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This oceans saga features the sole survivor of a lost whaling ship who relates the tale of a white whale and the captain Ahab's obsession with desires for vendetta upon the greatest animal . It starts in New Bedford , Massachussets, where arrives a novice named Ishmael (Richard Basehart) who signs aboard the whaling ship Pequod and befriends a Polynesian native , harpooner Queequeg (Friedrich Ledebur) . He meets captain Ahab (Gregory Peck) who has a self-destructive obsession to hunt the white whale , Moby Dick . Ahab consecrates his life to hunt it full of hating and vengeance . Soon enough Ishmael aware about the great white whale who claimed the captain's leg and Ahab's determination to seek avenge on the beast that crippled and scarred him , no matter what the cost to himself , his crew or ship .

This impressive adaptation based on Herman Melville's 1851 classic novel is vividly brought to screen . Suspense and tension of the ocean is completely captured , including enduring images as the storm with the 'fire of Saint Telmo' . Climatic final battle is an overwhelming piece of cinema as you are likely to watch . Huston, along with prestigious Sci-Fi author Ray Bradbury wrote a screenplay that was faithful to the novel , stamping this movie with epic images and thought-provoking dialogs . In his memories , Huston wrote that it was his most difficult and enduring film . Huston decided to do the opening sequences at a small village called Youghal located on Irland coast and the maritime scenes were filmed in Islas Canarias , Spain . The FX experts created a great whale made with gum and plastic and moved by means of remote control . Huston bought to Walt Disney the ship used in 'Treasure Island' (by Byron Haskin) and was modified as Herman Melville described the Pequod . Top-notch main cast who realizes extraordinary performances . Peck is fabulous , though Huston had wanted to make the movie 20 years earlier and star his daddy Walter Huston . Phenomenal support cast as Bernard Miles as Manxman , James Robertson Justice as captain Boomer , Harry Andrews as Stubbs , and Leo Genn who steals the show as officer Starbuck . Cameraman Oswald Morris's breathtaking color cinematography splendidly conveys the bleaker qualities of the chase . Exciting and rousing musical score by Philip Stainton and well conducted by the usual Louis Levy . Rating : Above average , quite a few moments that click make this top-of-the-range movie more than watchable . It results to be one of the most thrilling and moving see sagas ever realized .

It's remade in 1998 TV series by Franc Roddan with Patrick Stewart ,Henry Thomas , Bill Hunter and Gregory Peck who takes on the character of Jonah-and-the-whale sermonizing Father Mapple who in this classic adaptation was vividly played by Orson Welles . Furthermore recent lousy rendition full of computer generator FX starred by Barry Bostwick and Renee O'Connor .

When John Huston was casting for Moby Dick he got to make it on condition that he get a name actor to play Ahab. He went to Gregory Peck who was surprised by the offer. Given his image and the roles he had played up to that time, Peck thought he'd be better cast as Starbuck the first mate. Nevertheless he agreed to do Ahab.

Peck got mixed reviews at the time, but over the course of 50 years his performance has gotten better with time. The film itself which was shot in Ireland and Wales has also aged well. It's a nice depiction of life on a whaling ship in the 1840s and the crew of the Pequod are nicely cast in their roles.

Orson Welles was set to do his own adaption of Moby Dick and canceled his film when he heard his friend John Huston was doing Moby Dick. Welles asked about doing Ahab, but was given the small role of Father Mapple, the minister who blesses the Pequod's voyage. In fact Huston gave Welles a free hand to do the scene as he saw fit and the results are gratifying.

Of course Herman Melville's novel is about obsession and vengeance. I've always thought the point of Moby Dick is that the evil white whale who Ahab so personalizes and demonizes is just a whale doing his whale thing trying to stay alive. It is in fact the whalers who hunt him and his kind. And Ahab losing his leg is what we would call an occupational accident. The evil is how Ahab seduces the whole crew into his own madness, even first mate Starbuck, played winningly by Leo Genn who is the voice of reason and civilization.

Other cast members to note are Harry Andrews as second mate Stub, Friedrich Ledebuhr as Queequeg the Pacific Islander harpooner, and of course Richard Basehart as Ishmael who tells the tale.

