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A profesional football player is confronted with terrible medical diagnosis. He is only a fottball player ; too late to become someone else. It is high paid, preocuped by the happiness of his wife ( preocuped, herself, by only her succes ) , losing the opportunity to be the new couch of team and feeling his life empty, decided to hide his health problems and accepting be mocked by his team mates for not brilliant succeses in games.

Victor Mature proposes a fair portrait of Pete Wilson and he was the main motif for see this film in my case. But the revelation remain Lucille Ball as Anne and, no surprises , Sonny Tuffts.

In short, a good, in some measure, maybe, useful film.

Victor Mature, dour as always, is a pro football player. He ought to have hung it up long ago, and he knows it. He is married to Lizabeth Scott. Scott is very ambitious. Of course, today her ambition would seem quite logical. In 1949, it was still a little unusual for a woman not to be content with hubby's income and prestige.

These two are an odd pair. That's an aside, having little to do with whether or not the movie works -- and I do think it does.

Lloyd Nolan is excellent as the coach. Lucille Ball gives a subdued performance as his secretary.

Almost no one in this movie has what or who he or she wants. A gloom hangs over it.

Jacques Tourneur was an excellent director. This isn't his best. But I have a feeling it was a bit of a challenge for him -- a very all-American setting and plot. And he brings it off beautifully.

EASY LIVING takes you back to major league football circa 1949 and focuses on a star performer just before and after his career tops out. The direction is first rate and all the actors deliver top performances --- particularly Victor Mature, Lizabeth Scott, Lloyd Nolan and Lucille Ball. Lucy didn't always play comedy; no comedy in this one. On location filming --- a common asset to RKO Radio pictures --- adds a lot to this one. This Irwin Shaw drama doesn't have much football in it, but instead focuses on the lives of the people involved in sports.

First seen in 1949 at age 11, I looked for it again at Video Vault. It was issued in VHS so you can buy it or rent it if you look. Incidentally, RKO pictures weren't usually big hits 50 years ago but are sought after these days for their grit and on location filming. Savvy sellers in eBay include RKO in their headline.

Final comment: Unlike 2007's major hits like Pirates #3 and Potter #5, this film has an actual story, beginning, middle, end ---not relying on an overpowering musical score to sugarcoat junk. It's apt to appeal to grown-ups --- actually 11 and up.

It is difficult to determine where this story is set -- period. The sports team in "Easy Living" is the Chiefs, the helmets worn by this teams are those of the Rams, but yet this team (and ultimately, this story) is based in New York City.

Well, the Kansas City Chiefs began as the Dallas Texans and never existed as a franchise in New York City. The St. Louis Rams, and their iconic ram horn helmet design, has only been seen in three markets, Cleveland, Los Angeles and St. Louis. Again, a club that was never in New York City.

It is also more than odd that the main character, a quarterback, wears number 66, not a customary number for a quarterback to wear. But, it is this lack of accurate detailing that reveals a project mired in vagaries.

These type of historical inaccuracies reveal a more deep-seated lack of focus from this film. Despite its promise, Easy Living just lacks any type of focus. The plot slides around seemingly unsure of where it wants to go or needs to go. primarily, the essential points in the plot development are buried behind a lot of pointless distractions...and characters.

This perpetually 'out-of-focus' plot is enhanced by dialog which is trite, and contrived. It seems the writers of this screenplay were hellbent on being melodramatic and vague.

The movie seems to starts somewhere in the middle. Unfortunately, Easy Living runs like a stage play that is missing too many essential scenes, not just the beginning!

Easy Living is not a light comedy, despite the presence of Lucille Ball, Jim Backus and Jack Paar. Neither is it really a sports movie, though it's set in the world of professional football. Irwin Shaw wrote the novel on which it's based – the story of a man who's approaching midlife knowing nothing but how to play ball. The movie version proves surprisingly textured and involving, which ought not to be surprising, as the director is the ever resourceful Jacques Tourneur.

Victor Mature is a New York gridiron hero whose game is starting to slow down; in fact, he finds out he has a heart ailment which spells early death if he keeps on playing. But his quest for a cushy coaching job is handicapped by his ambitious wife (Lizabeth Scott). She's not cut out for the den-mother duties a coach's wife must shoulder, as she's trying to make a success of her interior design business despite her own handicap of commanding neither taste nor talent – a handicap she overcomes by luring monied clients romantically. So in addition to his health and career crises, Mature faces a marital one as well.

The large cast includes Lloyd Nolan as the club's owner and Lucille Ball as his widowed daughter-in-law, who works for the team and nurtures a crush on Mature. Tourneur shows his craft in coaxing a subdued and touching performance from her; he surpasses that by drawing from Scott, especially in a self-pitying drunk scene, the only piece of real acting she ever committed to film.

Easy living ends too abruptly (it clocks in at only 78 minutes) but there's nary a false note or a slack stretch in it. Made near the peak of the noir cycle, which accounts for its minor-key tonality (the score, by the way, is by Roy Webb), it springs yet another surprise in being one of the first films to find a dark side in that American institution, professional football.