PUNTUACIÓN EN IMDb
7,0/10
1,1 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaIn New Mexico, a cowpoke forces a banker at gunpoint to give him a loan without collateral in exchange for an IOU, but the marshal and his posse chase after him.In New Mexico, a cowpoke forces a banker at gunpoint to give him a loan without collateral in exchange for an IOU, but the marshal and his posse chase after him.In New Mexico, a cowpoke forces a banker at gunpoint to give him a loan without collateral in exchange for an IOU, but the marshal and his posse chase after him.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Walter Bacon
- Baggage Clerk
- (sin acreditar)
Reseñas destacadas
"Four Faces West" is a beautiful looking movie. It's often stunning to look at. The rest of the movie is good too. It has a fast moving, thoughtful story. It's well acted. I've become quite a fan of Joel McCrea lately. "Four Faces West" is a solid western for his resume.
This is a great Western. McCrea shows off some great horsemanship as does Frances Dee, something rarely seen in female leads. I was intrigued with the authenticity (for the time) of the Hispanic and Native Americans portrayed in this movie. Joseph Calleia, playing against type, is a middle-class Hispanic, rather than just a poor Mexican, with property and a very large extended family in the region, something that was very common in New Mexico but rarely understood outside of its borders. There are surprising Spanish phrases used throughout and I was even impressed with the McCrea character's good Spanish -- so different from other Westerns of the era. The Native Americans, shown only in the opening scene at the Pat Garrett welcome, look like they could have been Mescalero Apaches from southern New Mexico. This movie really respected all the different cultures of southern New Mexico. Finally, El Morro aka Inscription Rock, now a national monument, was a significant symbol in this movie, a testament to its importance to the many different people and cultures that "Paso por Aqui" over the ages.
As long l can remenber l've never seen Joel McCrea as bad guy, this picture show us a different kind of western, no shooting, gunfighters or villains, the whole story is driven to give a second chance that every man deserves, even asking a loan under a gun has an politeness way and promising to pay soon he can, when meets Monte as suspicious man on a train everthing seems getting worst, such ambiguous gambler that wore a black clothes giving us a false impression that double cross in near, instead this easy spoken mexican was misunderstood on purpose, the girl that he meets as nurse to care him after snake's bite stay clear love at first sigh,a gentle Garret was another high point as human's point of view, the largely beautiful dry lanscape with several fine spots including the scratch rocks is quite remarkable scene, anyway a little gem to relish in a quiet room this humanist western!!
Resume:
First watch: 2018 / How many: 1 / Source: DVD / Rating: 8.5
Resume:
First watch: 2018 / How many: 1 / Source: DVD / Rating: 8.5
This is one of those independent films that turns into a classic. A previous reviewer had noted that not a shot was fired nor a punch thrown in this western and I ran it again to be sure. Absolutely correct.
Joel McCrea is the prototype strong silent western hero, his Virginian character now moved to the southwest. He's an amiable cuss, not a bad guy, a cowboy down on his luck who needs some quick cash. He robs the bank in a town where down the street, Pat Garrett is giving a speech about law and order. The embarrassed federal marshal, played by Charles Bickford gets together a posse and pursues McCrea across New Mexico.
Along the way, McCrea meets nurse Frances Dee and gambler Joseph Calleia who has a very ambiguous part. Because it's Joseph Calleia whose stock and trade is movie criminals you expect betrayal. Actually Calleia turns out to be McCrea's friend.
When McCrea goes back on the run the plot then turns into a mini-version of Three Godfathers. I won't say any more other than with Joel McCrea as hero, you're not going to be let down.
The film was produced by Harry "Pop" Sherman who was the original producer of the Hopalong Cassidy series. Hoppy was a noble a western hero as you can get and that's what Sherman gives us here.
This is one of the few films that Mr.and Mrs. Joel McCrea did together. And it's a work they can be proud of.
Joel McCrea is the prototype strong silent western hero, his Virginian character now moved to the southwest. He's an amiable cuss, not a bad guy, a cowboy down on his luck who needs some quick cash. He robs the bank in a town where down the street, Pat Garrett is giving a speech about law and order. The embarrassed federal marshal, played by Charles Bickford gets together a posse and pursues McCrea across New Mexico.
Along the way, McCrea meets nurse Frances Dee and gambler Joseph Calleia who has a very ambiguous part. Because it's Joseph Calleia whose stock and trade is movie criminals you expect betrayal. Actually Calleia turns out to be McCrea's friend.
When McCrea goes back on the run the plot then turns into a mini-version of Three Godfathers. I won't say any more other than with Joel McCrea as hero, you're not going to be let down.
The film was produced by Harry "Pop" Sherman who was the original producer of the Hopalong Cassidy series. Hoppy was a noble a western hero as you can get and that's what Sherman gives us here.