I red Herman Melville's book "Moby Dick" some years ago and though the story was really captivating and I enjoyed it very much but somehow it seemed too long to me. This film version by John Houston lasts a couple of hours and I think it works very good as a resume of Captain Ahab's revengeful chase of the white whale. Don't get me wrong: the book is a classic and a very good one too but it is movies we're talking about here.

"Moby Dick" is a real good adventure film and Houston's direction is pretty accurate. He delivers the plot slowly but constantly up to the moment we are all waiting for: the appearance of the whale ("huge as mountain of snow"). In the meantime he shows the different characters on board the "Pequod" such as the professional Mr. Starbuck, the second in command; the tough and at he same time friendly Mr. Stubb; the mysterious Queequegg with his body covered by tattoos; and Ishmael the newcomer in search for adventure.

But the center of the whole thing is Captain Ahab with his leg ripped of by the white whale and living with the only purpose of taking revenge of the beast. Nothing else matters for him. And so obsessed Ahab is that he finally passes his madness into his men too.

Gregory Peck brings a fine performance as the tortured and insane Captain and he shows perfectly he has been a dead man long before his meeting at sea with Moby Dick. Leo Genn is good too as well as Harry Andrews as Stubb (I can't recall a bad performance from Andrews in all his many appearances as a supporting actor). Richard Basehart is correct in the role of Ishmael, though perhaps his acting is a little too light here.

The final battle between the men and the white whale is outstanding or even more if you consider it was made with the special effects of the 50's. Huston shows his skill here too.

Watch this film if you missed it (don't go for that recent too long all computer TV version starring Patrick Stewart as Ahab); you'll sure enjoy it if you like high classic adventure with psychology in the characters too.

"We are all killers, on land and on sea," wrote Herman Melville more than 100 years ago. But the artistic failure of a recent television adaptation of his greatest work shows that some are killers, too, on screen. Movie makers. Butchers. Their guts are now gorged with Moby Dick.

"Majestic" raved "TV Guide" about USA Network's production of Melville's book. Reading that review I had a fantasy where Captain Ahab, with his sublime limp, walks into the magazine's office, shoves director John Huston's 1956 film of Moby Dick into the VCR, points to the screen and defiantly exclaims:

"There's majesty for you . . . "

. . . in the faces of men. Huston's film benefits from its intelligent casting of the seamen. The actors in the recent production are just pretty-boy imports from Los Angeles, rabble-rousers lacking the dignity that is gained from a lifetime of duty. But that dignity is plainly visible on the rugged faces of the men in the earlier film. One rarely sees that anymore.

. . . in the faces of women, too. The images of the women suffering as they watch their men go off to sea are utterly devastating, they hold so much emotional depth, so much beauty. The attention to detail in Huston's film is striking: the hairs on the chins of the old women, the tired, thick-skinned expressions of the wives and widows, the heavy shawls covering their heads.

. . . in the performances. Over 40 years ago when Orson Welles gave his performance as Father Mapple (a role which only a person with a special kind of magnificence could successfully take on), Gregory Peck might have been busily preparing for his role as Captain Ahab in the same film. What a testament to Peck's stature as one of our leading actors that throughout his career he could play not only Captain Ahab but also, in the recent production, Father Mapple.

. . . in the color. Huston's film is in Technicolor, a technique which produced colors not even seen in nature. The sky is now blue now red now green. The water is brown, pink, gray. Colors blend. Colors clash. By comparison, how banal the colors of our post-Technicolor world!

. . . in the mouth. The seamen have the exquisite mouths of pipe-smokers. The upper lip tight and stiff after so many hours pulled down in the puff.

. . . in the eyes. My favorite scene is where Peck as Captain Ahab famously proclaims: "Speak not to me of blasphemy. I'd strike the sun if it insulted me." The lighting, the acting, everything here is superb. The camera is focused tightly on Peck's face. The stark appearance of his eyes -- the tense, black irises all surrounded by gleaming white -- seems to reveal the subtext of the story. His eyes electrify!

John Huston's film says more in its two hours than USA Network's says in four; it suggests a lot and explains little, whereas the latter tries to explain a lot but says nothing. A great film, it doesn't butcher Melville's Moby Dick but adds to its power.

