Time Table

You would think that by 1956 nobody could breathe new life into a train robbery tale. But in this film there are two major surprising twists, one near the beginning and then one smack in the middle.

Because half a million was taken in the robbery, a crack insurance investigator has his vacation to Mexico postponed to solve this crime. He is paired up with a bulldog of a railroad detective. Very shortly the pair determine that this crime was meticulously planned. But because it is obvious the crooks were working by a "time table" (thus the title), the railroad investigator says that is their weak link. Find a place where they couldn't make their time table, and the case should be something that can be cracked.

This is somewhat like a film noir and somewhat like a crime drama - a bit half and half. The interesting theme here is that of a normal middle class person turning to crime not because of one small bad decision snowballing or some life event causing a desperate need for money beyond their means, but because of living a life of "quiet desperation". Maybe this film is not remembered so much because that theme has become quite common in the decades that have passed. But in the "I Like Ike" 1950s, the idea of somebody not being happy with a chicken in their pot and their suburban tract home was almost blasphemy.

I'd highly recommend it. I haven't given too many details because to say much at all would spoil it for you.

A funny coincidence - Actor Raymond Bailey as the insurance company executive, calmly stating that if the crime cannot be solved and the loot recovered, then the company may have to pay out half a million. Bailey played skinflint banker Milburn Drysdale during the 1960s in the Beverly Hillbillies, and THAT character would have had a heart attack over losing such a sum!

It's remarkable how many actors from the Golden Age of Hollywood began or ended their careers making crime pictures ( or horror movies). Mark Stevens is a case in point. He began promisingly enough with the stylish noir The Dark Corner in 1946 and basically ended it with Timetable ten years later. Was he a classic Marlowesque private eye in the first one, in Timetable the rigors of maintaining a Hollywood career have visibly and morally taken their toll. Directed by Stevens himself, all the glamour of the classic noir is drained from both the look of the film as from the protagonists. Stevens has the look of a man who has seen too much and has basically given up hope that his life will change for the better. Even his last desperate attempt to turn his life around seems doomed from the start. Which is not helped by the strict moral code of the day that is constantly underlined, namely that Crime Doesn't Pay. The plot is a little convoluted, but then that's not what we watch these movies for. Stylistically it has little going for it,and small effort was made to avoid a stage-bound look. But the performances are adequate enough and especially Stevens is totally convincing as the world-weary protagonist. For noir fans this one is certainly worth a look.

After robbers steal $50,000 from a train, an insurance investigator (Mark Stevens) is assigned to investigate, who in fact one of the ring leaders of the train robbery and needs to make the investigation seem credible.

Produced, directed by and starring Stevens, this is an interestingly plotted crime thriller written by Aben Kendel that contains plenty of twists and turns with some decent changes in direction with Stevens' character trying to double cross his co-thieves.

This is a fast paced crime thriller involving a well synchronized heist of $500,000 from a train. Insurance investigator Charlie Norman (Stevens) and railroad detective Joe Armstrong (Calder) are called in to investigate the crime. The gang of thieves seem to have thought of everything and covered their tracks well. But then things start to unravel and the gang's leader kills one of gang members who is on the verge of telling all to the police. Armstrong is a dogged detective who pays attention to the smallest detail and whose motto is "There's no such thing as a perfect crime." That's certainly so in this case. Stevens does an okay job as Charlie Norman but he doesn't have a particularly striking screen presence and often delivers his lines too flatly. Even so, this movie has a couple of great twists and maintains interest throughout

I seen many bad reviews for this film and I just do not get it. I love it, it may not be the greatest film ever made but I love it. It is cheesy and I am okay with that. If you watch it without being overly critical it is a fun watch. It has its twists and turns which keep you interested. The plot is pretty decent and for the time original. If you like this genre of film you should really enjoy this one. Mark Stevens does a credible job as the lead and it is the earliest film I believe I saw Jack Klugman in. Ignore the nay sayers and give it go it may not be the best film you have seen but it will keep you entertained and in the end that is all a film is supposed to do. Yes there are some issues with the film but it was not a big budget movie and they do a brilliant job with what they are given. Try it, you won't regret it.