unidad del capitán Gerard de la Legión extranjera francesa se une a un puesto avanzado marroquí que se enfrenta a un ataque inminente por parte de tribus beduinas.
- Dirección
- Guión
- Reparto principal
Michael Ansara
- Rifle Dispenser
- (sin acreditar)
Gordon Armitage
- Legionnaire
- (sin acreditar)
Paul Bradley
- Nightclub Patron
- (sin acreditar)
Ralph Brooks
- Nightclub Patron
- (sin acreditar)
George Bruggeman
- Legionnaire
- (sin acreditar)
John Doucette
- Card-Playing Soldier
- (sin acreditar)
Shep Houghton
- Nightclub Patron
- (sin acreditar)
Perk Lazelle
- Nightclub Patron
- (sin acreditar)
Sol Murgi
- Nightclub Patron
- (sin acreditar)
George Nardelli
- Nightclub Patron
- (sin acreditar)
Reseñas destacadas
A fading George Raft nearing the end of his studio career finds himself wooing Arab chief's daughter Marie Windsor in a backlot Moroccan outpost in this very ordinary adventure movie. Fortunately Akim Tamiroff is on hand to inject some life into proceedings. The downbeat ending comes as something of a shock coming after all the routine that came before it.
Let me start by saying this was not a "Beau Geste" by any means - it was set in Morocco and the locations looked very good, but that is the end of the "penny section!" I had always found George Raft to be completely wooden, and he proved it again in this one, but he did show me he was a very good dancer (clearly the highlight for him in this epic!). And well into his 50's when this was made took away any believability for him to be a romantic hero. The role, had it not been made on a shoe string, needed a Tyrone Power or a Errol Flynn to make it worthwhile. Marie Windsor looked like she wanted to be somewhere else, while Akim Tamiroff was clearly the best performer in the cast. Seeing Raft "act" makes me so glad to rejected the leads in "High Sierra" and "The Maltese Falcon" - had he not done so, they would not be genuine movie classics.
When I read the book The George Raft File I was shocked to learn that this Foreign Legion epic was actually shot in Morocco in actual locations with the cooperation of the Moroccan Royal Family and the Legion. If the French were looking for a recruiting tool for the Foreign Legion, they'd have been better doing a remake of Paramount's Morocco or Beau Geste.
Some elements of those two films get into Outpost in Morocco. The story such as it is has George Raft in a role that should have been Tyrone Power's if it had been a better script seducing lovely Marie Windsor, daughter of one of the local sheiks. Windsor's father is Eduard Franz who's stirring up rebellion against the French. Can Marie stop it and save her beloved Raft at the same time. If you care you might give this a look.
This film has the look and feel of a tax write off. Everybody here just goes through the motions. Raft is too wooden to seriously be considered as a romantic figure and Windsor does so much better when she's playing bad girls. Akim Tamiroff as a transplanted Cossack in the Legion comes off best, a dubious distinction for this film.
I guess the American cast also did it for a free trip to Morocco. Good a reason as any.
Some elements of those two films get into Outpost in Morocco. The story such as it is has George Raft in a role that should have been Tyrone Power's if it had been a better script seducing lovely Marie Windsor, daughter of one of the local sheiks. Windsor's father is Eduard Franz who's stirring up rebellion against the French. Can Marie stop it and save her beloved Raft at the same time. If you care you might give this a look.
This film has the look and feel of a tax write off. Everybody here just goes through the motions. Raft is too wooden to seriously be considered as a romantic figure and Windsor does so much better when she's playing bad girls. Akim Tamiroff as a transplanted Cossack in the Legion comes off best, a dubious distinction for this film.
I guess the American cast also did it for a free trip to Morocco. Good a reason as any.
This does have a couple of good action sequences, but overall it is too predictable to be anything more than average, at best, for its genre. The Foreign Legion setting is fairly interesting, at least as a reflection of its time, and it provides for a couple of relatively interesting possibilities.