"The sea, where each man, as in a mirror, finds himself". Mysterious, haunting and most of all, honest account of the passions and tribulations of life at sea. Stand-out performance from Gregory, given free reign to let rip at a brilliant script. "Is it real? Do you see it?"; "Aye, we all see it, but that doesn't mean it's real". You can tell a quality film when the lead star is kept off screen as in this movie, for the first half hour. Extraordinary moments a-plenty here

For those folks that want great literature without having to read a 500-page tome, then this Readers Digest like condensation might be the ticket. All the high points of Moby Dick are touched on starting with 'Call me Ishmael," and so on.

As all have already pointed out, Gregory Peck has nailed the Ahab character. You got me how he managed the whalebone peg leg. The obsessive rush to take vengeance on the great whale boils in crazed Ahab's head and certainly his crew one by one catch the fever for either greed or blind allegiance. Therefore, our allegorical story full of biblical references mete out large portions of philosophical sophisms, enough for the entire Humanities Departments at fifty Universities to burn the midnight whale oil; oh, the reams of paper written about poor Moby, we're talking deforestation here.

If ever there was a story to get young men to read Lit, Moby Dick is the one.

Gregory Peck gives a riveting portrayal of Captain Ahab, a man obsessed with hunting down the white whale, Moby Dick, who disfigured him years earlier. I haven't read the Herman Melville novel on which this film is based so I can't comment on it as as adaptation. Standing alone as a

film however, it was very entertaining. Peck draws the viewer in and makes him believe in (and fear) his obsession. The audience instantly becomes familiar with the hard life and the hopes of Ahab and his men

as they engage in the ageless confrontation between man and nature. The special effects are suprisingly good for the era in which they were created. Very good film, 8/10.

If you have ever read the Herman Melville story of Moby Dick, then you will know how hard it must have been for John Huston to turn it into film. Thanks to Ray Bradbury's screenplay and great acting, this film became a classic. That it is not in the top 250 IMDB rated films is a shame. I hope that this is due to it's limited showings and therefore not being seen by many of this site's users. From the start to the finish the film is well paced. The casting of Gregory Peck as Captain Ahab was wise. He commands the role well. Orson Welles appearance as the minister is also a treat to behold. Welles shows that he can add so much to a film whether it be a small role or a large one. Special effects are the only thing that could have been a bit better done. However, in 1956, depicting a great white whale with an attitude was not an easy accomplishment film making wise. This film does go into the relationship between man and God, so some folks will no doubt be prejudiced against the film. Keep in mind the story's time period and locale. The seafaring men of New England really did once hold God close to their heart. Melville's use of a whale to depict the struggle was good. Huston getting it onto film was even better. Sorry, I like the film better than the book. MM

I love this movie since I was 5 years old. Sometimes I watched it three or four times per week and I never got tired. It was a beautiful adventure and Gregory Peck was (and still is) one of my favorite actors. Only after, I understood all the philosophical connections, which are in the movie, but I'll think forever of it as a great adventure. Moby Dick is very frightening, especially when she jumps out of sea and falls with the mouth opened on the screaming crew of the "Pequod". But also Captain Achab is terrific with his obstination and foolish obsession. I love when he appears, dead, bound to the whale, and makes that sign to his men to follow him and also Starbuck, who seemed the most "quiet" is captured by his captain's obsession. This movie will remain forever in my heart.

I enjoyed the heck out of this movie. It's an honest attempt to bring the great novel to the screen, and there is no reworking or Hollywoodizing of it. The story progresses and the characters are believable.

There is, however, a continuing flaw in many movies when an actor of the wrong age is cast for a particular part. This gives us things like a 22-year-old kid playing Superman and 70-year-old Robert Mitchum playing a World War Two Navy captain. (Captains are typically in their early 40s.) That happens here. Gregory Peck effectively conveys the obsessive madness of Ahab, but he is just plain WAY too young. Melville's Ahab is 58, which was considered old in the middle of the 19th century. Peck himself is said to have noted he was not right for the role and that it demanded more than he had in him at that age.

Here's a thought.

