PUNTUACIÓN EN IMDb
6,9/10
2,7 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA vain businessman puts a strain on happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.A vain businessman puts a strain on happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.A vain businessman puts a strain on happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.
- Dirección
- Guión
- Reparto principal
Nancy Reagan
- Helen Lee
- (as Nancy Davis)
Dorothy Abbott
- Model
- (sin acreditar)
Mimi Aguglia
- Grandma Senta
- (sin acreditar)
Joel Allen
- Interne
- (sin acreditar)
Ernest Anderson
- Redcap at Airport
- (sin acreditar)
Reseñas destacadas
The main theme of this movie is one that has played out so many times in movies and books (and life): a man (James Mason) cheats on his wife (Barbara Stanwyck) with a woman (Ava Gardner) who gives him the thrills she cannot. The affair was over, but now she's back. He resists, but she points out that fireworks are not something to be taken lightly: "Maybe it wasn't love, maybe it was only chemistry, or the right combination, or a miracle. But most people drag through their whole lives without finding it. We both know that, don't we Bran?" And when he tells her he doesn't want to see her again, she purrs the sexy double entendre "I'll do exactly what you want Bran, exactly what you want."
Gardner is just brilliant, oozing raw desire and channeling Jean Harlow in "The Red-Headed Woman" when she later gets slapped by Mason. Instead of being hurt, she eggs him on, knowing his passion is rising, and knows "that's what you're missing at home", and "you want to be rotten like me." Stanwyck plays the virtuous wife with quiet grace, though I thought she was too reserved in a showdown scene with the outlandishly mean Gardner. It's always great to see her movies though, and she does play 'hurt' and 'conflicted' well.
There is a lot of star power here, with Cyd Charisse and Van Heflin also in the cast, and even an appearance from Nancy Davis, who of course would later be Nancy Reagan. As Stanwyck is betrayed by Mason, she turns to Heflin, and it's quite clear they're mutually attracted. Heflin is so smooth and likable, and there is dignity in his acknowledgment of his love for her without resorting to adultery, in direct contrast to Gardner and Mason. Mason and Stanwyck may have gotten top billing, but I think they were upstaged by Heflin and Gardner.
As the pressure ratchets up, both Mason and Stanwyck find themselves needing to make choices, though Mason's is disrupted by an event I won't spoil. There are some events that might be too convenient as it plays out, but there is reality and passion here, and I enjoyed this film.
Gardner is just brilliant, oozing raw desire and channeling Jean Harlow in "The Red-Headed Woman" when she later gets slapped by Mason. Instead of being hurt, she eggs him on, knowing his passion is rising, and knows "that's what you're missing at home", and "you want to be rotten like me." Stanwyck plays the virtuous wife with quiet grace, though I thought she was too reserved in a showdown scene with the outlandishly mean Gardner. It's always great to see her movies though, and she does play 'hurt' and 'conflicted' well.
There is a lot of star power here, with Cyd Charisse and Van Heflin also in the cast, and even an appearance from Nancy Davis, who of course would later be Nancy Reagan. As Stanwyck is betrayed by Mason, she turns to Heflin, and it's quite clear they're mutually attracted. Heflin is so smooth and likable, and there is dignity in his acknowledgment of his love for her without resorting to adultery, in direct contrast to Gardner and Mason. Mason and Stanwyck may have gotten top billing, but I think they were upstaged by Heflin and Gardner.
As the pressure ratchets up, both Mason and Stanwyck find themselves needing to make choices, though Mason's is disrupted by an event I won't spoil. There are some events that might be too convenient as it plays out, but there is reality and passion here, and I enjoyed this film.
Compelling. This film took me by surprise - I couldn't resist it. Stanwyck is always 100% watchable and moving and she's smart and Van Heflin is a man's man and a very subtly intense actor. Ava Gardner was outstanding and Cyd Charisse is excellent. Mason is not my cup of tea but he pulled it off. These are actors who move with fluid grace and attack their lines and we just don't have American actors like this at present. I watched it a second time because it was seamless and sexy in a very subtle way. The clothes are gorgeous too. All of the intimacy between Heflin and Stanwyck and the easy way he had of just declaring himself was exciting. I was too young to appreciate this actor before, but I'm old enough now to want men to be men in films again.
Mervyn LeRoy does it again. Exquisite cast, superb production >and tight story line make this a must see. Several persons in >this saga want revenge, but you'll have to see how it shakes out >to see just who gets whom. Barbara Stanwyck and Van Heflin are >united on screen once again (The Strange Loves of Martha Ivers) >with an unbelieveable supporting cast. Gale Sondergaard, Ava >Gardner, Cyd Charisse and Nancy Davis make up the bevy of head- >liners and head-turners in a film about love, lust and morality. >See how James Mason figures in with a great ending where some- >one makes a point and leaves no doubt what it's all about.
