Million Dollar Weekend

Gene Raymond is director, writer, and lead actor in this chase action-thriller from 1948. (One of three movies he made that year.) Not sure if his stiff, wooden performance is intentional, but it's quite a change from his earlier roles, where happy-go-lucky boy meets girl, they have some silly misunderstanding, then it's resolved. In Million Dollar Weekend, Nicholas Lawrence (Raymond) is absconding with the company funds, and gets involved with the pretty girl Cynthia Strong (Osa Massen), who thinks she is also running away from her problems. Both of their plans for flight are sidetracked, and they agree to try to solve their own problems back home. Some scenes are a little weak, such as the car chase (filmed slow, then sped up ??) and a fight in the hotel hall. Interloper Alan Marker gives the strongest performance of the ensemble. Black and white flick. Not bad, no plot holes. Would be interesting to know if the filming locations (Hawaii and San Francisco) were authentic or backdrops.

30s screen idol Gene Raymond's sole directing credit and one of his last leading roles is a nifty thriller which sees him play a trusted bank employee who, uncomfortably aware that life is passing him by, steals $1m in bonds from his employer. The robbery is simple, but reaching his ultimate destination of Shanghai proves less straightforward when he finds himself sat opposite possible femme fatale Osa Massen (credited as Stephanie Paull), who's being blackmailed by fellow passenger Francis Lederer. The routine plot is energised by a series of twists and is further bolstered by the interplay between the three leads, with Lederer standing out as a pleasingly slimy antagonist.

Gene Raymond and Osa Massen are on a plane bound for a stopover in Hawaii in Million Dollar Weekend, also starring Francis Lederer.

Raymond has just stolen a million dollars in securities from the firm where he works. Massen is running away, but to no avail. Lederer is on the plane and tells her that he knows she killed her husband.

Lederer causes no end of trouble once in Hawaii, and Massen and Raymond find they are attracted to one another. This leads to a big decision on both their parts.

Okay movie though I did not pick up a lot of chemistry between the leads. The end harkens back to Til We Meet Again.

Entertaining.

One evening company executive Gene Raymond decides to start a new life, with the company's money. He takes all the money & stock papers he can from his office safe and boards a plane to Honolulu, where he will switch to a plane to Shanghai. On the plane he meets recent widow Osa Massen (credited as Stephanie Paull), who is being stalked by family friend Francis Lederer who tries to blackmail her, as he claims he saw her kill her husband. Massen tries to use Raymond to get Lederer off her back, but it only leads to more trouble when Lederer steals Raymond's suitcase with the money & papers and heads to San Francisco, just as Raymond decides his boring life is exciting enough after all.

Despite what IMDb thinks, this movie is pretty far removed from film noir. It has a few elements with the dissatisfied, stealing protagonist and the blackmailer, as well as a potentially murderous widow, but it doesn't amount to much to be honest. The movie is fairly bland, things stay predictable and straight-forward, and while it does entertain decently enough, the ending is as predictable as they get.

Actor Gene Raymond went all out on this one, as he also co-wrote the story (with the producer) and directed it. He is pretty solid here, as are Massen and slimy Lederer. If only Raymond's writing and directing was more exciting. Heck, even veteran cinematographer Paul Ivano ('Black Angel', 'The Shanghai Gesture', 'The Suspect') doesn't excite here with only a few shadowy scenes.

A missed opportunity, there was potential here. Enjoyable in parts (and Raymond and Massen work well together) but not noir enough to earn a recommendation. 6/10

Pretty good noirish crime drama despite its obscurity. Seems businessman Nicholas (Raymond) is fleeing the city from something unknown to us. Also fleeing is unhappy Cynthia (Massen) who's being blackmailed by slimy Alan (Lederer) for killing her husband. Together they all meet on a commercial flight to Honolulu where Cynthia inveigles Nicholas to help her fend off the snarky Alan. So how will this star-crossed meeting turn out, especially with all the hidden interests. (I wish IMDB's Plot Summary hadn't disclosed Alan's secret for fleeing his job since that's a key part of the suspense.)

There's no attempt to charm the audience Hollywood style since the principals hardly crack a smile the whole way through. Massen's Cynthia, in particular, has to remain dour the whole way, hardly the typical leading lady demeanor. Nonetheless, her talent registers. Maybe stealing the show is Lederer's Alan who's about as slimy and dislikable as they come. I kept hoping his smirking good looks would get permanently cratered at some point.

As producer, director, and male lead, it looks like actor Raymond was following along path of actor Robert Montgomery who turned impresario several years earlier with Lady In The Lake (1946) and Ride The Pink Horse (1947). However, given Nicholas's dour personality, Raymond doesn't use his executive standing to elevate himself.

Anyway, don't look for a lot of action except for a scenic car chase and brief fisticuffs. The flick's really more about character and fate (the meet-ups) than cops and atmosphere especially with the scenic Hawaiian locations. Likely, the 72-minutes amounts to too much of a downer to ever gain a following. Nonetheless, the obscure production manages to carve out an oddball impact of its own.