This happens in reverse in another superb seagoing film, "The Caine Mutiny" (1954). Humphrey Bogart, then over 50, plays a 30-something Navy LCDR. Again - Bogie nails the part, but he's just plain WAY too old.

What if we go back in time and have Bogart play Ahab and Peck play Queeg? Bogie would be marvelous as the mad, obsessive Ahab, and Peck could bring off the dark, disturbed, unbalanced Queeg just right.

Both are marvelous movies with terrific lead characters - but both stars are twenty years wrong in age.

Get the DVDs and view both and see what you think.

I know that there are people who cherish this film, so take this review with a pinch of salt, and I hope I don't upset anybody. I didn't hate Moby Dick, I was just disappointed. It is definitely worth watching, especially if you love John Huston. Speaking of John Huston, I think he is a terrific director, and I think he directs decently here. Some of the cinematography is very nice and a number of scenes throughout the course of the movie are very nicely shot. The score is also good, not overpowering but atmospheric, while the great white whale is adequately menacing if not terrifying, if anything I found Moby Dick much more frightening in the book. In terms of acting which is a perfect case of the supporting players being better than the leads, Orson Welles comes off best as Father Mapple, he is quite excellent.

However, despite these good things, there were some disappointments too. Herman Mellville's book is absolutely brilliant, if you haven't read it, do. While I am not going to try comparing, I'll be frank- the book is better, much more complex and suspenseful. The film does make a very noble attempt to keep true to the spirit of the book which I appreciated greatly, but there are some assets where the film fell short. The pacing is very slow at times, so some scenes feel very draggy and drawn out, and the script is perhaps too wordy, a valiant attempt to stick close to the source material no doubt. What hurt the film most though was the miscasting of Gregory Peck as Captain Ahab. Captain Ahab is a very complex figure, very demonic in his presence, a man who is bitter, angry and mad to his core, there were times in the book I was more frightened of Captain Ahab than Moby Dick himself, but Peck doesn't come close to reaching these character traits. In fact, he was rather dull here, and I don't think it helped he was too young for the character- it was if he was overwhelmed slightly by a character that was a little out of his league. Peck once thought that Huston himself should've played Captain Ahab; actually thinking about it that mayn't have been too bad an idea. Richard Basehart tries his best, but he is playing a character that is too young for him, so he doesn't quite convince, though I will say he was better than Peck.

Overall, this was a disappointment, but it is definitely worth seeing. 5/10 Bethany Cox

Some critics panned this pic when it came out - Peck too wooden, the script too cliched, etc, etc. Don't believe a word of it. I saw this one when I was 8 or 9, and for years I watched it every time it came on TV - even in B&W! Peck isn't wooden, he's intense and fascinating (my favorite scene: in his cabin, saying to Starbuck, "That bed is a coffin"). The language may sound stilted, but it's MELVILLE'S, and the cast sink into it with conviction.

Some critic (I don't know which) has said that Moby Dick (the book) is an "uncomfortable masterpiece" - or something like that - meaning that it's a hard pill to swallow. The movie is bound to be a hard pill for many viewers as well. But that's their loss. Huston's movie is a great big powerful thing - you believe in Peck's crazy passion, in Starbuck's gentleness, in Ishmael and Quequeg's bond, in the evil of the whale, even.

Another favorite sequence: the Pequot becalmed, the crew lying about under the intense sun, slowly going crazy. The climactic chase is superb and thrilling, of course; what it all adds up to is a film about the elements, and our relationship to them. The whale is just the biggest of a whole slew that constantly threaten to destroy us. Nature, our natures - all the things we fight against with our intelligence, that threaten to engulf us.

Beautiful film, one of Huston's best. I find the analogy with Hitler/Nazis in an earlier comment very interesting. Another would be with an earlier Huston film, The Treasure of the Sierra Madre - another film about people taking terrible chances for reasons that don't stand up to a lot of examination, whose biggest obstacle turns out to be themselves. By the way, will someone please rerelease Moby Dick in a restored version so we can get a really good look at all that glorious Technicolor?

