King of the Rocket Men

King of the Rocket Men is one of the most original movie serials ever produced post-WWII. This is the stuff that dreams are still made of. What kid wouldn't give anything to be able to fly in a sonically propelled rocket pack and kick some bad guys butt? More than 50 years after it was made, this serial still has the pulse-quickening action adventure and really great acting that made it the classic that it is. The acting was serious, which made you believe this could actually happen. These actors were highly under-appreciated, yet were better than many of the celebrity "actors" that demand to be the center of attention today. The Rocketeer was based on this serial, and even though it had great production, it just barely induced the kind of excitement Jeff King gave us for 12 exciting episodes. It's a shame the sequels to this were silly and unbelievable. Allen Duffis hit the nail on the head. This is the standard that ALL of the Saturday morning and prime time adventure shows that came after wished they could be. The only thing that was as good was the first Indiana Jones movie, and that got it's inspiration from show's like this. I still marvel at the flying scenes through the canyons and across the Culver City skyline, which still look so real it's breath-taking. The Liedecker Brothers were geniuses. I wish they could make new serials just as good as this one today. I wish a really good sharp copy of these serials could be professionally put on DVD to preserve these serials forever. This one deserves to be protected for the future.

In this 12-chapter action serial from Republic Pictures and director Fred C. Brannon, the mysterious Dr. Vulcan is responsible for a series of murders of prominent scientists, as well as the theft of their scientific breakthroughs, which he sells to foreign powers. It's up to Jeff King (Tristram Coffin), a member of the Science Associates, a gathering of America's greatest thinkers, to discover the identity of Dr. Vulcan and bring him to justice. King is assisted by plucky reporter Glenda Thomas (Mae Clarke) and Associates member Burt Winslow (House Peters Jr.), as well as by the believed-dead Professor Millard (James Craven). Millard has developed a prototype rocket-suit that will allow the wearer to fly through the air at great speeds. Jeff King dons the apparatus to become...King of the Rocket Men!

This was more cheaply produced than the other Republic serials, utilizing much stock footage, and even padding most of one chapter with clips from earlier chapters. Still, this was a big enough hit to spawn a few more "Jet-Pack" serials in the years to come. The final chapter is quite epic, even if a lot of it is repurposed scenes from older movies. Most of the action scenes are the usual fist-fights and driving off of cliffs. It's all entertaining, in a simple way, but not one of the more memorable serials in Republic history, outside of the Rocket Man's image.

"King of the Rocket Men" was the first appearance of the man in the flying suit. In later years it would become associated with the Commando Cody character both in film and on TV.

The "king" of the title is Jeff King (Tristram Coffin) who is trying to unmask the evil Dr. Vulcan who is secretly trying to undermine a desert research project being conducted by Science Associates. Overseeing the project is a board of directors of whom a Dr. Vulcan, his identity unknown, is a member. It seems that one of their number, Professor Millard (James Craven) has developed a powerful machine called "the Decimater" which is capable of mass destruction. The rest of the serial is spent with Dr. Vulcan and his chief henchman Dirken (Don Haggerty) attempting to steal the discovery and Rocket Man's thwarting them at every turn. Mae Clarke as a reporter and House Peters Jr. as Chief of Security assist King.

This serial is one of the better of Republic's post war serials. There is plenty of action throughout, including chases, fights, cliffhangers and an appearance by Rocket Man in every chapter. The stunt work performed mainly by Tom Steele, Dale Van Sickel and David Sharpe (doubling Coffin in the Rocket Man sequences), is up to Republic's usual high standards. You'll spot each of the aforementioned stuntmen appearing in several minor roles as henchmen.

But the real star of the serial are its magnificent special effects created by Theodore and Howard Lydecker. Rocket Man seems to have borrowed his flying ability from Republic's earlier serial "The Adventures of Captain Marvel" (1941). The Lydeckers employed the use of an oversized dummy running up and down an almost invisible cable and photographing it from different angles to make it appear life-size. It's quite realistic for its time.

The best sequence is saved for the end when Dr. Vulcan attempts to destroy New York City. There are earthquakes, tidal waves and scenes of mass destruction achieved through the skillful use of miniatures.

The acting is better than most serials. Coffin, who usually played oily villains, gives a creditable performance in the lead. Mae Clarke, who had achieved notoriety in "Public Enemy" by having James Cagney push a grapefruit in her face, does her best with limited material as the heroine. Don Haggerty as Dirken makes a formidable villain in what I believe was his only serial. Haggerty can usually be seen in featured roles as a cop or thug. He never got the credit or the roles he deserved.

So who was Dr. Vulcan? To find out, tune into the next chapter of "King of the Rocket Men" at this theatre next week.

While I don't want to date myself, this is the first film I actually saw made. It's a 13 part chapter play, aka serial, that fifties kids enjoyed on Saturdays at the movies. All serials had a formula. They ended with a cliffhanger, they began with the "take out" of the previous week's episode, and featured lots of action and lame dialog. This one also offered the best human flying effects to that time. In fact, nobody surpassed them until Superman: The Movie. You can thank the Lydecker Brothers who not only created the effect, but nearly sunk NY City with a tidal wave. 4.5 hours of film on a budget of $175,000. You can only shake your head in amazement. I've seen the series a dozen times. I can recall seeing a screening of it in a local theater where they played all 13 episodes back to back. It got so that one section of the audience would cheer the producer and another the director. Everybody booed the actors. When did you last have a movie going experience like that?

This was a fantastic serial with great special effects for it's time. Unfortunately, many who review such fare today do so from feature length versions. One must always remember that these serials were meant to be viewed, chapter by chapter, on a weekly basis. It was the draw that got you back to the theater and a five cent bag of fresh popcorn with real butter, not butter substitute. This cherished specialized cinema of the 1940's and early 50's, produced mainly for kids, was known widely as "Saturday Mornings At the Movies".

To understand and appreciate such cinema, one really needs to have the inventive mind of a child, growing up during such exciting times of pioneering new technology. There was no 24 hour television in color or black and white, VCR's, or anything to get in the way of a child's greatest attribute, their imagination. This was the generation that would grow up to make all of these modern day wonders come true.

It is also fair to mention that stars like Tristram Coffin, deserved to be remembered for the fine actors they were; despite the limited range of the roles they played. After all, it takes a fine actor to make even a child believe that a man can strap two powerful flaming rockets to his back, attached to a flimsy leather jacket with four simple control knobs in front, and fly convincingly - without being killed. How many of our high paid, so-called actors of today can effectively accomplish such a feat?