PUNTUACIÓN EN IMDb
6,4/10
2,1 mil
TU PUNTUACIÓN
La dependienta del economato de Warner Bros confía en que su gran oportunidad en el mundo del cine ya está aquí cuando dos de los actores deciden ayudarla.La dependienta del economato de Warner Bros confía en que su gran oportunidad en el mundo del cine ya está aquí cuando dos de los actores deciden ayudarla.La dependienta del economato de Warner Bros confía en que su gran oportunidad en el mundo del cine ya está aquí cuando dos de los actores deciden ayudarla.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 1 nominación en total
Mazzone-Abbott Dancers
- Dancers
- (as The Famous Mazzone-Abbott Dancers)
Jean Andren
- Headwaitress
- (sin acreditar)
Lois Austin
- Saleslady
- (sin acreditar)
Shirley Ballard
- Beautiful Girl on Bike
- (sin acreditar)
Janet Barrett
- Michael Curtiz's Secretary
- (sin acreditar)
Eugene Beday
- Frenchman
- (sin acreditar)
Al Billings
- Wrestler on Television
- (sin acreditar)
Mel Blanc
- Bugs Bunny
- (voz)
- (sin acreditar)
Paul Bradley
- Frenchman
- (sin acreditar)
Carol Brewster
- Model
- (sin acreditar)
Jan Bryant
- Redhead
- (sin acreditar)
David Butler
- David Butler
- (sin acreditar)
Reseñas destacadas
This was really a picture to promote new talent Doris Day at the time by her studio, Warner Bros. Dennis Morgan & Jack Carson play themselves, trying to get Day (who plays a studio waitress) into the movies. The story and songs (except Cafe Rendezvous) are totally forgettable. The fun part are cameos from nearly every Warners actor at the time including Ronald Reagan, Jane Wyman, Danny Kaye, Gary Cooper, Sydney Greenstreet, Patricia Neal, Joan Crawford, Eleanor Parker, Edward G. Robinson, Errol Flynn and even directors David Butler (who directed this), Raoul Walsh (High Sierra, White Heat), Michael Curtiz (Yankee Doodle Dandy, Casablanca) & King Vidor (Beyond the Forest, The Fountainhead). Tailored for Day fans or classic film buffs. 2 1/2 stars out of 4.
How revealing when Joan Crawford goes into her "drama queen" act and then admits she does that in all her movies. Or when Edward G. Robinson does his tough guy routine after persuading the studio guard to please let him act tough or they'll all be out of work. Good for a laugh. But it's also a little unsettling to see these super-stars as just ordinary folks, after all.
I gather (from TMC) the production was rushed through to meet certain obligations. If so, they did a cracker-jack job. Sure, the plot is about as shopworn as they come—provincial girl (Day) breaking into show business, helped (or hindered) by two fast-talking smoothies (Morgan & Carson). But it's done up with great bounce and energy. The youthful Day sparkles with the kind of winning luster that made her a movie star perennial. Carson mugs it up in amusing Carson fashion, while his buddy Morgan sings and looks handsome.
Then, of course, there are the star cameos from the Warners 1940's stable, including a "yup- ified" Gary Cooper sipping a malted through a straw, of all things. (Note how the famously boozy Hollywood suddenly prefers malts and ice cream to scotch and water—perhaps the movie's most amusing fiction.) Personally, though, I like Bill Goodwin's discombobulated producer best. His shtick with Day is a good running gag and I kept hoping he wouldn't get his glasses fixed.
Anyway, the movie's full of amusing bits cleverly woven together, including a behind-the- scenes look at the studio (to save time instead of building sets—TMC). In my book, it's the kind of pleasure that comes as a reward to old movie buffs and should not be missed.