Moby Dick was an engrossing novel written by Hermann Melville in the 1840s. I read it while in high school sixty years ago; and I found the book interesting when they were not discussing minutia about whale products. The characters were far more interesting than the products. John Huston removed that minor flaw of Melville's tale, and has nothing but the characters and the story for our pleasure. At times, his direction is heavy-handed and a bit Shakespearian (not that there is anything wrong with that as Seinfeld would say). But for the most part, Huston keeps us glued to our seats; especially after Ahab (played over the top by Peck), makes first contact with Moby. A good film to view, whether you have read or not read the book.

"Moby Dick" is one of the great adventure films of all time, and one of the greatest psychological stories ever told. Ahab & his quest for the White Whale have reached the status of a cultural icon, but this film was wonderful when it was released, remains wonderful today, and will I think stand the test of time well into the future.

I'd heard that even Gregory Peck himself had been talked into believing that his performance was 'wooden', but that is hogwash. This is probably Peck's greatest performance, and that's saying something.

"Moby Dick" takes us into two strange and unfamiliar worlds--that of the 19th-century whaler and its crew on a global hunt for whale oil on the high seas, and that of Captain Ahab's mind. A great adventure and a great obsession intertwined, inseparable.

The script was a brilliant adaptation of a difficult book. John Huston & Ray Bradbury put this together and managed to use a number of lines directly from the book in the sometimes odd vernacular of the period that gives certain scenes and dialogue such presence and authenticity.

From the odd first spoken line in the film, the voice-over of Richard Basehart saying "Call me Ishmael", the brilliantly constructed initial scenes that brought us, the audience, down to the sea as they brought the young Ishmael to it, the wonderful scenes in The Spouter's Inn where Ishmael meets innkeeper Peter Coffin and some of the Pequod's crew, notably Stubb, who goodnaturedly challenges Ishmael's seagoing ambition and, when convinced that he is authentic, introduces him to the inn's customs and celebration. And the unforgettable, wonderful and strange Queequeg with his head. Who wouldn't want to join a whaling voyage with this lot?! Peck's Ahab is one of the most compelling and memorable characters ever portrayed on film, and the transformation of the crew to carry out Ahab's obsessive search for the White Whale even against their better judgement was wonderfully portrayed and is the singular most important element of the story & of this script.

It is absurd to describe what happens in this film, and I will not. Suffice to say that this is a great film, one I can watch from time to time with almost the same frequency as 'Casablanca'.

Moby Dick (1956)

Stunning low key color, remarkable special effects, a stern Gregory Peck as Ahab, and a cast of ruffians and odd characters from the world 'round. This is about as good as you can do with the novel, which is huge and which depends often on long passages of brilliant writing. Some of the monologues are here, and they are a high point of the script.

The tale is amazing, filled with metaphors of man's free will, his relationship to God and Nature, his duty to captain and to self, and his fighting for survival. It's also about legends and myth, and it transports us to a time mostly gone where the seas were more mystery than mere vastness. Everything is done by hand, and one pleasure of the movie is seeing an accurate depiction of the times, and the industry.

You do wonder now and then why the movie isn't even better. Why doesn't it really shake you to the bones, or make you question the meaning of life, or get weepy for the whale? Maybe it's because the language and the ideals are 150 years old. Times do change. The currents are the same, the big ones, but they get put forward (and illustrated) in a way that feels, well, illustrative. Allegorical. Which is terrific, but something less palpable. Interesting to see Ray Bradbury helping Huston with the adaptation.

I also don't know how to view Peck's job as Ahab. There is something perfect about him, very consistent, and strong (and that voice). But maybe Ahab was a little scarier and more mysterious than this (that's my memory from the book). Ahab was not just large, in life, but larger than life. Like the whale.

A remarkable effort, for sure. John Huston's manly ethic finds a perfect palette here. And without Bogart, but with a small part for a Walter Brennan-like bit actor Royal Dano, and great sermon by Orson Welles.

Ahoy there me hearties, did you happen to see, the biggest white whale, as big as can be; riven by scarring, barnacle strewn, the mind of a demon, tattooed by harpoon.

It's a tough book to crack but the filmed story leaves us under no illusion of the barbarity of man over his perceived kingdom, and one man in particular, the tormented tyrant of the Pequod. Outstanding performances all round, none more so than the gnarled and knotted Ahab presented by Gregory Peck.

Very minor spoilers ahead.

