Añade un argumento en tu idiomaAn anthropomorphic jumping bean from Mexico causes Barney Bear no end of trouble.An anthropomorphic jumping bean from Mexico causes Barney Bear no end of trouble.An anthropomorphic jumping bean from Mexico causes Barney Bear no end of trouble.
- Dirección
- Guión
- Reparto principal
Billy Bletcher
- Barney Bear
- (voz)
- (sin acreditar)
Reseñas destacadas
While not one of my favourite cartoon characters, Barney Bear was a very funny and likable character where his sluggishness was a huge part of his charm. He was also interesting for being modelled on both his creator Rudolf Ising (who also was his first voice actor until 1941) and the mannerisms of Wallace Beery.
After ten cartoons by Ising and three by George Gordon, all decent to great, Preston Blair and Michael Lah collaborated for three Barney Bear cartoons in the late 40s. 'The Bear and the Bean' is the first of the three, and supervised by Hanna-Barbera it's by no means among the best of the series but it's pretty good. Even for a Barney Bear cartoon, that admittedly are never to be seen for their stories, the story is slight and anybody who has seen any of the previous cartoons will know exactly 'The Bear and the Bean' is heading, conceptually there's not that much variation apart from the bean character (who is nevertheless a fun pest and a good foil for Barney).
'The Bear and the Bean' also started differences to Barney's character design and personality. They are certainly well executed on their own but compared to before with Gordon and especially Ising they're not the same and not as good. Barney's originally incredibly nuanced and detailed character design was quite a bit simpler to before (did like the Tex Avery-like influence) from this point onward. Meanwhile he isn't as cranky and gruff here either, there's evidence of that but from this point it's toned down in comparison, which makes his frustration a little less easy to relate to, from this point he is almost a little too nice considering who the character was based upon in the first place.
Barney is still a fun and adorable character though and he does have a situation that makes him not at all hard to root for. Just that his previous cartoons did it better.
Animation is colourful and beautifully drawn with fluid movements and meticulous attention to detail. Really liked the Avery influence and the stylised look is sleek and elegant, it's very different to before but looks great considering budgets were not as big from my understanding at this point. The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed, even enhancing the impact of actions and gestures.
While not hilarious or original, 'The Bear and the Bean' is still amusing and has a silly charm that makes it a likable watch. Pacing is lively and it was nice that there was more an Avery-influence to the story and flow than a Disney-like one.
Overall, pretty good cartoon, particularly taking into account another director change and things being simplified, but not a great one. 7/10 Bethany Cox
After ten cartoons by Ising and three by George Gordon, all decent to great, Preston Blair and Michael Lah collaborated for three Barney Bear cartoons in the late 40s. 'The Bear and the Bean' is the first of the three, and supervised by Hanna-Barbera it's by no means among the best of the series but it's pretty good. Even for a Barney Bear cartoon, that admittedly are never to be seen for their stories, the story is slight and anybody who has seen any of the previous cartoons will know exactly 'The Bear and the Bean' is heading, conceptually there's not that much variation apart from the bean character (who is nevertheless a fun pest and a good foil for Barney).
'The Bear and the Bean' also started differences to Barney's character design and personality. They are certainly well executed on their own but compared to before with Gordon and especially Ising they're not the same and not as good. Barney's originally incredibly nuanced and detailed character design was quite a bit simpler to before (did like the Tex Avery-like influence) from this point onward. Meanwhile he isn't as cranky and gruff here either, there's evidence of that but from this point it's toned down in comparison, which makes his frustration a little less easy to relate to, from this point he is almost a little too nice considering who the character was based upon in the first place.
Barney is still a fun and adorable character though and he does have a situation that makes him not at all hard to root for. Just that his previous cartoons did it better.
Animation is colourful and beautifully drawn with fluid movements and meticulous attention to detail. Really liked the Avery influence and the stylised look is sleek and elegant, it's very different to before but looks great considering budgets were not as big from my understanding at this point. The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed, even enhancing the impact of actions and gestures.
While not hilarious or original, 'The Bear and the Bean' is still amusing and has a silly charm that makes it a likable watch. Pacing is lively and it was nice that there was more an Avery-influence to the story and flow than a Disney-like one.
Overall, pretty good cartoon, particularly taking into account another director change and things being simplified, but not a great one. 7/10 Bethany Cox
In this Barney Bear cartoon, Barney gets a Mexican jumping bean in the mail from Pedro Bear. At first he is pleased with the oddity. However, when the bean keeps jumping in a series of gags, he loses his temper.
This is the usual succession of moods in the series, and it all depends on the quality of the gags. They vary, of course, but I was particularly taken by the one involving a coat rack.
This is the usual succession of moods in the series, and it all depends on the quality of the gags. They vary, of course, but I was particularly taken by the one involving a coat rack.
Barney Bear receives a small package in the mail. It's a Mexican jumping bean from Pedro Bear. The bean has a face and won't stop jumping. It causes chaos for Barney Bear. The bean design is a bit suspect. I don't like the dolled up face. A bean should be a child-like character. That would make it more fun. Otherwise, this is a basic cartoon.
¿Sabías que...?
- CuriosidadesThis is the only Barney Bear cartoon supervised by William Hanna and Joseph Barbera.
- PifiasCartoon reality - Barney's 2-shot, double-barreled shotgun fires at least 13 shots without reloading.
As is common in cartoons (and some serious films), guns appear to have unlimited ammunition.
- ConexionesFeatured in Så er der tegnefilm: Episodio #4.4 (1981)
- Banda sonoraJarabe Tapatio (Mexican Hat Dance)
(uncredited)
Traditional tune
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Медведь и бобовое зернышко
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración
- 7min
- Relación de aspecto
- 1.37 : 1
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