Añade un argumento en tu idiomaMargaret O'Brien sings, dances and keeps the faith in this heartwarming musical drama co-starring Robert Preston, Danny Thomas and George Murphy.Margaret O'Brien sings, dances and keeps the faith in this heartwarming musical drama co-starring Robert Preston, Danny Thomas and George Murphy.Margaret O'Brien sings, dances and keeps the faith in this heartwarming musical drama co-starring Robert Preston, Danny Thomas and George Murphy.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio en total
- Lewis Keller
- (as Butch Jenkins)
- Boy
- (voz)
- (sin acreditar)
- Fighter
- (sin acreditar)
- Mike
- (sin acreditar)
- Rabbi
- (sin acreditar)
- Page Cavanaugh
- (sin acreditar)
- Drunk Barfly
- (sin acreditar)
- The Florist
- (sin acreditar)
Reseñas destacadas
As the film opens, three men, all of whom live in the same neighborhood but have differing religious and social circles, come across an abandoned infant in a basket at the steps to one of the men's apartment building...
This film, whose alternate title could have been 'Three Men and a Baby', deals with the commonalities of the Jew, the Catholic and the Protestant as they work for the common good of this baby girl. The cast is rounded out by a sweet, if not stereotypical, Jewish 'grandmother', a benevolent judge and a couple of 'love interests'.
After the initial introduction of the characters, we are left to assume that all goes well for some 10-12 years where the film picks up on the co-mingled lives of the odd family and some of the challenges faced by Midge, the infant now turned lady-beyond-her-years, in the classroom, and by her adoptive fathers in their courtships. It includes many of the aspects of today's 'reality television' shows, including 'alliances', differing moral values, and competition among participants.
Social Impact:
The movie deals nicely, if not superficially and somewhat predictably, with the issues of finding common ground to base friendships on, rather than differences upon which to build enmity.
Recommendation:
This film is timely for 1948 and for today in a world where religious differences seem to be playing a vital role in public opinion.
I recommend this film for its cinematography (B&W) and for its ability to remind the viewer that there are things worth working together for, especially the future we build for our children.
A film that was evidently not well thought of, but seeing it today with all the conflict caused by religion around the world, you realize if we can't get along in our own little corner or the world, and these characters were not, how can the greater conflicts ever be solved. Really made me stop and think. And should have been better received in 1948. 8/10
Jane
On his way home Cantor Danny Thomas finds an abandoned baby on the basement steps of his home. As it turns out Reverend Robert Preston and policeman George Murphy are on the scene as well and they're all friends. Thomas lives with his mother Lotte Lehmann. In one fell swoop with the blessing of Judge Edward Arnold the baby who grows up to be Margaret O'Brien gets three fathers and a grandmother.
But Judge Arnold made an interesting provision in deciding custody. Which ever of the men marries first there's a provision that he and his wife get sole custody. So Margaret who is now about 11 becomes the object of a legal battle when George Murphy decides to marry lounge singer Betty Garrett. Complicating things more is Preston and Thomas are both interested in Margaret's teacher Karin Booth.
Big City holds up well as a nice family film. I'm still not sure what the fuss was, despite the fact she sings in bars Garrett was a perfectly nice person. Still Arnold must have wished he could get some advice from King Solomon.
Big City is also a fine opportunity to see concert singer Lotte Lehman in one of her few film appearances. It's a good film for a family afternoon viewing.
The story is a very contrived and hard to believe....so I suggest you just turn off that pesky brain of yours and watch! It begins with three bachelors finding a baby girl and all three agreeing to raise her. To make it more tough to believe, one's a Jewish cantor (Danny Thomas), one's a Protestant minister (Robert Preston) and one's a Catholic cop (George Murphy). However nice this arrangement is, it cannot continue forever, as the men start meeting women and want to marry and settle down. So what is going to happen to little Midge (Margaret O'Brien)?
This is an odd film because although the plot doesn't sound like there should be tons of music, the film is chock full of musical numbers...mostly by Thomas and Betty Garrett...though you also hear from George Murphy and O'Brien (though she's dubbed). I honestly think having a few less songs would have helped the story, as it really didn't seem conducive to so much music. Other than that, the film is enjoyable...even if O'Brien is a bit older and not quite as cute as she'd been in prior films. I was prepared to give it a 7 but the end was so schmaltzy that I couldn't see scoring it this highly.
¿Sabías que...?
- CuriosidadesMarni Nixon, famed for doing similar voicing duties on El rey y yo (1956) and West Side Story (Amor sin barreras) (1961), sings for Margaret O'Brien in the synagogue choir scenes.
- Citas
[first lines]
Midge: [voice over] Back in nineteen thirty-seven, our street was pretty much like it is today. One end was the settlement house where you could find the Reverend Phillip Andrews almost any time of the day or night. If you ever needed a policeman, there'd be Patrick O'Donnell coming around the corner. He was a good friend to all the kids in the neighborhood, and to the grown-ups too. Sometimes while he was walking his beat, he'd stop and listen to the music coming from the temple down at the other end of the street. It would be the cantor singing and the boys choir.
[Cantor David Feldman and the boys choir are seen performing Kol Nidre in the temple]
Midge: [voice over] One Sabbath evening after service, Cantor Feldman was on his way home.
Passerby: Good evening, Cantor Feldman.
Cantor David Irwin Feldman: Oh, good evening.
Midge: [voice over] As he started up his front steps, he heard a funny little noise.
Cantor David Irwin Feldman: [looking around] Here kitty. Here...
Midge: [in Cantor Feldman spotting a newspaper covered basket, and removing the newspapers to find a baby crying inside] It was me.
- Créditos adicionalesThe following general acknowledgment is listed following the opening credits: "This picture is dedicated to people who like people."
- ConexionesReferenced in El farol azul (1950)
- Banda sonoraGod Bless America
Written by Irving Berlin
Performed by Marles Noie (uncredited), Margaret O'Brien (uncredited), Robert Preston (uncredited), Danny Thomas (uncredited), George Murphy (uncredited), Betty Garrett (uncredited), Karin Booth (uncredited), Edward Arnold (uncredited) and Jackie 'Butch' Jenkins (uncredited)
Selecciones populares
Detalles
Taquilla
- Presupuesto
- 1.725.000 US$ (estimación)
- Duración1 hora 43 minutos
- Color
- Relación de aspecto
- 1.37 : 1