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In a beautiful and serene park setting, disheveled Olivia de Havilland (as Virginia Stuart) sits on a bench talking to herself. As it turns out, she is a 24-year-old mental patient. Believing she is in a prison, Ms. De Havilland does not recognize loving husband Mark Stevens (as Robert Cunningham). In a flashback, he begins to tell de Havilland's story. Later, she is able to elaborate events for kindly doctor Leo Genn (as Mark Kik). Unhappy events from de Havilland's childhood could provide a clue to the origin of her mental problems and put her on the road to recovery...

This film was considered shocking for revealing the despicable conditions mental patients suffered in institutions. There is a prison-like environment and the soundtrack music horrifically pounds while de Havilland receives electro-shock treatment. Other than that, the conditions are relatively good. De Havilland receives excellent care from "Doctor Kik" and the facility is spacious and well-maintained. The staff is commendable but for exacting nurse Helen Craig (as Miss Davis), who delivers exceptionally in one of the film's many small supporting roles. There are dozens of others...

If extras could still participate in "Academy Award" voting, Anatole Litvak's "The Snake Pit" might have won more than one of its six nominations. Still, de Havilland's remarkable work won her several of filmdom's most respected 1948 "Best Actress" honors, including the "New York Film Critics" and "National Board of Review" awards. Generally remembered for lighter, more secondary roles in the 1930s, de Havilland would follow-up with a most stunning performance in "The Heiress" (1949). Her acting in the 1940s made de Havilland one of the decade's finest dramatic actresses.

******** The Snake Pit (11/4/48) Anatole Litvak ~ Olivia de Havilland, Mark Stevens, Leo Genn, Helen Craig

Virginia Cunningham (Olivia de Havilland) finds herself in a state insane asylum... and cannot remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms.

Stephen King says this film terrified him as a child, because he felt that he could go crazy at any moment (and worst of all, not even be aware that he was crazy). And, indeed, there is something terrifying about this film. While many films have taken place in mental hospital, I think very few really address how normal most mentally ill people are most of the time, or the fine balance between sane and insane.

I do not know much about Olivia de Havilland, but she really pulled all the stops here. If she is capable of this level of intensity, she probably should have been a bigger star than she was.

Anatole Litvak 's interest in madness didn't begin with "the snake pit" In one of his thirties French movies,"Coeur de Lilas" ,one sequence depicted a person gone crazy and it was already impressive.

Some will say times have changed and the hospital which Litvak depicts is a thing of the past.Sure it is.But what could he have done?Just have a look at the scenes in an insane asylum in Mankiewicz ' s "Suddenly last Summer"(1959) or those in Georges Franju's "La Tete Contre les Murs"(1960)?A decade later ,mentally ill people were still regarded as monsters.That scene in "Suddenly..." where Elizabeth Taylor accidentally ends up with the raving mad women and which is not in the original Tennessee Williams' play was certainly influenced by "the snake pit" .Some will say the Freudian methods are childish and simplistic .They are for sure.But have a look at Gregory Peck's treatment in "Spellbound" (1945) or De Havilland's in "Dark Mirror" (1946).And I love all those movies I mention.60 years on.Think of it.People will not argue when they watch a school or a prison of long ago.That's why I do not understand the "It has not worn well" which too many critics (mostly European) use when they talk about Litvak's 1948 film.

One thing which has worn well is De Havilland's performance.After being Erroll Flynn's fiancée in (excellent) movies by Walsh or Curtiz ,she tackled much more ambitious parts after the war.She was never afraid to make herself ugly

or old ("the heiress" "hold back the dawn"),she and her peer Bette Davis were actresses ahead of their time ,not just pretty faces as too many contemporary actresses are today.It's no wonder if Davis named Meryl Streep "her successor" .

In "snake pit" De Havilland's acting should be studied by future actresses .She can express everything ,and the moments when she becomes a human wreck down in a "snake pit" (the snakes might be all those arms and hands)are the most impressive.

"The Snake Pit" is based on a true story written by Mary Jane Ward in the hopes it would bring to the attention of the people, the horrors that a person faced in a mental institution at the time, pre-1948. The character, Virginia, was based on Miss Ward's own experience in a mental hospital. Even though the film was nominated for various Oscars, it only won for the musical score. I think that was probably because at the time mental illness was considered taboo. Olivia deHavilland acted the character of Virginia brilliantly as did everyone else in the film and Betsy Blair in her portrayal of Hester looked like she was completely and totally beyond help. Just look at her eyes. You will see what I mean. To this very day, I think it is the most haunting and most accurate of all films that have been released on the treatment of emotional disorders. I think all characters were portrayed as Mary Jane Ward wanted them to be portrayed, as I studied her book and watched the film while in high school in the early 1960's. Great book and a great film not afraid to show the abuse by certain medical personnel.

Considered brutal and scary in the day of its initial release, "The Snake Pit" was a ground-breaking film with its look into the horrors of a mental institution. Giving the film its vibrancy and life is the elegant Olivia De Havilland. This fine actress goes to town in this fascinating portrait of a young woman, Virginia Stuart, who, soon after marriage to the handsome Robert Cunningham (Mark Stevens) , descends into a world of paranoia and insanity. He takes her to an institution, but conditions there are foreign to Virginia. This Hollywoodization of life in a mental hospital, though tame compared to reality, still packs a punch. We follow this delusional woman as she tries to come to grips with where she is, falls in love with her kind-hearted doctor, Mark Kirk (Leo Genn), befriends other patients, and tries to hide out in the hospital. Celeste Holm has a minor, but welcome role as Grace, a fellow patient who takes a liking to and protects the confused Virginia.

What a score for the lovely De Havilland! She really gets to show her stuff in this emotional role, and got an Oscar-nomination for her efforts. And kudos to director Anatole Litvak for a wonderful, but hard-to-take visit into a woman's not-all-there mind and her institutionalized world.