This is one of the few films that Mr.and Mrs. Joel McCrea did together. And it's a work they can be proud of.
Four Faces West (AKA: They Passed This Way) is directed by Alfred E. Green and collectively adapted to screenplay by C. Graham Baker, Teddi Sherman, William Brent and Milarde Brent from the novel Paso por acqui written by Eugene Manlove Rhodes. It stars Joel McCrea, Francis Dee, Charles Bickford and Joseph Calleia. Music is by Paul Sawtell and cinematography by Russell Harlan.
Ross McEwen (McCrea) robs the bank of Santa Maria but requests only $2,000 and issues an I.O.U. to the bank manager with the promise of paying back the money. The bank manager, aggrieved and agitated, puts a bounty of $3,000 on McEwen's head and quickly finds the law, in the form of Sheriff Pat Garrett (Bickford), aiding his cause. But McEwen is no ordinary thief, and as he makes his way across the lands during his escape, revelations and relationships will reveal something quite extraordinary.
All the things are in place here for a conventional 1940s Western movie, with the robbery of a bank followed by a posse pursuit, a serious sheriff on the case, a pretty gal turning heads and some card playing of course. Yet this is far from being a conventional Oater. Old fashioned? Yes! Definitely, but it's a beautifully crafted picture that relies on characterisations - locations - and a story of such humanistic redemptive qualities; it demands to be better known.
It has rightly been pointed out before that no blood is shed here, no bullets are fired; in fact bullets play a key part of the story for a different reason, but the action quota here is still very high. With blazing fire tactics used at one point and pursuits through the rocky terrain very much in evidence, the pic often raises the pulses. Tension is also provided by the efforts of McEwen to evade the attentions of the posse and the law, with some intelligent and believable methods put into action. The romance angle is also thoughtful and never cloying, given credence by real life lovers McCrea and Dee, while non white actors play South American characters without charges of stereotype or fodder being brought into play.
With first grade black and white photography from Harlan (New Mexico Tourist Board done a favour here), unfussy direction by Green, and a quartet of great performances by the principal players leading from the front, Four Faces West (not the best of titles to be fair) is a treat for the Western fan. It may lack a "shock" outcome but it sure as heck fire casts off cynicism and makes you feel better about people in general. Bravo! 8/10
Ross McEwen (McCrea) robs the bank of Santa Maria but requests only $2,000 and issues an I.O.U. to the bank manager with the promise of paying back the money. The bank manager, aggrieved and agitated, puts a bounty of $3,000 on McEwen's head and quickly finds the law, in the form of Sheriff Pat Garrett (Bickford), aiding his cause. But McEwen is no ordinary thief, and as he makes his way across the lands during his escape, revelations and relationships will reveal something quite extraordinary.
All the things are in place here for a conventional 1940s Western movie, with the robbery of a bank followed by a posse pursuit, a serious sheriff on the case, a pretty gal turning heads and some card playing of course. Yet this is far from being a conventional Oater. Old fashioned? Yes! Definitely, but it's a beautifully crafted picture that relies on characterisations - locations - and a story of such humanistic redemptive qualities; it demands to be better known.
It has rightly been pointed out before that no blood is shed here, no bullets are fired; in fact bullets play a key part of the story for a different reason, but the action quota here is still very high. With blazing fire tactics used at one point and pursuits through the rocky terrain very much in evidence, the pic often raises the pulses. Tension is also provided by the efforts of McEwen to evade the attentions of the posse and the law, with some intelligent and believable methods put into action. The romance angle is also thoughtful and never cloying, given credence by real life lovers McCrea and Dee, while non white actors play South American characters without charges of stereotype or fodder being brought into play.
With first grade black and white photography from Harlan (New Mexico Tourist Board done a favour here), unfussy direction by Green, and a quartet of great performances by the principal players leading from the front, Four Faces West (not the best of titles to be fair) is a treat for the Western fan. It may lack a "shock" outcome but it sure as heck fire casts off cynicism and makes you feel better about people in general. Bravo! 8/10
¿Sabías que...?
- CuriosidadesCuatro caras del Oeste (1948) was Harry Sherman's last film. He died on 25 Sep 1952. According to modern sources, Sherman, who had made his reputation as a producer of low-budget Westerns, was particularly proud of the million-dollar Four Faces West. The picture, however, was a box office flop.
- PifiasThe mail hack was supposed to be leaving at 5 am, but the shadows are from an overhead sun indicating that the scene was filmed around midday.
- ConexionesFeatured in Frances Farmer Presents: Four Faces West (1958)
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- How long is Four Faces West?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Four Faces West
- Localizaciones del rodaje
- El Morro National Monument, near, Ramah, Nuevo México, EE.UU.(Inscription Rock)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.200.000 US$ (estimación)
- Duración1 hora 29 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Cuatro caras del Oeste (1948) officially released in India in English?
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