George Raft stars as a Legionnaire who combines a hazardous mission with a romantic involvement with an Emir's daughter. Once things get started, Raft is good enough in the role, but the first several minutes of the movie are wasted trying to portray his character as an incurable skirt-chaser, which doesn't really work. Marie Windsor plays the Emir's daughter, and while there's nothing wrong with her performance, she doesn't really fit the part, and she and Raft never quite seem to click together. The script is straightforward enough, but it could have used some sharper dialogue to pick up these scenes in particular.
Once Raft's character gets his assignment and meets the daughter, the story follows a pretty standard formula. The action sequences are the highlights, which include a good chase scene with Raft trying to elude a palace full of pursuers. Otherwise, there are only occasional moments of good drama to hold your attention.
George Raft stars as a Legionnaire who combines a hazardous mission with a romantic involvement with an Emir's daughter. Once things get started, Raft is good enough in the role, but the first several minutes of the movie are wasted trying to portray his character as an incurable skirt-chaser, which doesn't really work. Marie Windsor plays the Emir's daughter, and while there's nothing wrong with her performance, she doesn't really fit the part, and she and Raft never quite seem to click together. The script is straightforward enough, but it could have used some sharper dialogue to pick up these scenes in particular.
Once Raft's character gets his assignment and meets the daughter, the story follows a pretty standard formula. The action sequences are the highlights, which include a good chase scene with Raft trying to elude a palace full of pursuers. Otherwise, there are only occasional moments of good drama to hold your attention.
This is an odd film from the onset due to the odd casting choices. First, having an older (and decidedly lazier) George Raft in the romantic lead seemed silly, though most of his manly roles at this point his his career seemed to think he was 10-15 years younger. Second, and this is the most serious, who would have thought that Marie Windsor could look like the Emir's daughter?! She looks about as North African as Zsa Zsa Gabor and sounded like a débutante! The film begins with Raft being asked to go on a special mission to escort the sultry Ms. Windsor to her father at his fortress. Why was Raft chosen? Well, according to the film he is some sort of super-stud ladies' man and the Commanding Officer wanted Raft to romance Windsor and get her "on our side"!! Really. I'm not making this up, folks! George Raft is a major stud in this film(!). Naturally, at first they don't get along but then later they are quite snuggly (a standard cliché in such films). When she discovers that her Daddy, the Emir, is a nasty jerk, she helps Raft. What a dame. Well, more like what an anachronistic dame--one who acts like no woman in her situation would have acted like.
After the romantic stuff, the film becomes a movie about French Foreign Legion troops being besieged in the desert--like BEAU GESTE, ABBOTT AND COSTELLO IN THE FOREIGN LEGION, BEAU HUNKS and a dozen other films. NO surprises here and it looks almost like a slow motion and dull version of the standard "White man in the desert" film.
After the romantic stuff, the film becomes a movie about French Foreign Legion troops being besieged in the desert--like BEAU GESTE, ABBOTT AND COSTELLO IN THE FOREIGN LEGION, BEAU HUNKS and a dozen other films. NO surprises here and it looks almost like a slow motion and dull version of the standard "White man in the desert" film.
¿Sabías que...?
- CuriosidadesSecond-unit director Richard Rosson traveled to Fort Tinihir in Morocco for location shooting. There he met 900 German members of the French Foreign Legion. They had all been members of Gen. Erwin Rommel's famed Afrika Korps during World War II. After the war ended, these men, who were now POWs under French control, were given a choice by the French to either enlist in the French Foreign Legion or return home to a now-ruined Germany. Most chose to sign on as legionnaires.
- PifiasWhen Captain Gerard and Cara are sharing a meal on their journey she tells him "left hand, always" when he uses his right hand to pick up from the dish. This is totally incorrect. In the Middle East and parts of India the left hand is considered 'dirty' and is never used to pick up food.
- ConexionesEdited into Argelia (1953)
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Detalles
- Duración1 hora 32 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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