Lady at Midnight

One night, Peter and Ellen Wiggins (Richard Denning and Frances Rafferty) are awakened at midnight by a mysterious female intruder. The next day, the woman is found dead. The plot takes a turn when the Wiggins' believe that she knew their daughter.

Meanwhile, Peter, a radio news reporter sets out to uncover the truth, in spite of phoned-in death threats.

LADY AT MIDNIGHT is a fairly silly, mostly toothless mystery. It does gain some momentum once a missing will enters the picture. The Wiggins' daughter, Tina (Lora Lee Michel) is a highlight, adding comic relief.

Worth a watch, but don't expect any pulse-pounding suspense...

Richard Denning and Frances Rafferty wake in the middle of the night to find a strange woman prowling their house. The next day she is found dead, and soon after , their adoption seven years earlier of Lora Lee Michel is challenged. Why would anyone do that? Who would kill the woman? Fortunately for this movie, Denning is a news reporter for a local radio station, and so we gt an interesting bit of mystery.

It's done on the cheap by Sam Newfield, operating under a pseudonym for distribution by Eagle-Lion, early in their transformation from bottom-of-the-barrel PRC. There's some pleasantly corny humor offered by Miss Michel and Ralph Dunn. For what was a blood-free, old-fashioned mystery, it fits the lower half of a double bill pleasantly.

Any movie that shows a child using a gas stove unattended and playing with a detective's gun can NOT be all that bad! Hey, this movie is straight forward, honest '48 entertainment. The cast, replete with an obnoxiously sweet little girl, is excellent and a lot of them are recognizable character actors of the time. The movie is a gem as a study of mid-40 home decorating, clothes, manners and attitudes. But there's a bonus, it's entertaining. Footsteps are heard at midnight by an alert mother. The parents go their child across the hall. The tyke swears that a pretty lady sat on her bed and told her she was adopted. Naturally, they don't take her seriously until things develop to where they find out someone might be trying to take their adopted daughter away and the father feels he must hire a private eye. There are enough false leads to keep you guessing until the end. I'm glad I watch this movie.

Cute little suburban, domestic thriller drama for the whole family. Unusual, surprising, agreeable Sam Newfield's feature about foster parents, adoption. So, you see, no criminals here, or nearly none. It is a good surprise, even if the little girl can be a bit annoying after a while. It is not a depressing, gloomy tale, but it is short, not so boring, despite the pace. One more proof that B pictures may bring good stuff from time to time, though not masterpieces, just good enjoyable stuff. This is a mid comedy crime film, directed by a very prolific film maker specialized in all kinds of films.

Lady at Midnight (1948)

Another Sam Newfield low budget and low quality film. Why watch any of these really sometimes miserable films? Because of themes that get handled, and for occasional moments that rise up. This one is not bad in many ways, even if it's not exactly great. Most of all it's not pretentious.

Here the thrust of the plot is interesting--a couple with a young adopted child finds that the biological mother wants the kid back. And there is a legal problem with how the adoption was handled years before.

This is pretty heartbreaking stuff. Too bad the parents are more likable than convincing in their shock at possibly losing their child. The star is really the little girl, who is cheerful and sad and clever as needed. And so you do really feel for her when she learns she might have to leave her parents. There's a memorable scene where the detective gets into a talk with the girl in the house kitchen, and they start talking guns, and the girl knows more about tommy guns than the cop. It's great, for a minute.

A wrinkle in this whole enterprise (and a good one) is that a woman snuck into the house in the opening scenes and talked to the girl (at midnight). And then she is found murdered the next morning. So this leads to a bit of danger, and in an homage to James Cagney, we see the main character (the dad) appear at an open door and fall forward and crash to the floor.

It's all in fun, and it succeeds that far.