Check out that cast list... the first EIGHT names are all HUGE, or became huge eventually. They must have blown the budget on just the payroll. Even further (farther ?) down the list, there are biggies. Wm Frawley (FRED!) and Vito Scotti. Poor Barbara S... kept getting nominated for Oscars; should have won it for sure for a couple of those. Stanwyck had just made a run of GREAT films during the 1940s, so it's no wonder this one isn't as well known. In this one, Jessie (Stanwyck) confronts her husband's mistress Isabel (Ava Gardner). James Mason is the playboy husband Brandon Bourne, and tries to have his cake and sleep with it too. Some amazing, big time co-stars - Van Heflin, Nancy Davis Reagan, Cyd Charisse, Gale Sondergaard. Bad stuff happens, and then the cop (a young Williamm Conrad) tries to figure out who-dunnit... so many suspects and motives. Really great film... surprised we don't see this on TCM more often, but so many movies, only so much time, i guess. Directed by Mervyn Leroy, who had worked on some biggies during the 1930s and 1940s.
Can someone respond to let me know why the name "Lorrison" was featured in so many movies around this time? I have never heard of a person in real life with that name; yet it pops up over and over. And here, the character played by Ava Gardner is never referred to is Isabel but always, always, by both names.
I first saw this movie on TV as a teenager and assumed that life in Manhattan would be like this, just as thought the publishing world would be as it's portrayed in "The Best of Everything."
This has very chic settings -- the East side locations much more believable than the brief excursion into the West side area ostensibly the scene of Heflin -- and Stanwkyck's -- childhood.
The acting is good. The plot is engaging. Decent lines. The direction, though, is very static. All the style comes from the presumably Sutton Place location and the elegant interiors and from the fabulous cast of real movie stars, with James Mason a suave cad prefiguring his brilliant Humbert Humbert a bit more than a decade later.
Gale Sondergaard is amusing as Stanwyck's elderly mother. At one point, she says, "I'm 55 years old." Interesting, as in real life she was only eight years older than Stanwyck, who was 42 when this came out.
Still and all, this movie has stuck in my head for many years as the epitome of chic. The actors are all plausible as socialites, and Gardner is properly gorgeous and evil as a (very) beautiful girl who's hustled her way over from the wrong side of the tracks.
It's fun, but it could have been really great, given the performers, the original author and the screenwriter.
I first saw this movie on TV as a teenager and assumed that life in Manhattan would be like this, just as thought the publishing world would be as it's portrayed in "The Best of Everything."
This has very chic settings -- the East side locations much more believable than the brief excursion into the West side area ostensibly the scene of Heflin -- and Stanwkyck's -- childhood.
The acting is good. The plot is engaging. Decent lines. The direction, though, is very static. All the style comes from the presumably Sutton Place location and the elegant interiors and from the fabulous cast of real movie stars, with James Mason a suave cad prefiguring his brilliant Humbert Humbert a bit more than a decade later.
Gale Sondergaard is amusing as Stanwyck's elderly mother. At one point, she says, "I'm 55 years old." Interesting, as in real life she was only eight years older than Stanwyck, who was 42 when this came out.
Still and all, this movie has stuck in my head for many years as the epitome of chic. The actors are all plausible as socialites, and Gardner is properly gorgeous and evil as a (very) beautiful girl who's hustled her way over from the wrong side of the tracks.
It's fun, but it could have been really great, given the performers, the original author and the screenwriter.
¿Sabías que...?
- CuriosidadesGale Sondergaard, who plays Barbara Stanwyck's character's mother, is only eight years older than Stanwyck in real life (at the time of filming, 50 vs. 42).
- PifiasWhen Josephine enters Jessie's room while Jessie is crying after reading the paper about the previous night's events, the interior door has a deadbolt lock on it but no corresponding plate or bolt is on the door's edge. This is a common shortcut of set carpenters; the same is seen with Isabel's apartment door.
- Citas
Nora Kernan: Jessie looks wonderful tonight.
Brandon Bourne: She has you to thank for her looks, darling.
Nora Kernan: And you! When a woman gets more beautiful after she's married, it means her man is either making her very happy or very unhappy.
Brandon Bourne: Oscar Wilde?
Nora Kernan: No, Belasco.
- ConexionesReferenced in Moving Pictures (2016)
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is East Side, West Side?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- East Side, West Side
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.754.000 US$ (estimación)
- Duración1 hora 48 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Mundos opuestos (1949) officially released in India in English?
Responde