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IMDbPro
Cleo Moore in Over-Exposed (1956)

Citas

Over-Exposed

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  • Russell Bassett: [to Lila] If I thought a beating would bring you to your senses, I'd have done it myself.
  • Lila Crane: [to her rival photo girl] I could make more money for Les snapping pictures than you could trapping furs in a checkroom.
  • Coco Fields: I believe you'd use your grandmother's bones to pry open a cash register.
  • Max West: I could you use you for posing.
  • Lily Krenshka: What kind?
  • Max West: Not that kind. Bathing suit art. Strictly for tourists. Pays four dollars an hour.
  • Lily Krenshka: Just for wearing a bathing suit?
  • Max West: No. For lookin' as if you're never intendin' to swim in it. Try one of those on for size.
  • Lily Krenshka: It's a pretty good racket for a dame.
  • Max West: It isn't a racket. It's hard work. It takes years of experience.
  • Lily Krenshka: And sex is no handicap.
  • Russell Bassett: Come on.
  • Lila Crane: Where are you going?
  • Russell Bassett: You want to use a darkroom don't you?
  • Jasan's Studio Photographer: You need a few pointers. I tell you what, come around tonight around closing time. I'll - show you the angles.
  • Lila Crane: Don't look now, mister, but your angles are showing!
  • Renee: Some night, one of these guys you promise to meet is gonna give you a rough time. Oh, I'd like to see that.
  • Lila Crane: Why don't you promise to meet some of them? Or doesn't anybody ask?
  • Russell Bassett: If you be a good girl I'll buy you breakfast in the morning.
  • Lila Crane: I'll be good.
  • Coco Fields: What do you want?
  • Lila Crane: I'm Lila Crane.
  • Coco Fields: Oh, yes. You're the girl my backers have recommended to me. You're sure you know your business?
  • Lila Crane: I'm a good photographer, Mr. Fields. I do my own developing, retouching. I have special lens and I can shoot in color.
  • Lila Crane: I was in the midst of doing an advertising layout for 'Dainty Girl Lingerie'.
  • Jerry: You think Backlin would let himself be bluffed by a two-bit cookie?
  • Max West: What are you doing Lila?
  • Lila Crane: Freezing a hot potato.
  • Russell Bassett: I won't have my wife working in a nightclub.
  • Russell Bassett: Can you cook?
  • Lila Crane: Maybe with a can opener.
  • Russell Bassett: [as Basset and West commiserate in the bar, after Basset calls to Steve, the bartender] Another round?
  • Max West: No, no thanks. I uh, I haven't been drinking as much since I first met Lila.
  • Russell Bassett: That's odd. I've been drinking more.
  • Max West: Well, on second thought, I...
  • Russell Bassett: [as Steve arrives in front of them] Two more, Steve.
  • Steve the Bartender: [as he takes away their empty glasses] Comin' up.
  • Lila Crane: I couldn't get anyone up there to look at my pictures even upside down. And they're good.
  • Russell Bassett: Yeah. They're very good.
  • Lila Crane: So.
  • Russell Bassett: So what you need is a hot news shot. Love crazed killer runs amok. Man attempts suicide leap from the empire State.
  • Lila Crane: Or me diving in the nude from Brooklyn Bridge.
  • Russell Bassett: Well that really would be a hot news shot. Let me know where you live. Something might turn up.
  • Lila Crane: I'm sure. You would. Don't call me, I'll call you.
  • Lily Krenshka: Let go of me! I don't like being hustled by the fat hands of the law! I didn't do anything wrong.
  • Max West: You take a nice picture - even when you have your nose rolled up for a fight.
  • Lily Krenshka: One more bum rap for Lily Krenshka.
  • Max West: Since when has life been noted for its fairness.
  • Max West: It can only see what you want it to see. It can even change that slum where you were raised by exposing it. Don't forget that - Lila.
  • Lily Krenshka: Lila?
  • Max West: Lila Crane. More elegant than Lily Krenshka. Lila Crane. It's a fine ring: Photos by Lila.
  • Max West: Lily, did you ever hear of hellfire?
  • Lily Krenshka: Hear about it? I lived it!
  • Lila Crane: I guess I better hunt up another place.
  • Russell Bassett: Well, there's my hotel.
  • Roy Carver: Who's the new flash girl?
  • Les Bauer: Oh, her name's Lila Crane. Isn't she a doll?
  • Les Bauer: You're fired, as of now.
  • Renee: Glad to! Another girl can't make a living with this - beetle around!
  • [exits]
  • Lila Crane: Did you hear what she called me? I'm sorry, Les.
  • Les Bauer: Oh, you don't think I blame you. Why, you've got nothing in common with that kind. Nothing whatsoever.
  • Lila Crane: Its just that there's so much jealousy when girls work together.
  • Lila Crane: Arm higher. Head back. Open your eyes. Wet your lips. Hold it. Jump, Freddy.
  • Roy Carver: People can get their throats cut for that sort of double-cross.
  • Lila Crane: Mine's still in tact.
  • Roy Carver: So, keep it that way.
  • Coco Fields: You may work out. Naturally, you'll look entirely different when I get through selecting your wardrobe.
  • Lila Crane: I have an evening gown.
  • Coco Fields: Come back in an hour. I have no faith whatever in your taste.
  • Lila Crane: Where there's money, there's Lila. Green becomes me.
  • Mrs. Payton Grange: Even if one's bones are creaking a bit, one must march with the times. Have you heard? I'm learning the mambo.
  • Mrs. Payton Grange: Coco, you found a genius. Come on, darling, let's mambo.
  • Russell Bassett: What do you think of her, Max?
  • Max West: Well, I'm very fond of Lila. When we're older we don't look for perfection in our friends. She wanted a career, she got it.
  • Lila Crane: I'm just a working girl like any other, you know.
  • Lila Crane: Isn't all this wonderful. I'm going to be on Shirley Thomas' "Phone Call to a Personality" in 20 minutes. And it's the most important daytime show in New York. Shirley hates my incise; but, she's been angling for a TV evening spot from the Club Coco and she knows how I stand with Coco, so...
  • Lila Crane: [on the phone] I think it would be better if we met at a public place, don't you? Say, the 46th Street Automat?
  • Roy Carver: Look, honey. Let's not trip over our ethics.
  • Lila Crane: Good night, Roy. The picture's not for sale.
  • Roy Carver: Have all those flash bulbs gone to your head? Do you know what that picture's worth?

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