PUNTUACIÓN EN IMDb
6,9/10
2,7 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA vain businessman puts a strain on happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.A vain businessman puts a strain on happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.A vain businessman puts a strain on happy marriage to a rich, beautiful socialite by allowing himself to be seduced by a former girlfriend.
- Dirección
- Guión
- Reparto principal
Nancy Reagan
- Helen Lee
- (as Nancy Davis)
Dorothy Abbott
- Model
- (sin acreditar)
Mimi Aguglia
- Grandma Senta
- (sin acreditar)
Joel Allen
- Interne
- (sin acreditar)
Ernest Anderson
- Redcap at Airport
- (sin acreditar)
Reseñas destacadas
Extremely busy marital melodrama which (rather unsuccessfully) lapses into a homicide investigation! New York City socialite Barbara Stanwyck loves and trusts investment counselor husband James Mason--even though he has a penchant for disappearing after-hours and returning home at four in the morning. Turns out old flame Ava Gardner is back in town; she's a high-class man-chaser who won't take no for an answer. Screenwriter Isobel Lennart, working from the novel by Marcia Davenport, starts things off routinely, but keeps adding characters until the scenario is bubbling over like a stew-pot. Van Heflin does wonders with a shapeless role as a war correspondent/ex-detective who ends up in jilted Stanwyck's kitchen, flirting with her in Italian, while Gardner is offered some juicy repartee (when Mason calls her "cheap", Ava replies, "That's what you like about me."). A country square-dance is curiously transplanted to a Manhattan penthouse, and Beverly Michaels' supporting performance congeals into high camp; still, Barbara and Van have an immediate rapport--one that is not apparent in her scenes with Mason (who doesn't help his cause by portraying the cad-husband like a petulant boy). Stanwyck, outfitted and coiffed like a lady ten times her age, initially doesn't have much to do, but Lennart's script soon has her traveling all over the city--east side, west side, and beyond. It's a nervous, flighty picture, paced exhaustively by director Mervyn LeRoy, but overall quite watchable. **1/2 from ****
Barbara Stanwyck was a great actress over a long and distinguished career and this is an enjoyable drama about the lives and loves of upper income New Yorkers in the late forties. But as much as she delivers her usual sterling performance, I couldn't help but feel sorry for her as she is upstaged in the glamour stakes by both Cyd Charisse and Ava Gardner who are both at the apex of their beauty. A secondary niggle relating to the casting has both Babs and Cyd fighting for the affections of Van Heflin. Van Heflin!! On the other hand James Mason is well-cast as the weak-willed sleazy husband. Overall an impressive entry into the "woman's picture" of the forties genre.
As everyone knows, I don't like Ava Gardner, so usually if I like one of her movies, I say I like it "in spite of her." East Side, West Side is fantastic, including Ava, not in spite of her.
James Mason is married to Barbara Stanwyck, and in the 1940s, it was unusual for Hollywood to cast a woman past per prime as the lead. Some would say that's still the case now, and Barbara Stawyck, in her gray-streaked splendor, does a fantastic job. As does the fantastically conflicted James Mason, who gets seduced by his old flame Ava Gardner. As if one temptation isn't complicated enough, Barbara Stanwyck gets distracted by policeman Van Heflin! It's a fantastic drama that turns into so much more as the film goes on, and I'd love to read Marcia Davenport's original novel, to see if the Ava Gardner scenes are even steamier on the page. I love the script and the characters, not to mention the compelling storyline. It's thrilling, smart, romantic, and intense. This is one classic you're not going to want to miss!
James Mason is married to Barbara Stanwyck, and in the 1940s, it was unusual for Hollywood to cast a woman past per prime as the lead. Some would say that's still the case now, and Barbara Stawyck, in her gray-streaked splendor, does a fantastic job. As does the fantastically conflicted James Mason, who gets seduced by his old flame Ava Gardner. As if one temptation isn't complicated enough, Barbara Stanwyck gets distracted by policeman Van Heflin! It's a fantastic drama that turns into so much more as the film goes on, and I'd love to read Marcia Davenport's original novel, to see if the Ava Gardner scenes are even steamier on the page. I love the script and the characters, not to mention the compelling storyline. It's thrilling, smart, romantic, and intense. This is one classic you're not going to want to miss!
Compelling. This film took me by surprise - I couldn't resist it. Stanwyck is always 100% watchable and moving and she's smart and Van Heflin is a man's man and a very subtly intense actor. Ava Gardner was outstanding and Cyd Charisse is excellent. Mason is not my cup of tea but he pulled it off. These are actors who move with fluid grace and attack their lines and we just don't have American actors like this at present. I watched it a second time because it was seamless and sexy in a very subtle way. The clothes are gorgeous too. All of the intimacy between Heflin and Stanwyck and the easy way he had of just declaring himself was exciting. I was too young to appreciate this actor before, but I'm old enough now to want men to be men in films again.
Check out that cast list... the first EIGHT names are all HUGE, or became huge eventually. They must have blown the budget on just the payroll. Even further (farther ?) down the list, there are biggies. Wm Frawley (FRED!) and Vito Scotti. Poor Barbara S... kept getting nominated for Oscars; should have won it for sure for a couple of those. Stanwyck had just made a run of GREAT films during the 1940s, so it's no wonder this one isn't as well known. In this one, Jessie (Stanwyck) confronts her husband's mistress Isabel (Ava Gardner). James Mason is the playboy husband Brandon Bourne, and tries to have his cake and sleep with it too. Some amazing, big time co-stars - Van Heflin, Nancy Davis Reagan, Cyd Charisse, Gale Sondergaard. Bad stuff happens, and then the cop (a young Williamm Conrad) tries to figure out who-dunnit... so many suspects and motives. Really great film... surprised we don't see this on TCM more often, but so many movies, only so much time, i guess. Directed by Mervyn Leroy, who had worked on some biggies during the 1930s and 1940s.
¿Sabías que...?
- CuriosidadesGale Sondergaard, who plays Barbara Stanwyck's character's mother, is only eight years older than Stanwyck in real life (at the time of filming, 50 vs. 42).
- PifiasWhen Josephine enters Jessie's room while Jessie is crying after reading the paper about the previous night's events, the interior door has a deadbolt lock on it but no corresponding plate or bolt is on the door's edge. This is a common shortcut of set carpenters; the same is seen with Isabel's apartment door.
- Citas
Nora Kernan: Jessie looks wonderful tonight.
Brandon Bourne: She has you to thank for her looks, darling.
Nora Kernan: And you! When a woman gets more beautiful after she's married, it means her man is either making her very happy or very unhappy.
Brandon Bourne: Oscar Wilde?
Nora Kernan: No, Belasco.
- ConexionesReferenced in Moving Pictures (2016)
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- How long is East Side, West Side?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- East Side, West Side
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.754.000 US$ (estimación)
- Duración1 hora 48 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Mundos opuestos (1949) officially released in India in English?
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