I gather (from TMC) the production was rushed through to meet certain obligations. If so, they did a cracker-jack job. Sure, the plot is about as shopworn as they come—provincial girl (Day) breaking into show business, helped (or hindered) by two fast-talking smoothies (Morgan & Carson). But it's done up with great bounce and energy. The youthful Day sparkles with the kind of winning luster that made her a movie star perennial. Carson mugs it up in amusing Carson fashion, while his buddy Morgan sings and looks handsome.
Then, of course, there are the star cameos from the Warners 1940's stable, including a "yup- ified" Gary Cooper sipping a malted through a straw, of all things. (Note how the famously boozy Hollywood suddenly prefers malts and ice cream to scotch and water—perhaps the movie's most amusing fiction.) Personally, though, I like Bill Goodwin's discombobulated producer best. His shtick with Day is a good running gag and I kept hoping he wouldn't get his glasses fixed.
Anyway, the movie's full of amusing bits cleverly woven together, including a behind-the- scenes look at the studio (to save time instead of building sets—TMC). In my book, it's the kind of pleasure that comes as a reward to old movie buffs and should not be missed.
This is a terrific little film. Light entertainment, nothing to think about, just sit back watch the stars of Hollywood's Golden Age and enjoy. Any movie with Dennis Morgan AND Jack Carson has to be good, and Doris Day pretties up the whole thing. Lots of cameos by Hollywood's best and lots of talent. I recommend this movie when you're tired and stressed and just want a good movie to relax to. The other great thing about this movie is you never know who will show up. Gary Cooper and Dennis Morgan sitting at a drug store counter, Coop sipping Coke, Dennis prattling on and Coop just saying "Yup." Just goes to show you don't need to say a lot, especially a lot of "F" words to show your talent. Nobody in Hollywood today comes up to these stars in terms of talent and class.
This one of good natured spoofs on Hollywood that is set in a real studio and has a number of stars appearing as themselves, usually satirizing their screen personalities. Unlike many films of this type the stars don't out stay their welcome, and are sometimes genuinely funny. The movie is no classic (certainly it's no SINGING IN THE RAIN) but it passes the time agreeably enough and leaves the impression , whether true or not, that the cast and crew had a good time making it. The stars; Dennis Morgan, Jack Carson and Doris Day; work well together. Highlights are Dennis Morgan and Doris Day singing a very pleasant duet, Jack Carson doing an impression on Maurice Chevalier and Irving Bacon in a funny sketch as railway station information clerk.
Dennis Morgan and Jack Carson are again buddies in this one.They are trying to get the lovely Doris Day in movies.There are many cameos by Warner Brothers stars including Joan Crawford,Danny Kaye and Errol Flynn..(He plays Jeffery Bushfinkle!).The best part of this movie in my opinion is when Dennis and Doris sing BLAME MY ABSENT-MINDED HEART together.They both had such beautiful voices it's a joy to hear them sing!! People who love star-filled movies or just like to see Dennis and Jack being funny together should see this film!
¿Sabías que...?
- CuriosidadesJoan Crawford does a cameo and directs a short speech to Jack Carson before slapping his face. It's the same one she gives to Ann Blyth in Alma en suplicio (1945) before slapping her face. Carson co-starred in that film with Crawford.
- PifiasWhen Dennis, Jack and Judy are at the Hollywood Bowl, Dennis stands up to get Judy's coat out of the car. When he does so, his shadow is cast on the backdrop, which is painted to look like a clear, starry night sky.
- Citas
Jack Carson: [after being slapped] What was that for?
Joan Crawford: Oh, I do that in all my pictures.
- Banda sonoraIt's a Great Feeling
(uncredited)
Music by Jule Styne
Lyrics by Sammy Cahn
Sung by Doris Day during the opening credits and played at various times throughout the picture
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- How long is It's a Great Feeling?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- It's a Great Feeling
- Localizaciones del rodaje
- Schwab's Pharmacy - 8024 Sunset Blvd., West Hollywood, California, Estados Unidos(where Dennis, Jack and Judy go after the Hollywood Bowl concert)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 25min(85 min)
- Color
- Relación de aspecto
- 1.37 : 1
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