John Huston did a fantastic job adapting Melville's masterpiece for film. Ray Bradbury did an excellent job adapting the dialogue and exposition from the novel for the film. he took giant and important chunks of essential dialogue, without needing to take up the extraneous scientific jargon or soliliqiues that are better suited for the printed page than the screen. He remains faithful to Melville's vision, and the important symbolism is there. It's a very difficult job, and Melville's novel is a very difficult book to adapt, but Bradbury, who apparently hadn't read the book before adapting it, did one hell of a job.

The actors are great, and it's a shame they didn't win any Oscars. Gregory Peck is excellent as the sullen, vengeance-driven Captain Aheab. He made the role his own, and knew when to be passionate and when to be calm and quiet. Some parts of the novel may seem wordy to viewers, but are important in conveying Melville's meaning, such as Father Mapple's sermon on man's obedience to God. If you have a short attention span, and only like action films that are short on substance, this movie is not for you. Everyone else must do themselves a favor and watch this classic. This is an adaptation for the ages.

Moby Dick is one of those novels that is so highly touted one wonders if it's worth all the hype. I haven't read all of the book (there's still some time, hopefully, before I die to get it all in), but from just skimming the surface it is legitimately great literature, a kind of simple-yet-profound sense of the essential flaw of human ambition, and of the horrors with a "wrath of God" in the form of a vengeful sea captain. It might not be the easiest read- and some of it's "authentic" 19th century language has been brought over to the screen without much change (lots of 'ye's and such). But it is a bona-fide classic for all times, and John Huston doesn't disappoint even as he crams in the film for a two-hour "Hollywoodized" treatment. His film of Melville contains the God-fearing and God-abiding that is brought into question, making it a lot like a very powerful modern religious parable as much as an adventure picture- without making it seem preachy. It's a handsome epic, with a punch of a ride for its last half hour, and a helluva crazy, determined force to be reckoned with at its center (not talking about the whale, of course, the captain Ahab).

And there's the wonderful characterizations Huston and Bradbury capture so well. From Queequeg, with his tattooed body and placid face and cannibalistic tendencies (he sells his heads, after all, before going on the ship with Ishmael), as played by Friedrich Ledebur with a quiet level of enthusiasm and a deep sorrow when he realizes he will die and makes up his coffin. To Starbuck, the one "sane" character on the ship, who will abide by God's bidding- which is to do the whaling that they've been placed by God to do- and tries his best to have order with his one-track-minded Captain. To the host of supporting characters by Stubb and Peleg. And of course Ishmael, who, by default as the observer of all things on the ship, stays a lot of the time in the background with his narration reflecting his wide-eyed view of this new way of life he's apart of and the realization he faces when there's no going back (Baseheart might be the only so-so actor in the picture, doing what he can to make him a believable presence, though I pictured someone younger in the part).

But none is more amazing than the big Captain himself. Gregory Peck was thought as being a little "not right" for the part of Ahab, that a star who's played many a good hero plays this ultimate bad-ass, one of the quintessential figures of self-destruction manifested by the scars he carries and makes his marks to face off against the white whale. Peck fits in it, somehow, as such a force, who gives him soul when there shouldn't be any, and just those touches of conflict that get brushed away from completing his doomed quest (watch his face when they come across the other ship, where the captain's children have died, and Ahab just freezes up and leaves them to go on with the hunt). It's hard for an actor, especially of Peck's talents of focusing all of the energy and humanity (however in this case soured) in the eyes, to not soak up a character like Ahab. He's a symbol as much as a hero-turned-bad. He leads those under him right into the path of the big beast, who takes away their (possible) God given choice for his own determination. Killing the whale, for Ahab, is like killing a part of himself, what's underneath the "mash" which he can't stand. Allegory? Why not?

It's such rich material that it would need a director like Huston to pull it off. And while I'm sure there would be detractors for a film that didn't contain all of the scope of the novel, there's enough put in that it doesn't feel compromised. It's often beautifully shot by Oswald Morris, a typical but still very rousing score by Philip Sainton, and the special effects and sea action pack a wallop some five or so decades later. Who wouldn't I recommend Moby Dick too? Probably Green Peace people; they'd be the first to take Ahab out.